This is exactly what I needed to help my small photography business get off the ground even more! Great product! Very strong stands, and yes, as other reviewers stated, the backdrops are muslin and are very thin, just hang all three or a thicker material behind it and it's fine! I took some really nice Valentines Photographs of my children to test it out! I'm a very happy photographer right now! I did see a few complain about the light fixtures breaking on them, I think the case might be that they are over tighting the bulbs, don't, and you should be fine! I also read a few complain about everything not fitting back into the bag, I did not have this problem, everything fit back in just great! A very happy customer here!! I've attached some of the photographs I took using the black background.
Even shooting on location you can achieve some background lighting magic. The sun moves around throughout the day — think east to west as well as dawn to dusk. Analyze what time of the day the sun will project the light on your subject at the desired angle. Note: Hard light (direct sun) will create darker shadows while diffused light (cloudy overcast) will create softer shadows.
well my fault i didnt pay attention to other posted reviews that said order multiples. i only ordered one and of course it was no where near enough to do a proper back drop. so i will need to buy maybe 2 more. the picture seems a tad misleading cos it looks like just one solid panel. One Panel is the equivalent of one of my House curtains. which is where i hung this up, over my windows, to make a back drop for our New years eve family party. LOL it was real conversation piece.
This is a durable and well made photography back drop. All stitching is tight with no loose threads. It includes 5 spring clamps for hanging, or it can be hung using the sewn in rod pockets. It's made of 100% cotton and is a nice weight without being too heavy. Overall I'm very happy with this backdrop and recommend it to anyone looking for a nice white one.
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
Look no further! This is an awesome kit. I was very impressed with the weight and quality of the hardware. The poles are thick and sturdy, and it includes a brochure with basic instructions. The set comes with multiple bags: the large primary bag that holds everything, and smaller "set" bags (two for the umbrellas/softboxes and one for the back muslin stand). Overall I am very satisfied with this purchase and highly recommend this set. Also, the seller was great with communication.
The paper is awesome and thick and great for a photography backdrop. The problem I had with it was no statement letting me know that you cannot use it on a regular stand or the paper will unwind uncontrollably and end up in a crinkled mess on the floor. Half of my roll spun out onto the floor as soon as I tried pulling a little bit out to do a session. Thankfully I was preparing for the session about 15 minutes before the appointment time and I was able to wind it up, cut off the creased parts and rig up something with some painters tape to temporarily keep it in place. Because of this I was unable to change out my backdrop during the session without risk of it unraveling again with my clients here at my place. In order to use this ... full review
I needed a small kit that I would be ablt to take with me to anywhere i needed some extra lighting or a backdrop. This kit looked compact and had the essentials as well. I'm actually surprised at how much I've done using this kit, ive done amateur and commercial photography using this kit (mostly the lighting as supplemental). It works great for on the go projects and the case it all comes in is well made and easy to carry.
Collapsible backgrounds are an ideal choice for photographers who need a portable, compact, and simple to set up and take down. These versatile backdrops are lightweight, easy to setup and never show creases. Collapsible backgrounds spring open, attach to stands with touch fasteners, and can be used horizontally or vertically. Portable collapsible discs are limited and available in a small range of sizes. There are some foldable disc backdrops available that extend in front of the backdrop to the floor, serving as a seamless background for full-length subjects.

A 5 or 6-foot wide backdrop is a great size for headshots and ¾-length portraits. These backdrops are easy to manage and still only requires minimal space to set up. These backgrounds are ideal for event photographers who often work in busy spaces or for photographers working in a small home studio. While 5 to 6-foot backdrops offer more flexibility than 3.5-foot backdrops, they still become a bit tight if when photographing a couple or full-length portrait.
Display your photographic backdrops, floors, and floordrops using durable support equipment and accessories. You'll find a variety of stands and support kits that come with everything you need for mobile photography projects and studio setups. Many styles feature telescoping crossbars and adjustable bases to suit a variety of image heights and widths. Some support systems also feature multicolored chains so you can easily select the right background for your needs.
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