What this tells us is that the further away the light source is from the subject and backdrop, the more likely we are to get an equal exposure from one to the other. The quality of the light source can also change with distance. You will notice that as the light gets further away it becomes a harder light with less transitional values. Also, if the subject appears to be further away from the backdrop in the last image, it's due to me needing to use a shorter focal length (zoom out) to avoid getting the softbox in the shot. The shorter focal length exaggerates perspective.
When it comes to special effect backgrounds, the chroma key backdrops are the most common used in tandem with special effects. The chroma key or key backgrounds are usually set to perfect blue or green helping a computer differentiate the background from the subject easily. This background can be used to superimpose a second image over the first one to show the chroma key color section.
Buyer beware!! Fell apart after 1 use :( The plastic pieces separate from the poles. The adjustment valve on one side is completely stuck so I cannot adjust sizing. Seller dismissed my contact...I'd honestly just like to exchange for hopefully one that is not defective but seller in not responding. Very disappointed in this purchase. I buy from Amazon very often and this has been my first issue with low quality merchandise.
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Hand Painted photography backdrops are at a quality level all their own. With over 45 years of experience, we have mastered creating the perfect hand painted background replica every time. We are capable of handling the most delicate of color changes in our Old Master backgrounds. The Old Master series of hand painted canvases are sure to please and will last for many years if cared for properly.
One of the main questions are customers ask us is “what is the difference between continuous and strobe lighting?” Continuous lighting uses a constant light source to light your subject, meaning that your lights will stay on during the entirety of your photo shoot. Continuous lighting is recommended for beginners. Strobe lighting uses a flash of light at the moment your camera shutter opens to illuminate your subject. Many professionals use this type of lighting because it offers more control of the light.
Again, if you are starting out or having trouble I would recommend getting the light a little further back (somewhere between 4 to 8 feet if using a similar sized light source). You will also notice that the right side of my backdrop is actually not 100 percent white, it fades to a light gray shade. I could increase my fill or correct this in post-processing, but the slight shift is intentional in this image.
Shooting on a clean white backdrop can be one of the more complex in-studio lighting setups around. Properly exposing for full lengths while giving your models room to work can require four or more extra lights and considerable amount of setup time. While taking the time to take care of the details is important for getting the perfect image and saving yourself hours of retouching on the back end, sometimes you just want to get a nice clean background without the hours of prep.

No space? No problem. The 42 x 42 x 42-inch Little Studio unfolds to deliver a corner studio setting in any location. Its metal frame is shrouded in white diffusion fabric and has hook-and-loop edges so you can mount backdrops and floor mats with ease. When the shoot is over, the Little Studio folds down and slips into an included nylon carrying case. You can completely disassemble the studio if you really need to pack it down. 

This was my first order with this product and I like it. The only thing that threw me off is that I expected it to be as pictured. Brick all as the 9x6 and the extra white on the bottom. It is in fact 9x6. I have included a couple test shots. The product works as expected. I love white back grounds. I think that this adds just a little bit of texture to them. Also important to not be right up against the backdrop. make sure that you get some distant between the subject and the back drop.
As with lighting systems and camera equipment, backdrops require some kind of support to keep them in place. Background supports can be simple or sophisticated systems. The simple ones are easy to set up and break down and are well suited for location work, while sophisticated, permanent studio systems can hold multiple backgrounds that can be raised or lowered either manually or at the flip of a switch.

Express your love of geology with ProStudio’s Hard Rock Poser. They may look back-breaking, but these posers are made from plastic and are hollow inside so you can move them around your studio, or to a location, with ease. (Pro tip: Pretend they’re real and lift one over your head to impress friends and clients.) The poser has a flat top and is sturdy enough for an adult to sit on. The small rock measures in at 19 x 14 x 12 inches while a large model is 27 x 21 x 25 inches. Additional sizes and rock colors are also available.
Muslin is a cotton weave fabric that holds dyes and paints with ease. These backgrounds are made of lightweight material and are clamped to a background stand or even draped over anything to transform the look of a picture. As the muslin is made of thinner and lighter material, it does not show wrinkles and can be used as a neutral background or as a dramatic one. It comes in many different sizes and pattern that range from 5x8 to 30x30 feet and solid color backdrop or designer series patterned design. Muslin backgrounds can feature replicas of old master paintings, abstract patterns or marbleized patterns. This material is very portable and fairly inexpensive making it a favorite with photographers.
Among a raft of new products, Denny’s Fair Tale Trail puts your subject in a whimsical (dare we say Hobbit-esque) setting. The backdrop is available in your choice of three materials: Freedom Cloth, which is a wrinkle-free polyster that’s washable and dryer safe; Twist Flex, which uses the Freedom Cloth material but mounts it to a wire frame that can be folded down tight if you envision travelling a lot with the backdrop. Lastly, it’s available in canvas, which is a more delicate backdrop that ships with a wood mounting and Velcro straps. Sizes vary with Freedom Cloth, giving you the widest selection of size options.
Everyone wants to feel special, and when you buy a Drop It Modern fabric backdrop you’ll be one of 15 photographers to gain access to that style—the company maintains a limited inventory so that each style is more exclusive. These non-reflective canvas linen fabric backdrops are sold in 54- or 98-inch widths and 108-inch lengths. Wrinkle resistant and seamless, these backdrops can be machine washed and tumbled dry on low heat. Pictured here is Sunray. 
Get an austere rustic look with Background Town’s Wall Yellow. It’s available in two materials. NewFab is a tear resistant “paper-like” substrate that’s wrinkle resistant and won’t reflect light. It’s sold in 3.9 x 5-foot and 5 x 6.8-foot sizes. NewFab backdrops won’t come with rod pockets and aren’t machine washable. If you need a backdrop with those attributes, spring for Background Town’s UltraCloth material, a machine-washable backdrop that’s wrinkle-free and has rod pockets sewn in. It’s sold in sizes ranging from 6 x 8 to 8 x 12 feet.
Lastolite by Manfrotto offers the essentials to smoothen and soften natural or artificial lighting for portrait and fashion photography with backgrounds and accessories for an extra creative touch. And don't forget about our reflectors and diffusers, available in circular and triangular shapes, softboxes for speed lights and studio lights, in various shapes and sizes. Our umbrellas and backdrops are available in different materials and surfaces ideal for still life photography. We designed our unique lighting tools consulting a network of professional photographers in order to meet their needs. Many features of our products are patented and our R&D team is constantly looking to further improve product functionality. Lastolite Light Modifiers are designed to be collapsable, providing increased compactness and portability. Developed and produced in the UK following strict quality standards, Lastolite by Manfrotto offers the ultimate lighting solution for all photographers, whether in the studio or outdoors.
Again, if you are starting out or having trouble I would recommend getting the light a little further back (somewhere between 4 to 8 feet if using a similar sized light source). You will also notice that the right side of my backdrop is actually not 100 percent white, it fades to a light gray shade. I could increase my fill or correct this in post-processing, but the slight shift is intentional in this image.
Chromakey gives you the ability to insert your photography client into a background of your choosing by having them pose in front of a vibrantly colored screen. You can do this in post-processing programs by removing and replacing the chromakeyed color with the background of your choosing. While you can technically chromakey any color, opting for a very exaggerated color, neon green or blue, will reduce the chance of your client accidentally looking like a floating head without a body because you chromakeyed the color of their dress.
To start constructing this DIY backdrop, measure how thick your elbow is compared to your curtain rod, and add electrical tape around the end of the rod until you have a tight fit. For most people, it will be easier to put a little bit of tape on at a time, testing the fit every so often until it’s snug, but measurements can give you a good base to start with. Don’t attach the rod to the elbow yet, however.
I'm a professional photographer and purchased this on the chance that it was as advertised. I shoot 8th grade graduation dances and have always used a black backdrop to make the images "pop". I was worried in buying this that there would be a lot of maintenance in getting the wrinkles out...worked perfect from package to hanging on the frame! Awesome product and well worth the money!
This is an 10ft*10 ft (300cm*300cm) spring backdrop with general appearance of a picture, there is a floor for person to stand on, and not seamless, mean it's two pieces backdrops. Backgrounds are suitable for Wedding, Children Photography, Holiday Party, Birthday or Photo Booths etc. If you need size that larger than 150 cm*200 cm, please contact us and additional charges is needed, also large size backgrounds have seams, please don't worry because the seam will not interfere with the photos. For any questions and problems please feel free to contact with me, I will do my best to answer and help you.

I'm a professional photographer and purchased this on the chance that it was as advertised. I shoot 8th grade graduation dances and have always used a black backdrop to make the images "pop". I was worried in buying this that there would be a lot of maintenance in getting the wrinkles out...worked perfect from package to hanging on the frame! Awesome product and well worth the money!
The Julius Studio background curtain set features an aluminum alloy construction to ensure durability and portability, and photo clams made of synthetic nylon to provide a strong grip and prevent the canvas from slipping out. Another great thing is that it’s adjustable in width (5-10.3 ft) and height (2.6 -7.5 ft). In addition to this, the set includes quality sandbags for stability.
The StudioPRO 3000W's included backdrops add a lot of value and a professional touch that users love. The 10-foot power cord often eliminates the need for an extension, and can reduce anxiety over tripping on a taut line. The lightweight equipment and small case store easily, and if you travel a lot, you would be hard-pressed to find a more portable model.

The folks at the slanted lens are anything but low value so it was kinda surprising to see that many of their setups are actually low-budget DIYs. The short below shows six of those tricks including a plumbing backdrop hanger, a ton of budgety lighting solutions (some of which we have covered in the past, but their softbox is pure budget geniusity) and my favorite, another use for a tarp.


I recently bought this 3 days ago and used it to shoot 38 headshots and a group photo for a university. The images came out fantastic!! I was amazed that the light quality was excellent and the light stands were sturdy without sandbags to fasten it. I bought a used kit but it was greatly taken cared of. I wanted an easy portable light kit and this is perfect very light weight and cost effective. Backgroynd stand is great, Muslim is thin in black but just double it up and youll be fine for headshots.
A user also mentions that the frame feels slightly flimsy, but he hasn’t had any problems with it. He adds that he is satisfied with its performance so far and that the carrying bag is a nice bonus. However, one customer complains that the product’s measurements are not correct and that it’s not strong enough to hold the vinyl in place without dipping.
I just got this today and attached it to my back drop stand using A Clamps across the top. There are some crease marks where it was folded so I will try various tricks I found on the internet to get them out, hopefully, without melting or ruining it. I didn't give it 5 stars because it is a little small at 5'x7' for anything but a seated subject. That's not the sellers fault as it clearly states 5'x7' but I would definitely recommend it if it were 6'x9' or larger. Even with the folded creases, it works well out of the box.
A. Flash lighting, also called a speedlight, appears suddenly, at a high intensity. Flash lighting can “freeze” the action, allowing for a sharp photo of moving objects. Speedlights can be attached to the camera, or they can be placed on mounts away from the camera. Because the light from the flash appears suddenly, however, you won’t know ahead of time exactly what kinds of shadows the light will create.
Features The photography light box is designed for small items of photography enthusiasts, crafters, artists, etsy sellers and other online sellers, professionals and product advertising clients. Light box Studio allows quick and easy shooting of small products such as jewelry, accessories, toys, watches, gadgets and other items. Assemble your own photo studio anywhere in minutes, you can unfold this LED lightbox studio and place it on any surface to get the perfect backdrop for small articles business photography, taking pictures for products. Portable folding magnetic circuit structure design, more convenient to install and carry, built-in led light, providing average light and prevents shadows and reflections in your photos. With backgrounds pads, and build-in light and USB cable.
This is the Meking background support system with a crossbar that telescopes from 77cm to 200cm. It can hold paper or cloth backgrounds to a maximum of almost 200cm.   Item features: Heavy duty 18mm,22mm and 25mm diameter tubes holds the heavy backdrop or drapes light background stand convenient for on-location work where portability is required The three legs spread out quickly and are freestanding Special locking system and the power clamp designed for stability and secure the backdrop usage   Item features: The lowest height of tripod: 77cm The highest height of tripod:200cm Crossbar length: 3 segments about 200cm Crossbar diameter:25mm.

Having skills in a variety of lighting techniques for your photo backdrop can give you some wonderful options for creating beautiful imagery for either products or portraits. By brushing up on your exposure and composition know-how along with practicing prior to your actual shoot date you’ll quickly be able to build a portfolio showing off your creative depth.
We had so much fun on Christmas with this backdrop and the accessories. We had an ugly Christmas sweater dinner and we took so many photos using this. It was like an ongoing photo session. The back drop is very sturdy and was put up for the next holiday season. I used a hot glue gun to attach the sticks to the props rather than using the tape strips that were included.
What this tells us is that the further away the light source is from the subject and backdrop, the more likely we are to get an equal exposure from one to the other. The quality of the light source can also change with distance. You will notice that as the light gets further away it becomes a harder light with less transitional values. Also, if the subject appears to be further away from the backdrop in the last image, it's due to me needing to use a shorter focal length (zoom out) to avoid getting the softbox in the shot. The shorter focal length exaggerates perspective.

Once I got the equipment out of the box, the entire kit took about 20-30 minutes to set up and break down. I'm expecting it'll be quicker once I've gotten used to it, but the kit's otherwise simple enough to handle. The backdrops are rather thin, but enough for my current needs. I'll need to be more aware of what's behind the muslin, and the sheets can be easily replaced by thicker material when necessary. The metal supports on the umbrellas are enough to keep the things open, but aren't very tolerant of, say, a klutz who knocks the stand over while setting up. (Nothing's broken, and everything's still useful, but... yeah, that bend wasn't there in the umbrella before.) The bag is sturdy enough for lugging things around, but it isn't padded - I've been using the muslins for that purpose. I'm keeping all the equipment boxes and plastic baggies to make sure things stay tidy, but if you wanted to, you could cut it down to just the containers for the light bulbs. Overall, pretty chuffed with this kit.

What this tells us is that the further away the light source is from the subject and backdrop, the more likely we are to get an equal exposure from one to the other. The quality of the light source can also change with distance. You will notice that as the light gets further away it becomes a harder light with less transitional values. Also, if the subject appears to be further away from the backdrop in the last image, it's due to me needing to use a shorter focal length (zoom out) to avoid getting the softbox in the shot. The shorter focal length exaggerates perspective.
The fabric has a slight odor similar to vinegar and evaporated milk but airs out if you leave it unfolded a few days. The fabric, as expected, is lightweight but decent quality cotton. By definition Muslin is lightweight cotton cloth and, yep, it's thin so a backing layer is necessary if used against a bright light or window (e.g., my uploaded image). It ... full review

I just received this in the mail. It does smell a little like oil based paint, but you have to put your nose up to the fabric. The white and gray is what I ordered so alternating contrast is to be expected. First thing I did was throw it in a dryer with a wet towel to remove the creases and randomize the wrinkles. It's a backdrop of the same quality as the all black backdrop. I expect to be using it in a maternity shoot this weekend and I think it will be wonderful. What I ordered and what I expected. It isn't heavy which makes it portable for other locations, but it means it may not be what some people expect. I'm happy and looking forward to a lot of use. I think it will work for what ... full review
Photo Floors or as we like to call them Roll Up Floors are the perfect compliment to any backdrop. Lightweight, easy to roll for storage, and very realistic.  Photography floors are made of a thick durable neoprene rubber backed material which provides an anti slip faux flooring mat.  Whether you are looking for a faux wood photography flooring or trying to bring the grass fields indoors, there are tons of options.
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