Easy to use and looks good in portraits. I used a stand by Fancierstudio and clips by LimoStudio and got this backdrop set up nicely. It's plenty long, and looks like you could cut it up and use it to cover a larger area, however I wish it were wider. It's just barely wide enough for a good portrait, but not any wider. It looks good if you put your subject a foot or so in front of it with a large aperture and get some bokeh on it.
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When it comes to studio photography, various kinds of accessories can be used to help you get the most of your pictures including backgrounds, copystands, copylights, rail systems and much more. Although the camera is the most important tool used to capture images, a nice backdrop can make the difference between a drab photo and a spectacular portrait. Unique photo offers a variety of different backdrops and background accessories from simple seamless backdrops to intricately painted canvas.
Yes all the "bad" stuff they say about this product is true, it's essentially a very long roll of wrapping paper, thin, wrinkles easily. BUT that being said, if you treat it with just a little TLC this stuff performs beautifully. Photographs extremely well. Perfect for the beginner photographer on a limited budget, or like myself a more seasoned photographer with a small studio, I highly recommend this product. For the price it can't be beat! This photo was taken on the "barn wood" version.
In summary, the key factors to getting the backdrop and subject lit in a similar exposure zone is distance; The distance of the subject to the background and the distance of the light source to the subject. Decrease the distance of the subject to background and increase the distance of the main light to the subject to make this easier. The key factor for getting a soft and directional quality to the light is also distance, but it's the opposite. By getting the light closer to the subject, we can create a softer light with more directional qualities. Also remember that these qualities of the light are relative to the size of the light source. If you are using a smaller light source, you will need to get it in closer to hold those transitional values. If you are using a larger light source, you may be able to get your light further back and still hold those soft-light qualities. Also, if the examples and basic principles here make sense to you, you have kind of just learned the inverse square law!
I was really excited to get this backdrop for my new YouTube channel (Nia Knows Best) and it did not fail. The quality is thick (which is good), and it is NOT transparent. That's perfect because I have a wall of magazine pictures behind this backdrop and yet you can't see anything but the shimmer of the rose gold glitter. The only thing I would say is that depending on the lighting the rose gold turns into a silver ish glitter which can be a little frustrating. In the last photo you can see how just because of the lighting switching, the rose gold turns into silver. Other than that it is perfect.
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A. Flash lighting, also called a speedlight, appears suddenly, at a high intensity. Flash lighting can “freeze” the action, allowing for a sharp photo of moving objects. Speedlights can be attached to the camera, or they can be placed on mounts away from the camera. Because the light from the flash appears suddenly, however, you won’t know ahead of time exactly what kinds of shadows the light will create.