In summary, the key factors to getting the backdrop and subject lit in a similar exposure zone is distance; The distance of the subject to the background and the distance of the light source to the subject. Decrease the distance of the subject to background and increase the distance of the main light to the subject to make this easier. The key factor for getting a soft and directional quality to the light is also distance, but it's the opposite. By getting the light closer to the subject, we can create a softer light with more directional qualities. Also remember that these qualities of the light are relative to the size of the light source. If you are using a smaller light source, you will need to get it in closer to hold those transitional values. If you are using a larger light source, you may be able to get your light further back and still hold those soft-light qualities. Also, if the examples and basic principles here make sense to you, you have kind of just learned the inverse square law!
This was a great value for the price. The backdrops photograph well, the lights are great and the stand is good. The stand didn't come with instructions to put it together, but wasn't too difficult to figure out. The backdrops did come with some wrinkles from being folded for shipping, but I have them rolled up together on a wrapping paper roll and they seem to be much better (and I haven't even ironed them yet.) I would recommend this product, especially for beginners like myself.
Football season is nearly upon us and Backdrop Express’s sports and stadium-themed printed backdrops are a great way to capitalize on the bone crunching. They’re available in poly paper or vinyl in either 4 x 5-foot or 5 x 6-foot sizes, or a fabric with sizes ranging from 5 x 6.5 feet up to 10 x 10 feet in a choice of light or heavyweight. The poly paper version is water resistant and has a matte finish. If you opt for vinyl, you’ll get a more durable backdrop that’s also water resistant and has a matte finish. The heavyweight fabric is a polyester/cotton knot that’s washable and wrinkle resistant with a sewn-in rod pocket. The lightweight fabric is a 100 percent polyester weave that Backdrop Express likens to a tablecloth. It, too, is wrinkle resistant, though less than the heavyweight fabric. On the plus side, Backdrop Express says the printed design is “slightly clearer” on the lightweight version. Decisions, decisions. 
A Computer Printed Photography Backdrop can be printed either on a canvas material, a wrinkle free material (Freedom Cloth), or even as a pop up portable backdrop (Twist Flex). Printed backdrops are available in a variety of styles and sizes. If you have any questions or need a little help choosing the perfect design for your backdrop, please don't hesitate to contact us at 1-800-844-5616.

Muslin is a cotton weave fabric that holds dyes and paints with ease. These backgrounds are made of lightweight material and are clamped to a background stand or even draped over anything to transform the look of a picture. As the muslin is made of thinner and lighter material, it does not show wrinkles and can be used as a neutral background or as a dramatic one. It comes in many different sizes and pattern that range from 5x8 to 30x30 feet and solid color backdrop or designer series patterned design. Muslin backgrounds can feature replicas of old master paintings, abstract patterns or marbleized patterns. This material is very portable and fairly inexpensive making it a favorite with photographers.

What type of photography studio props are you looking for? We have faux wood photography backdrops, brick wall photo backdrops, damask photo drops, nature backgrounds, bokeh photography backgrounds, bridal photo backdrops, prom photo backgrounds and so much more. The list goes on and on and one because we want you to be able to find everything you need for your backdrop needs right here on our website. We wouldn’t be surprised if you wanted to purchase one of everything.


I was a little thrown off that it came folded up in an envelop, as this lead to some significant "creasing". However, I just laid the material flat, rolled it up and hung it vertically so gravity would pull the creases out. After a couple of days of hanging, it is pretty much wrinkle free. I had been a little concerned about other reviewers' comments about the image quality (digital printing) on the actual backdrop, but mine is perfectly fine. Again, my only "negative" is that the backdrop appears to have a greater "floor depth" than what I currently have.
With a 20 or 24-foot long backdrop you’ll be able to cover just about every style of portraiture and product photography. These backdrops are great if you want to photograph a larger family full-length, or have a video shoot that requires movement. These long backdrops are great for when you want to pull your subjects far from your backdrop as well.
Made of moderately thick, heavy material, canvas used to be the most popular among photography backdrops. However, due to its bulk and cost, it has been overshadowed by muslin backdrops in terms of popularity. Nevertheless, a good canvas backdrop will last a long time and provide a classy look to your shots. While you can bring canvas photo backdrops with you, they’re best suited for studio work since they easily wrinkle when stored in a duffel bag.
To start constructing this DIY backdrop, measure how thick your elbow is compared to your curtain rod, and add electrical tape around the end of the rod until you have a tight fit. For most people, it will be easier to put a little bit of tape on at a time, testing the fit every so often until it’s snug, but measurements can give you a good base to start with. Don’t attach the rod to the elbow yet, however.
I was a little thrown off that it came folded up in an envelop, as this lead to some significant "creasing". However, I just laid the material flat, rolled it up and hung it vertically so gravity would pull the creases out. After a couple of days of hanging, it is pretty much wrinkle free. I had been a little concerned about other reviewers' comments about the image quality (digital printing) on the actual backdrop, but mine is perfectly fine. Again, my only "negative" is that the backdrop appears to have a greater "floor depth" than what I currently have.
Grab a prop and get ready to strike a pose! For every reason and every season, we offer a variety of photo booth backdrops and photo booth supplies. If you're hosting a party, you know how important it is to keep guests engaged with fun activities - it's the key to taking any celebration from drab to fab! And the best way to keep the good times rolling is by setting up your very own DIY photo booth. For birthdays, weddings, holiday celebrations, graduation parties and so much more, you're bound to find the right fit for your shindig with our huge assortment of photo booth props, accessories and backdrops. Whether you're the kind of guy or gal who like to grin cheek-to-cheek or maybe you'd rather throw up a peace sign or pose with a prop, this collection of party supplies helps everybody get camera-ready. Selfie lovers, rejoice!
For our session I tried to keep Mr. C about 3/4 of the way up from the lights on the wall and towards me (right around where you are seeing the garland and red ornaments in the above photo).  I was sitting only as far back from him as I had to, to get what I wanted of him in the frame (keeping in mind the three criteria above).  Using the garland and ornaments for props helped because he just played with them wherever I set them down.
Made from styrene, a wrinkle-free plastic, this versatile backdrop can be used as a light table, prop setup or a seamless background. Props or people on the other side of the backdrop are seen as shapes and eerie silhouettes. Placed in front of a light, it delivers a frosted glass effect. You can cut Translum with scissors, so you can whittle down a roll into any shape you desire. It’s available in three grades: lightweight, for a soft light effect with a 3/4-stop light loss, medium grade that eliminates most of the shadows and delivers a 1.5-stop light loss and a heavy grade that knocks back two stops of light (this grade is recommended for shooting tables and is cleanable). Medium and lightweight grades are sold in 60-inch x 18-foot rolls while the heavyweight grade is available in 54-inch x 18-foot rolls.

Cheryl Woods is an accomplished photographer, designer and branding consultant with a career spanning 20+ years. Her photographic work includes editorial, fashion, portraiture and product photography for major companies in the consumer products field including QVC and Hanover Direct. She received a B.F.A. in Photography from the University of the Arts and an M.F.A. in Media Design from Full Sail University. Cheryl's work has been exhibited at the Lowes Museum of Art in Coral Gables, FL, The New York Independent Film Festival and the Rosenwald Wolf Gallery in Philadelphia, PA. Check out her website here!

The idea is to hang this backdrop so that some of the floor print is actually hanging up off the floor and this works very well. The full-length photo shows this way of hanging the backdrop. However, it also works very well if you just hang the backdrop so that the brick is straight up and the floor print is on the floor. The creases from the item being folded are not avoidable, but I did not do a thing to try to remove them and, as you can see, they did not cause any problems in these photos. I am very careful to fold the backdrop when I'm done with it on exactly the same creases so as not cause any further creases or wrinkles. It's easy to do, but a large floor area is very helpful when folding. The smaller sized one might be a better option if you shooting only single subjects. I bought the LimoStudio backdrop frame LimoStudio Photo Video Studio Adjustable Muslin Background Backdrop Support System Stand & Cross Bar, AGG1111and the two together are awesome. I truly love this product!
I ordered this backdrop, because I've been recently getting into some basic photography and needed a backdrop in a standard, simple color. Please note that included with your purchase is ONLY the backdrop and clamps for it. The stand is sold separately. It came shipped to me in a smaller flat box. The backdrop itself was wrapped in a cellophane bag inside the box. The five spring clamps were in a smaller cellophane bag inside the box as well. The clamps were very good quality-they stayed closed without any slipping. The stitching and fabric quality looked very good, especially for the price. It's not thick enough to completely block out any light behind so be prepared to plan accordingly. It is not too thin either though in my opinion. The thinner material makes for easier storage. And yes it does have wrinkles when you unfold it, but that is easy ... full review
For a dramatic or edgy appearance, go with low-key lighting. Low-key lighting also focuses attention onto your subject by surrounding them in shadows instead of light. To do this, you want to ensure that your solid black backdrop is at least 3 stops darker than the light on your subject. With low-key lighting, you also need to ensure that none of the light from your subject is hitting your backdrop. Grids and flag are very helpful for this.
The latest addition to our lineup, these are serious solutions for serious exhibitors who need much more powerful and attention-grabbing setups than backdrops or backgrounds: a single system and they will create the perfect walk-in booth for your expo or promotional event. They assemble swiftly, they're lightweight, durable, highly portable, and you can add vivid custom graphics.
Chromakey gives you the ability to insert your photography client into a background of your choosing by having them pose in front of a vibrantly colored screen. You can do this in post-processing programs by removing and replacing the chromakeyed color with the background of your choosing. While you can technically chromakey any color, opting for a very exaggerated color, neon green or blue, will reduce the chance of your client accidentally looking like a floating head without a body because you chromakeyed the color of their dress.

Nice strong clamp. Seems well made for an inexpensive gadget. Very handy addition to the things you can mount a camera to when either you don't have a tripod or the tripod just won't work. I have not tried it with the SLR but should hold well unless the camera is quite large or with a long heavy lens. Probably best with P&S or the smaller SLR & lenses.

Some canvas backdrops include subtle patterns that provide an interesting but neutral background that doesn’t compete with a portrait subject for attention. Darker backgrounds can be used for low-key lighting, while a lighter, well-lit photo background can create a completely different high-key mood. Canvas backdrops at Adorama range in price from around $135.00 for a 5×7 to $270.00 for an 8×8-foot cloth.
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