There are a few things to consider when choosing a backdrop size, including the size of your studio and the size of your subject. Portrait subjects should typically be pulled at least 3’ away from your backdrop to prevent shadows and allow for easy lighting. Of course, this distance your subject will be from the backdrop will be altered when taking overhead or backlit/high key shots. Below, we’ll discuss both the length and width restrictions of common backdrops.

If you're looking for photography lighting kits for beginners, keep an eye out on product descriptions to make sure your kit contains these two essential elements. The type of lighting kit photography you'll need will be dependent upon whether you take your photos inside or outdoors. You can find affordable photography lighting kits for beginners on eBay with many options to chose from.
Great photography doesn’t always involve buying the most expensive camera on the market. Certainly, great cameras yield very good results. But even the best camera can’t perform to its best level without great lighting in the scene. Quite often, that great lighting will come from the sun with outdoor photos. However, when you have to shoot indoors, you need to provide your own lighting. Although you can produce this lighting with an on-camera flash unit, photography lighting sets provide the best quality of light. You also can make significant adjustments to the intensity and direction of light when using a set, giving you maximum control of the photo quality.

This Studio portrait umbrella Kit is easy to use and setup. These lights work great with digital cameras. It is ideal for all level photographers. It is a complete kit with a complete background supporting system with case. 3 section cross bar open up to 9ft and 8ft height. THREE 6' x 9' muslin backdrop(black, white and green) and a continuous lighting umbrellas kit.
The Julius Studio background curtain set features an aluminum alloy construction to ensure durability and portability, and photo clams made of synthetic nylon to provide a strong grip and prevent the canvas from slipping out. Another great thing is that it’s adjustable in width (5-10.3 ft) and height (2.6 -7.5 ft). In addition to this, the set includes quality sandbags for stability.
I ordered this backdrop, because I've been recently getting into some basic photography and needed a backdrop in a standard, simple color. Please note that included with your purchase is ONLY the backdrop and clamps for it. The stand is sold separately. It came shipped to me in a smaller flat box. The backdrop itself was wrapped in a cellophane bag inside the box. The five spring clamps were in a smaller cellophane bag inside the box as well. The clamps were very good quality-they stayed closed without any slipping. The stitching and fabric quality looked very good, especially for the price. It's not thick enough to completely block out any light behind so be prepared to plan accordingly. It is not too thin either though in my opinion. The thinner material makes for easier storage. And yes it does have wrinkles when you unfold it, but that is easy ... full review
We had so much fun on Christmas with this backdrop and the accessories. We had an ugly Christmas sweater dinner and we took so many photos using this. It was like an ongoing photo session. The back drop is very sturdy and was put up for the next holiday season. I used a hot glue gun to attach the sticks to the props rather than using the tape strips that were included.
These lights worked perfectly for what I purchased them for - as part of the backdrop for my Christmas pictures. They are a great, long length and width and shine brightly, but they are not overpowering. I had no issues stringing them up at all. They have a steady on mode as well as several different blinking modes. My only complaint is that the plug did not fit into my standard outlet - it was very loose and kept sliding out, so I had to tape it in to use it. Also, there is no off switch, so these have to be unplugged when not in use. Like I said, though, they worked great for my intended purpose.
For our session I tried to keep Mr. C about 3/4 of the way up from the lights on the wall and towards me (right around where you are seeing the garland and red ornaments in the above photo).  I was sitting only as far back from him as I had to, to get what I wanted of him in the frame (keeping in mind the three criteria above).  Using the garland and ornaments for props helped because he just played with them wherever I set them down.
I am helping a friend’s daughter with her wedding planning and want to make a backdrop like this for the wedding ceremony. Can you elaborate on how the strings of lights were plugged in and whether they all “hung” versus the string light hanging down and then looping back up, if that makes sense? I like the look of them just hanging but it seems like plugging a bunch of individual ones would be hard. Am I making this too complicated?!
I shoot videos and portraits of classical and acoustic guitarists and have a small collection of backdrops I carry around. The StudioPRO 5' x 7' Blue Collapsible Twist Muslin is one of my favorites: convenient to transport, fast to set up and easy on the eye. It's a blue muslin marbled with random patches of white and darker grayish blues, almost resembling the sky with popcorn clouds. I love how it photographs and my sample is a little darker and more attractive and than the product photos.

I'm a professional photographer and purchased this on the chance that it was as advertised. I shoot 8th grade graduation dances and have always used a black backdrop to make the images "pop". I was worried in buying this that there would be a lot of maintenance in getting the wrinkles out...worked perfect from package to hanging on the frame! Awesome product and well worth the money!


A 5 or 6-foot wide backdrop is a great size for headshots and ¾-length portraits. These backdrops are easy to manage and still only requires minimal space to set up. These backgrounds are ideal for event photographers who often work in busy spaces or for photographers working in a small home studio. While 5 to 6-foot backdrops offer more flexibility than 3.5-foot backdrops, they still become a bit tight if when photographing a couple or full-length portrait.
To start constructing this DIY backdrop, measure how thick your elbow is compared to your curtain rod, and add electrical tape around the end of the rod until you have a tight fit. For most people, it will be easier to put a little bit of tape on at a time, testing the fit every so often until it’s snug, but measurements can give you a good base to start with. Don’t attach the rod to the elbow yet, however.
Cotton is a great photo background because it works well with the subject, especially if the lighting is properly set up. Also, if you want a backdrop that’s perfect for traveling, invest in a cotton fabric backdrop. It’s portable and easy to transport, set up, and collapse. It varies in size, too, so make sure to pick the right one before going to your location.
Having skills in a variety of lighting techniques for your photo backdrop can give you some wonderful options for creating beautiful imagery for either products or portraits. By brushing up on your exposure and composition know-how along with practicing prior to your actual shoot date you’ll quickly be able to build a portfolio showing off your creative depth.
A. Flash lighting, also called a speedlight, appears suddenly, at a high intensity. Flash lighting can “freeze” the action, allowing for a sharp photo of moving objects. Speedlights can be attached to the camera, or they can be placed on mounts away from the camera. Because the light from the flash appears suddenly, however, you won’t know ahead of time exactly what kinds of shadows the light will create.
I love this backdrop for photos; I used it for my daughters pictures to use on her first birthday card. However, as other reviewers stated, getting the creases out is nearly impossible. I took another persons idea of wrapping it around a pole (one of those long, skinny paint rollers meant for painting ceilings - so very skinny). I wrapped it around the pole and used tape to hold it in place for TWO WEEKS. While it helped with the creases a little bit, they were still pretty visible. I would love to purchase more of these for future use but am hesitant; I wish the supplier would ship them rolled in tubes as opposed to folding them.
This was a great value for the price. The backdrops photograph well, the lights are great and the stand is good. The stand didn't come with instructions to put it together, but wasn't too difficult to figure out. The backdrops did come with some wrinkles from being folded for shipping, but I have them rolled up together on a wrapping paper roll and they seem to be much better (and I haven't even ironed them yet.) I would recommend this product, especially for beginners like myself.
In this SOOC shot, you can see just how down and dirty this setup was. The backdrop is not pulled out very far and taped down only in a couple of spots. In the top left edge of the image you can see the corner of the 50 inch Apollo. This also shows that the right edge of the light is hitting the subject, allowing for a soft feathered look, but more importantly for this setup, it's allowing the rest of the box to light our background.
They are plastic, but very strong and the clamping power is quite good. The only annoyance is the little red pads on the end, swivel all the way around so if you are trying to attach something up high with one hand, sometimes they flip backwards and don't grab correctly. You just need to make sure they are facing inwards before you reach up high. I used all 6 clamps to attach a large king size sheet to a linco backdrop stand and it was enough - ... full review

A traditional backdrop support system is the most common mounting solution for photography studios. The backdrop support system consists of a 3-section cross bar and two light stands. By utilizing two of the included cross bars, the backdrop support system can mount backdrops up to 7-feet wide. By utilizing all three cross bars, this system can mount backdrops up to 10.5-feet wide. The included  stands can extend up to 12-feet high for photographing tall people, high movement, or products.
One of the advantages of using a chroma key background is that it can shorten production time by doing away with the need to change from one background to another. This kind of photo backdrop allows the photographer to freely take pictures without thinking of what background will best fit the image, as they can decide on that part later in the post-processing stage.
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