What type of photography studio props are you looking for? We have faux wood photography backdrops, brick wall photo backdrops, damask photo drops, nature backgrounds, bokeh photography backgrounds, bridal photo backdrops, prom photo backgrounds and so much more. The list goes on and on and one because we want you to be able to find everything you need for your backdrop needs right here on our website. We wouldn’t be surprised if you wanted to purchase one of everything.
The Julius Studio background curtain set features an aluminum alloy construction to ensure durability and portability, and photo clams made of synthetic nylon to provide a strong grip and prevent the canvas from slipping out. Another great thing is that it’s adjustable in width (5-10.3 ft) and height (2.6 -7.5 ft). In addition to this, the set includes quality sandbags for stability.
The Hand Painted Background is made from durable high quality muslin material and is 100% cotton to help absorb the light and eliminate reflection. It is completely seamless being made from one piece of material. It comes with a 4" rod pocket at one end. It is machine washable and crimped along the edges to prevent tears. It is light weight and easy to fold. Please allow for 5-8% manufacturing shrinkage. Package Contents One (1) 10 'x 12 ' W001 Muslin Backdrop Specifications -100% cotton to absorb the light and help eliminate reflection -completely Seamless, made from one piece of material -3.5" rod pocket at one end -Allow for 5-8% manufacturing shrinkage.
They are plastic, but very strong and the clamping power is quite good. The only annoyance is the little red pads on the end, swivel all the way around so if you are trying to attach something up high with one hand, sometimes they flip backwards and don't grab correctly. You just need to make sure they are facing inwards before you reach up high. I used all 6 clamps to attach a large king size sheet to a linco backdrop stand and it was enough - ... full review
In summary, the key factors to getting the backdrop and subject lit in a similar exposure zone is distance; The distance of the subject to the background and the distance of the light source to the subject. Decrease the distance of the subject to background and increase the distance of the main light to the subject to make this easier. The key factor for getting a soft and directional quality to the light is also distance, but it's the opposite. By getting the light closer to the subject, we can create a softer light with more directional qualities. Also remember that these qualities of the light are relative to the size of the light source. If you are using a smaller light source, you will need to get it in closer to hold those transitional values. If you are using a larger light source, you may be able to get your light further back and still hold those soft-light qualities. Also, if the examples and basic principles here make sense to you, you have kind of just learned the inverse square law!

Great for the price point! Will get lots of use out of it. Biggest issue was setting it up, theres absolutely no instructions that comes with this set. There is a piece of paper titled “instructions” BUT it’s literally just a list of what’s inside the packaging and not how to put it together. Had to watch a video online to figure it out. This was my first time setting up something like this. Also the polls are a little flimsy and I’m always worried about it falling over however again you pay what you get, don’t expect top of the line equipment when you’re purchasing relatively cheap stuff. Anyways thumbs up from me, it’s basically exactly what I needed.


We had so much fun on Christmas with this backdrop and the accessories. We had an ugly Christmas sweater dinner and we took so many photos using this. It was like an ongoing photo session. The back drop is very sturdy and was put up for the next holiday season. I used a hot glue gun to attach the sticks to the props rather than using the tape strips that were included.
Vinyl backdrops are thick, rolled and durable, and are recommended for professional studio work. They generally come in solids, but there are a few with printed patterns that can be very inexpensive. While most vinyl backgrounds have a glossy sheen, there are some (including a recently announced line by Savage, which includes the Savage Matte Finish Gray Infinity Series vinyl background) that have a matte finish to eliminate glare and reflections.
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Even shooting on location you can achieve some background lighting magic. The sun moves around throughout the day — think east to west as well as dawn to dusk. Analyze what time of the day the sun will project the light on your subject at the desired angle. Note: Hard light (direct sun) will create darker shadows while diffused light (cloudy overcast) will create softer shadows.
As with lighting systems and camera equipment, backdrops require some kind of support to keep them in place. Background supports can be simple or sophisticated systems. The simple ones are easy to set up and break down and are well suited for location work, while sophisticated, permanent studio systems can hold multiple backgrounds that can be raised or lowered either manually or at the flip of a switch.
Last is the Julius Studio, which is another crossbar set up that spans up to 10 ft. Like the others, this one also comes with a carry bag and the necessary clamps for securing your backdrop of choice. Also, like the others, this one is made of lightweight tubing that makes it easy to carry. Lastly, while users said this was easy to set up and use, they recommend using sandbags or some other type of weight to keep the system secure due to the light weight of the tubing.
Users love the price and the quality of the product, but some do note that it’s too light for their liking. The Linco T-shaped backdrop stand features a sturdy design, a set of crossbars, and clamps to keep the fabric in place. Another great thing about this product is that it’s light – just four lbs., and you don’t need any special skills to assemble it. What’s more, you can adjust it from 2.6 ft. to 6.7 ft. 
Stock up on extra drive components such as chains, switches, and weights, so you can quickly replace broken or missing parts. Be sure to keep plenty of spare clips, hooks, and brackets on hand so portrait backgrounds and video backdrops stay in place during shoots. Maintain clean and organized work spaces by storing paper rolls and mounting poles on wall-mounted and freestanding storage racks.
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