What this tells us is that the further away the light source is from the subject and backdrop, the more likely we are to get an equal exposure from one to the other. The quality of the light source can also change with distance. You will notice that as the light gets further away it becomes a harder light with less transitional values. Also, if the subject appears to be further away from the backdrop in the last image, it's due to me needing to use a shorter focal length (zoom out) to avoid getting the softbox in the shot. The shorter focal length exaggerates perspective.
You can channel our cavemen ancestry with Custom Photo Prop’s Faux Fur Mat, safe in the knowledge that no animals were harmed in their making. These synthetic mats are PETA-approved, machine-washable and hypoallergenic. They can be ordered as a basket stuffer in a 20 x 32-inch size. It’s sold as a 15 x 15-inch layer or in 3 x 5-foot and 5 x 6-foot sizes. They’re super comfortable on baby’s skin as well.
As with lighting systems and camera equipment, backdrops require some kind of support to keep them in place. Background supports can be simple or sophisticated systems. The simple ones are easy to set up and break down and are well suited for location work, while sophisticated, permanent studio systems can hold multiple backgrounds that can be raised or lowered either manually or at the flip of a switch.
I was really excited to get this backdrop for my new YouTube channel (Nia Knows Best) and it did not fail. The quality is thick (which is good), and it is NOT transparent. That's perfect because I have a wall of magazine pictures behind this backdrop and yet you can't see anything but the shimmer of the rose gold glitter. The only thing I would say is that depending on the lighting the rose gold turns into a silver ish glitter which can be a little frustrating. In the last photo you can see how just because of the lighting switching, the rose gold turns into silver. Other than that it is perfect.

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Once I got the equipment out of the box, the entire kit took about 20-30 minutes to set up and break down. I'm expecting it'll be quicker once I've gotten used to it, but the kit's otherwise simple enough to handle. The backdrops are rather thin, but enough for my current needs. I'll need to be more aware of what's behind the muslin, and the sheets can be easily replaced by thicker material when necessary. The metal supports on the umbrellas are enough to keep the things open, but aren't very tolerant of, say, a klutz who knocks the stand over while setting up. (Nothing's broken, and everything's still useful, but... yeah, that bend wasn't there in the umbrella before.) The bag is sturdy enough for lugging things around, but it isn't padded - I've been using the muslins for that purpose. I'm keeping all the equipment boxes and plastic baggies to make sure things stay tidy, but if you wanted to, you could cut it down to just the containers for the light bulbs. Overall, pretty chuffed with this kit.
Velour backgrounds are a relatively thick but lightweight material that is available in 40x5 to 8x12 inches. They give you the look of seamless without the hassle of getting crumpled up and ruined. Most are made of wrinkle-resistant fabric and can be reused again and again. Even though these backdrops are not available in a wide range of patterns and colors, they are perfect for those looking for low maintenance backdrops.
In this SOOC shot, you can see just how down and dirty this setup was. The backdrop is not pulled out very far and taped down only in a couple of spots. In the top left edge of the image you can see the corner of the 50 inch Apollo. This also shows that the right edge of the light is hitting the subject, allowing for a soft feathered look, but more importantly for this setup, it's allowing the rest of the box to light our background.
Photo Floors or as we like to call them Roll Up Floors are the perfect compliment to any backdrop. Lightweight, easy to roll for storage, and very realistic.  Photography floors are made of a thick durable neoprene rubber backed material which provides an anti slip faux flooring mat.  Whether you are looking for a faux wood photography flooring or trying to bring the grass fields indoors, there are tons of options.
I've purchased a few backdrops with this company (LB) now, and though I **HATE** the sizing of their backdrops (way too short and not wide enough), the quality of them are so good for the price. This one is versatile in my opinion: we used it for a murder mystery party that took place in ancient China (oh yeah!), but I've seen pictures of people using this as a studio backup for couple pictures and so forth. I think it's a fun one that deserves to be purchased more often.
Photo Floors or as we like to call them Roll Up Floors are the perfect compliment to any backdrop. Lightweight, easy to roll for storage, and very realistic.  Photography floors are made of a thick durable neoprene rubber backed material which provides an anti slip faux flooring mat.  Whether you are looking for a faux wood photography flooring or trying to bring the grass fields indoors, there are tons of options.

A 5 or 6-foot wide backdrop is a great size for headshots and ¾-length portraits. These backdrops are easy to manage and still only requires minimal space to set up. These backgrounds are ideal for event photographers who often work in busy spaces or for photographers working in a small home studio. While 5 to 6-foot backdrops offer more flexibility than 3.5-foot backdrops, they still become a bit tight if when photographing a couple or full-length portrait.


No space? No problem. The 42 x 42 x 42-inch Little Studio unfolds to deliver a corner studio setting in any location. Its metal frame is shrouded in white diffusion fabric and has hook-and-loop edges so you can mount backdrops and floor mats with ease. When the shoot is over, the Little Studio folds down and slips into an included nylon carrying case. You can completely disassemble the studio if you really need to pack it down. 
They are plastic, but very strong and the clamping power is quite good. The only annoyance is the little red pads on the end, swivel all the way around so if you are trying to attach something up high with one hand, sometimes they flip backwards and don't grab correctly. You just need to make sure they are facing inwards before you reach up high. I used all 6 clamps to attach a large king size sheet to a linco backdrop stand and it was enough - ... full review
It was higher quality then I had expected . One side is a very soft and silky/shiny material. The photo is only on one side , just to let you know . Needs to be ironed but ours broke and we do not have an iron at the moment. If the lines were out it would look absolutely gorgeous. Totally changed the feel of a room. Bought the 60”W by 80”L . Not disappointed.
Last is the Julius Studio, which is another crossbar set up that spans up to 10 ft. Like the others, this one also comes with a carry bag and the necessary clamps for securing your backdrop of choice. Also, like the others, this one is made of lightweight tubing that makes it easy to carry. Lastly, while users said this was easy to set up and use, they recommend using sandbags or some other type of weight to keep the system secure due to the light weight of the tubing.
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.

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A. Many photographers choose a continuous lighting set as a introductory set because of its low starting price. Additionally, continuous lighting allows you to control shadows, and to take the time to figure out the exact camera settings to use. However, continuous light generates heat, so if you’re shooting portrait photos, your subjects could grow uncomfortable.
I would definitely play around with it. Your not going to want to go too wide with 4 because odds are they will move around a bit and you’ll end up with some soft faces. Some key things to remember would be try to keep their faces all on the same plane of focus, that will allow you to shoot a little wider. Generally with 4 kids I would aim to shoot around f/4 but certainly play around. At that aperture you may want to consider moving them further away from the background. Keep in mind the closer you are to them and the further away from the background they are the more bokeh you will get!

A traditional backdrop support system is the most common mounting solution for photography studios. The backdrop support system consists of a 3-section cross bar and two light stands. By utilizing two of the included cross bars, the backdrop support system can mount backdrops up to 7-feet wide. By utilizing all three cross bars, this system can mount backdrops up to 10.5-feet wide. The included  stands can extend up to 12-feet high for photographing tall people, high movement, or products.

To start constructing this DIY backdrop, measure how thick your elbow is compared to your curtain rod, and add electrical tape around the end of the rod until you have a tight fit. For most people, it will be easier to put a little bit of tape on at a time, testing the fit every so often until it’s snug, but measurements can give you a good base to start with. Don’t attach the rod to the elbow yet, however.

The Emart portable background support kit features adjustable crossbars, an aluminum alloy construction for portability and durability, heavy-duty spring clamps, and heavy-duty nylon sandbags. Another great thing about this product is that it comes with a bag so that you can take it with you on your trips. What’s more, you can adjust the height from 2.6 to 7 ft and the width from 5 to 10 ft.
I love this backdrop for photos; I used it for my daughters pictures to use on her first birthday card. However, as other reviewers stated, getting the creases out is nearly impossible. I took another persons idea of wrapping it around a pole (one of those long, skinny paint rollers meant for painting ceilings - so very skinny). I wrapped it around the pole and used tape to hold it in place for TWO WEEKS. While it helped with the creases a little bit, they were still pretty visible. I would love to purchase more of these for future use but am hesitant; I wish the supplier would ship them rolled in tubes as opposed to folding them.
Backdrops and backgrounds have become indispensable to the photo booth and tradeshow experience as well as to so many other events. Does that mean you need one? Absolutely. And PB Backdrops has just the right one for you. With one of the largest selections anywhere, you can make your choice from pillow cover tension fabrics or single-sided tensions, all of which are custom printed  with hundreds of themes, or you can select from specific styles including rosette and mermaid.
It was higher quality then I had expected . One side is a very soft and silky/shiny material. The photo is only on one side , just to let you know . Needs to be ironed but ours broke and we do not have an iron at the moment. If the lines were out it would look absolutely gorgeous. Totally changed the feel of a room. Bought the 60”W by 80”L . Not disappointed.

So why only 4 stars and not 5? I personally don't like the very top of the backdrop. If you look at the pictures carefully (I don't know if you can actually see this because I tried to crop these out), it looks like there are ceiling lights on a dark alley street. Scientifically, that's impossible and realistically, it looks WEIRD. But other than that, it's near perfect for what you're paying for.
No space? No problem. The 42 x 42 x 42-inch Little Studio unfolds to deliver a corner studio setting in any location. Its metal frame is shrouded in white diffusion fabric and has hook-and-loop edges so you can mount backdrops and floor mats with ease. When the shoot is over, the Little Studio folds down and slips into an included nylon carrying case. You can completely disassemble the studio if you really need to pack it down. 
A user also mentions that the frame feels slightly flimsy, but he hasn’t had any problems with it. He adds that he is satisfied with its performance so far and that the carrying bag is a nice bonus. However, one customer complains that the product’s measurements are not correct and that it’s not strong enough to hold the vinyl in place without dipping.

While many photographers are experts at their craft and able to utilize natural lighting and landscapes as backgrounds for their portraits, studios that provide a controlled environment are a necessity for many photographers. A key component to any photography studio is your background material as the right background materials can make or break a photo session. To ensure you achieve the overall theme and feel of your photography style, here's a look at what you might consider when choosing affordable background materials offered on eBay .
I just received this in the mail. It does smell a little like oil based paint, but you have to put your nose up to the fabric. The white and gray is what I ordered so alternating contrast is to be expected. First thing I did was throw it in a dryer with a wet towel to remove the creases and randomize the wrinkles. It's a backdrop of the same quality as the all black backdrop. I expect to be using it in a maternity shoot this weekend and I think it will be wonderful. What I ordered and what I expected. It isn't heavy which makes it portable for other locations, but it means it may not be what some people expect. I'm happy and looking forward to a lot of use. I think it will work for what ... full review
In summary, the key factors to getting the backdrop and subject lit in a similar exposure zone is distance; The distance of the subject to the background and the distance of the light source to the subject. Decrease the distance of the subject to background and increase the distance of the main light to the subject to make this easier. The key factor for getting a soft and directional quality to the light is also distance, but it's the opposite. By getting the light closer to the subject, we can create a softer light with more directional qualities. Also remember that these qualities of the light are relative to the size of the light source. If you are using a smaller light source, you will need to get it in closer to hold those transitional values. If you are using a larger light source, you may be able to get your light further back and still hold those soft-light qualities. Also, if the examples and basic principles here make sense to you, you have kind of just learned the inverse square law!
The backdrop support system typically mounts backdrops that feature a pole pocket. This pocket simply slides onto the cross bars. Backdrops without a pole pocket can also be mounted to the backdrop support system with spring clamps. Spring clamps (AKA A-Clamps) can be found at any hardware store and typically only cost a few dollars. These clamps are great to have around your studio, as they also allow you to clamp backdrops taut at the bottom to eliminate wrinkles or shadows.
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