Users love the price and the quality of the product, but some do note that it’s too light for their liking. The Linco T-shaped backdrop stand features a sturdy design, a set of crossbars, and clamps to keep the fabric in place. Another great thing about this product is that it’s light – just four lbs., and you don’t need any special skills to assemble it. What’s more, you can adjust it from 2.6 ft. to 6.7 ft. 
The picture posted here is definitely deceiving, but overall I am happy with the product. I don't know how the photographer edited and/or modified the print in the listing to have the "depth" of the floor like that. I have two pictures that I will submit to show what I received - these are UN-EDITED photos (not run through Photoshop, only added my name to the bottom). I ended up using a floor cloth, as you can clearly see in the image. If the photographer used a separate floor cloth to achieve the extended "brick" look, I could understand it, but as the photo stands it is very deceiving. Obviously there were some adjustments made to bring out the colors in the background too. I can easily achieve the same "rich" colors in Photoshop or some other similar photo editing program.

In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
As with lighting systems and camera equipment, backdrops require some kind of support to keep them in place. Background supports can be simple or sophisticated systems. The simple ones are easy to set up and break down and are well suited for location work, while sophisticated, permanent studio systems can hold multiple backgrounds that can be raised or lowered either manually or at the flip of a switch.
A. Many photographers choose a continuous lighting set as a introductory set because of its low starting price. Additionally, continuous lighting allows you to control shadows, and to take the time to figure out the exact camera settings to use. However, continuous light generates heat, so if you’re shooting portrait photos, your subjects could grow uncomfortable.

Backgrounds, also known as backdrops, are a standard feature used in a controlled setting such as a photography studio. The ability to change backgrounds adds versatility to portraits allowing you endless possibilities in truly crafting an image. Backdrops are available in various types and are categorized based on the size and materials they are made of. These can range from simple solids to subtle patterns and even custom-painted, photo-realistic scenes. To effectively use a backdrop you will need stands and other accessories.
The latest addition to our lineup, these are serious solutions for serious exhibitors who need much more powerful and attention-grabbing setups than backdrops or backgrounds: a single system and they will create the perfect walk-in booth for your expo or promotional event. They assemble swiftly, they're lightweight, durable, highly portable, and you can add vivid custom graphics.
Stands often come with crossbars that can support a cloth, vinyl, muslin, or paper backdrop and are secured by either slipping it through a pole pocket or by clamps. For many stands, a crossbar is not needed if the backdrop is canvas or vinyl and has a wooden mounting. Single portable backdrop stands are also available. Portable photography stands are easy to set up, break down, and transport to locations.
Like other photo backdrop materials, polyester also comes in various sizes and colors. An advantage of this fabric is that it’s wrinkle-free. If there are heavy wrinkles, it can easily be removed by warm ironing from the back or by steam ironing it when it’s hung. It also includes rod holes that are perfect for hanging, especially if you don’t have a place to store it after using.
Even shooting on location you can achieve some background lighting magic. The sun moves around throughout the day — think east to west as well as dawn to dusk. Analyze what time of the day the sun will project the light on your subject at the desired angle. Note: Hard light (direct sun) will create darker shadows while diffused light (cloudy overcast) will create softer shadows.
Buyer beware!! Fell apart after 1 use :( The plastic pieces separate from the poles. The adjustment valve on one side is completely stuck so I cannot adjust sizing. Seller dismissed my contact...I'd honestly just like to exchange for hopefully one that is not defective but seller in not responding. Very disappointed in this purchase. I buy from Amazon very often and this has been my first issue with low quality merchandise.
For a dramatic or edgy appearance, go with low-key lighting. Low-key lighting also focuses attention onto your subject by surrounding them in shadows instead of light. To do this, you want to ensure that your solid black backdrop is at least 3 stops darker than the light on your subject. With low-key lighting, you also need to ensure that none of the light from your subject is hitting your backdrop. Grids and flag are very helpful for this.

Breaking news: Bokeh is in! With Lastolite’s Out of Focus Backgrounds, you won’t need to fiddle with your camera’s aperture to mimic that dreamy depth of field. There are a pair of double-sided backdrops in the Out of Focus line: one features a blurred seascape/autumn foliage, and the other sports summer foliage on one side and city lights on the other. At 4 x 5 feet, these backdrops should handle close to full-length portraits and will collapse to about a third of their size for transport. They weigh in at 3.3 pounds and come with their own carrying case. 
The seller describes this as “seamless”.... not even close! This is the CHEAPEST photo backdrop I’ve ever bought. It was folded in packaging in a way that there were folds every 8 x 10 inches- completely unusable. I tried to steam out the wrinkles (because this in no way is fabric- I didn’t want to risk putting it in the dryer). The steaming was unsuccessful. I tried putting it in the dryer for a minute or 2 and the wrinkles were all still there but the ink was not!
The Grand Events backdrops and scene setters you use for your next event are going to make the room look perfect. You can create any kind of scene you want, and you can impress your guests. The backdrops that you use from Grand Events are going to help you set the scene for any event, and you need to make sure that you are using these scene setters no matter what kind of setup you have. This means that you will be able to create the environment that you need. The environment is going to help you make everyone feel at home, and the backdrops will fit the party theme that you have chosen for these event. These photo backdrops and scenes work great for weddings, receptions, parties and special events. You can get them in any color you want, and you can set up something that is going to look like it came from another world. You need to get everyone in the mood of what you are trying to present, and the backdrops are going to make it so much easier for you to do the job. These scene setters are going to create a special party that will impress any guest.
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