For a dramatic or edgy appearance, go with low-key lighting. Low-key lighting also focuses attention onto your subject by surrounding them in shadows instead of light. To do this, you want to ensure that your solid black backdrop is at least 3 stops darker than the light on your subject. With low-key lighting, you also need to ensure that none of the light from your subject is hitting your backdrop. Grids and flag are very helpful for this.
The backdrops used for photography are usually made of lighter material which makes it easy for the photographers to carry them around while traveling. The backdrops are usually hung as panels or can be easily draped over anything to give a particular effect. They can also be suspended from background stands by using clamps. Depending upon the type of effect needed by the photographer, the type and size of backdrop can be selected from the wide variety available. Since backdrops require some support, there are many types of background supports available that are well-suited for location work, or even sophisticated permanent studios.
Yes all the "bad" stuff they say about this product is true, it's essentially a very long roll of wrapping paper, thin, wrinkles easily. BUT that being said, if you treat it with just a little TLC this stuff performs beautifully. Photographs extremely well. Perfect for the beginner photographer on a limited budget, or like myself a more seasoned photographer with a small studio, I highly recommend this product. For the price it can't be beat! This photo was taken on the "barn wood" version.
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
Fast delivery. The product arrived in it's original box only. There was obvious wear on the box where the product inside fits snuggly against the box. There was also a hole in the lower portion of the box. When you open the box the two stands are in seperate bags (as pictured) and the two poles are together in plastic. I could see several small holes in both bags where they rubbed against the box. The biggest hole is really a cut about 1/2 long. I was disappointed but then I didn't buy the product for the bags. Taking the stands out of the bags I was surprised to find them undamaged. So, I had to put it together. It was easy to assemble and disassemble by myself. I've done it twice. (Hint: if you can't unsnap the ... full review
Having skills in a variety of lighting techniques for your photo backdrop can give you some wonderful options for creating beautiful imagery for either products or portraits. By brushing up on your exposure and composition know-how along with practicing prior to your actual shoot date you’ll quickly be able to build a portfolio showing off your creative depth.
Made from styrene, a wrinkle-free plastic, this versatile backdrop can be used as a light table, prop setup or a seamless background. Props or people on the other side of the backdrop are seen as shapes and eerie silhouettes. Placed in front of a light, it delivers a frosted glass effect. You can cut Translum with scissors, so you can whittle down a roll into any shape you desire. It’s available in three grades: lightweight, for a soft light effect with a 3/4-stop light loss, medium grade that eliminates most of the shadows and delivers a 1.5-stop light loss and a heavy grade that knocks back two stops of light (this grade is recommended for shooting tables and is cleanable). Medium and lightweight grades are sold in 60-inch x 18-foot rolls while the heavyweight grade is available in 54-inch x 18-foot rolls.
The Little Studio System is a must-have backdrop solution for photographing newborns, infants, toddlers, pets, and products. The Little Studio is essentially a 3.5 x 3.5 x 3.5-foot room in a box. This system is completely collapsible and can be paired with hundreds of available backdrops and floordrops. These backdrops attach to the system with Velcro, allowing for instant set changes and clean up.
A user also mentions that the frame feels slightly flimsy, but he hasn’t had any problems with it. He adds that he is satisfied with its performance so far and that the carrying bag is a nice bonus. However, one customer complains that the product’s measurements are not correct and that it’s not strong enough to hold the vinyl in place without dipping.
The Grand Events backdrops and scene setters you use for your next event are going to make the room look perfect. You can create any kind of scene you want, and you can impress your guests. The backdrops that you use from Grand Events are going to help you set the scene for any event, and you need to make sure that you are using these scene setters no matter what kind of setup you have. This means that you will be able to create the environment that you need. The environment is going to help you make everyone feel at home, and the backdrops will fit the party theme that you have chosen for these event. These photo backdrops and scenes work great for weddings, receptions, parties and special events. You can get them in any color you want, and you can set up something that is going to look like it came from another world. You need to get everyone in the mood of what you are trying to present, and the backdrops are going to make it so much easier for you to do the job. These scene setters are going to create a special party that will impress any guest.