With a 20 or 24-foot long backdrop you’ll be able to cover just about every style of portraiture and product photography. These backdrops are great if you want to photograph a larger family full-length, or have a video shoot that requires movement. These long backdrops are great for when you want to pull your subjects far from your backdrop as well.
This Studio portrait umbrella Kit is easy to use and setup. These lights work great with digital cameras. It is ideal for all level photographers. It is a complete kit with a complete background supporting system with case. 3 section cross bar open up to 9ft and 8ft height. THREE 6' x 9' muslin backdrop(black, white and green) and a continuous lighting umbrellas kit.
Velour backgrounds are a relatively thick but lightweight material that is available in 40x5 to 8x12 inches. They give you the look of seamless without the hassle of getting crumpled up and ruined. Most are made of wrinkle-resistant fabric and can be reused again and again. Even though these backdrops are not available in a wide range of patterns and colors, they are perfect for those looking for low maintenance backdrops.
Easy to use and looks good in portraits. I used a stand by Fancierstudio and clips by LimoStudio and got this backdrop set up nicely. It's plenty long, and looks like you could cut it up and use it to cover a larger area, however I wish it were wider. It's just barely wide enough for a good portrait, but not any wider. It looks good if you put your subject a foot or so in front of it with a large aperture and get some bokeh on it.
A traditional backdrop support system is the most common mounting solution for photography studios. The backdrop support system consists of a 3-section cross bar and two light stands. By utilizing two of the included cross bars, the backdrop support system can mount backdrops up to 7-feet wide. By utilizing all three cross bars, this system can mount backdrops up to 10.5-feet wide. The included stands can extend up to 12-feet high for photographing tall people, high movement, or products.
The fill light for this shoot is also a Profoto D1 1,000W strobe in a Westcott Apollo Orb, which is camera right and with the light sitting about waist height. This light is also pulled back a bit further than the main to give a wider spill. Since I am using my lights to do two jobs, lighting the subject and the background, I am not gridding and instead placing them so that one edge of the modifier is pointing towards the edge of the seamless and the other is towards the subject.