The Julius Studio background curtain set features an aluminum alloy construction to ensure durability and portability, and photo clams made of synthetic nylon to provide a strong grip and prevent the canvas from slipping out. Another great thing is that it’s adjustable in width (5-10.3 ft) and height (2.6 -7.5 ft). In addition to this, the set includes quality sandbags for stability.
As with lighting systems and camera equipment, backdrops require some kind of support to keep them in place. Background supports can be simple or sophisticated systems. The simple ones are easy to set up and break down and are well suited for location work, while sophisticated, permanent studio systems can hold multiple backgrounds that can be raised or lowered either manually or at the flip of a switch.
This is an 10ft*10 ft (300cm*300cm) spring backdrop with general appearance of a picture, there is a floor for person to stand on, and not seamless, mean it's two pieces backdrops. Backgrounds are suitable for Wedding, Children Photography, Holiday Party, Birthday or Photo Booths etc. If you need size that larger than 150 cm*200 cm, please contact us and additional charges is needed, also large size backgrounds have seams, please don't worry because the seam will not interfere with the photos. For any questions and problems please feel free to contact with me, I will do my best to answer and help you.
Everyone wants to feel special, and when you buy a Drop It Modern fabric backdrop you’ll be one of 15 photographers to gain access to that style—the company maintains a limited inventory so that each style is more exclusive. These non-reflective canvas linen fabric backdrops are sold in 54- or 98-inch widths and 108-inch lengths. Wrinkle resistant and seamless, these backdrops can be machine washed and tumbled dry on low heat. Pictured here is Sunray. 
Overall I am very happy with this purchase. I wanted to get a decent lighting studio with backdrop without dropping a lot of cash in for now. I will say when ordering it I was very hesitant. I have found things that are priced cheap,are generally cheap quality. This I think was fair. Everything was in the bag, all lights worked, no bent poles, or broken lights. The fabric of the muslin is rather thin, but I had no problem with transparency on the white. My only complaints are that the bag's strap feels very frail in the stitching where it connects to the bag, which I can easily fix with a needle and thread, and the aluminum poles for the stands/poles are very light and tip with ease. I'm sure a few sandbags hanging would fix that though. Other than that I am very happy with my purchase. I have attached a photo from a quick shoot I did to test the kit out with my oldest husky. A good product for the price, and someone wanting to keep it cheap and simple for a while.

The main cause of this working is distance. Notice how close the subject is standing to the background and how far away the main light is from the subject. In this example, the subject is approximately 2 feet from the backdrop and the main light is approximately 4 feet from the subject. If you're new to this, I would recommend starting with your main light a bit further back to make it a little less challenging. You will see why in a second.


When it comes to special effect backgrounds, the chroma key backdrops are the most common used in tandem with special effects. The chroma key or key backgrounds are usually set to perfect blue or green helping a computer differentiate the background from the subject easily. This background can be used to superimpose a second image over the first one to show the chroma key color section.
I would definitely play around with it. Your not going to want to go too wide with 4 because odds are they will move around a bit and you’ll end up with some soft faces. Some key things to remember would be try to keep their faces all on the same plane of focus, that will allow you to shoot a little wider. Generally with 4 kids I would aim to shoot around f/4 but certainly play around. At that aperture you may want to consider moving them further away from the background. Keep in mind the closer you are to them and the further away from the background they are the more bokeh you will get!
Easy to use and looks good in portraits. I used a stand by Fancierstudio and clips by LimoStudio and got this backdrop set up nicely. It's plenty long, and looks like you could cut it up and use it to cover a larger area, however I wish it were wider. It's just barely wide enough for a good portrait, but not any wider. It looks good if you put your subject a foot or so in front of it with a large aperture and get some bokeh on it.
We offer a product range that’s unsurpassed for its variety, selection and value. From smooth Seamless Paper in every color under the sun to Floor Drops with amazingly lifelike, dimensional patterns that can create the look of location shooting in the studio, we make the products that photographers rely on for creating perfect backgrounds for virtually every situation. Just starting out and need a flexible solution for a space that does double duty? We have reversible backgrounds that are easy to set up and break down. Upgrading your high-traffic commercial studio and looking for a timeless, professional backdrop set? We have heavy-duty, durable vinyl that will stand the test of time.
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