What can I say? This background is flimsy and cheap and you can see right through it and it's packed folded and the creases never come out. It arrived with a few runs which is frustrating but you get what you pay for. All of that being said, under the right conditions the backdrop does photograph well, if you know what your doing. Shallow DOF and creative lighting and it did what it was needed for, which in my case was a quick set up for a baby holiday portrait.
The backdrops used for photography are usually made of lighter material which makes it easy for the photographers to carry them around while traveling. The backdrops are usually hung as panels or can be easily draped over anything to give a particular effect. They can also be suspended from background stands by using clamps. Depending upon the type of effect needed by the photographer, the type and size of backdrop can be selected from the wide variety available. Since backdrops require some support, there are many types of background supports available that are well-suited for location work, or even sophisticated permanent studios.

Muslin is a cotton weave fabric that holds dyes and paints with ease. These backgrounds are made of lightweight material and are clamped to a background stand or even draped over anything to transform the look of a picture. As the muslin is made of thinner and lighter material, it does not show wrinkles and can be used as a neutral background or as a dramatic one. It comes in many different sizes and pattern that range from 5x8 to 30x30 feet and solid color backdrop or designer series patterned design. Muslin backgrounds can feature replicas of old master paintings, abstract patterns or marbleized patterns. This material is very portable and fairly inexpensive making it a favorite with photographers.

Arrived damaged with small holes from the folds but I thought I could work with it. It is not wide enough for full frame, edged in white and printed so poorly that the design looks like it has a flaw. Look carefully at the seller's images. Several are photoshopped to appear better than the product. The last shot the seller uses shows a huge printing flaw. From a design standpoint, this makes no sense whatsoever to blow out that area with white. It isn't simulated light to give depth, it's just a flaw from the printer. Really, really bad photoshop to begin with in the first place, with other areas showing white artifacts on the design. China quality and standards. Not recommended unless you can shoot around them or photoshop them out later.
Summer may be drawing to a close soon, but ice cream is everyone’s year-round fave. Unlike the real stuff, Ink & Elm’s Dip n Dots backdrop won’t melt on you and its matte vinyl is tear resistant, so you can use it as a floor drop, too. It’s water resistant in case some real ice cream spills from your subject’s hands (or yours, we’re not judging). You can order the backdrop with grommets along the top for an extra $8, or spend $15 to get a pole pocket along the top. Sizes range from 3 x 2 feet up to 10 x 6 feet. Yum.
I was really excited to get this backdrop for my new YouTube channel (Nia Knows Best) and it did not fail. The quality is thick (which is good), and it is NOT transparent. That's perfect because I have a wall of magazine pictures behind this backdrop and yet you can't see anything but the shimmer of the rose gold glitter. The only thing I would say is that depending on the lighting the rose gold turns into a silver ish glitter which can be a little frustrating. In the last photo you can see how just because of the lighting switching, the rose gold turns into silver. Other than that it is perfect.
For gear, I used my Canon 50mm 1.4 lens. My camera settings for most of the shots you saw were f1.8,  ISO 640 and shutter speed around 250. No flash. Just natural light. You really just need to play around with it a bit depending on your lighting situation and what not.  Be brave and use that manual mode on your camera or at least the aperture priority setting. I did test shots using stuffed toys while the little guy was napping so as not to “waste” any precious time with him and risk missing any good shots. If you have older kids that will sit still you can get some really cool shots! If only Mr. C was old enough for an M&M bribe. Mr Moose did well though…. Here’s a test shot…..
The main cause of this working is distance. Notice how close the subject is standing to the background and how far away the main light is from the subject. In this example, the subject is approximately 2 feet from the backdrop and the main light is approximately 4 feet from the subject. If you're new to this, I would recommend starting with your main light a bit further back to make it a little less challenging. You will see why in a second.
One of the main questions are customers ask us is “what is the difference between continuous and strobe lighting?” Continuous lighting uses a constant light source to light your subject, meaning that your lights will stay on during the entirety of your photo shoot. Continuous lighting is recommended for beginners. Strobe lighting uses a flash of light at the moment your camera shutter opens to illuminate your subject. Many professionals use this type of lighting because it offers more control of the light.
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
Alright so at first I was kinda debating on whether or not to get it because of all of the mixed reviews but I'm glad I got it because it's perfect for what I needed. I'm a free lance illustrator and besides working at home, I go to conventiontions quite frequently and I needed something that would help the whole set up process go by faster and opted for this and honestly, I'm glad I did.

You can channel our cavemen ancestry with Custom Photo Prop’s Faux Fur Mat, safe in the knowledge that no animals were harmed in their making. These synthetic mats are PETA-approved, machine-washable and hypoallergenic. They can be ordered as a basket stuffer in a 20 x 32-inch size. It’s sold as a 15 x 15-inch layer or in 3 x 5-foot and 5 x 6-foot sizes. They’re super comfortable on baby’s skin as well.


Great photography doesn’t always involve buying the most expensive camera on the market. Certainly, great cameras yield very good results. But even the best camera can’t perform to its best level without great lighting in the scene. Quite often, that great lighting will come from the sun with outdoor photos. However, when you have to shoot indoors, you need to provide your own lighting. Although you can produce this lighting with an on-camera flash unit, photography lighting sets provide the best quality of light. You also can make significant adjustments to the intensity and direction of light when using a set, giving you maximum control of the photo quality.
With a 20 or 24-foot long backdrop you’ll be able to cover just about every style of portraiture and product photography. These backdrops are great if you want to photograph a larger family full-length, or have a video shoot that requires movement. These long backdrops are great for when you want to pull your subjects far from your backdrop as well.
The backdrops used for photography are usually made of lighter material which makes it easy for the photographers to carry them around while traveling. The backdrops are usually hung as panels or can be easily draped over anything to give a particular effect. They can also be suspended from background stands by using clamps. Depending upon the type of effect needed by the photographer, the type and size of backdrop can be selected from the wide variety available. Since backdrops require some support, there are many types of background supports available that are well-suited for location work, or even sophisticated permanent studios.

Nice strong clamp. Seems well made for an inexpensive gadget. Very handy addition to the things you can mount a camera to when either you don't have a tripod or the tripod just won't work. I have not tried it with the SLR but should hold well unless the camera is quite large or with a long heavy lens. Probably best with P&S or the smaller SLR & lenses.


Everyone wants to feel special, and when you buy a Drop It Modern fabric backdrop you’ll be one of 15 photographers to gain access to that style—the company maintains a limited inventory so that each style is more exclusive. These non-reflective canvas linen fabric backdrops are sold in 54- or 98-inch widths and 108-inch lengths. Wrinkle resistant and seamless, these backdrops can be machine washed and tumbled dry on low heat. Pictured here is Sunray. 
Features The photography light box is designed for small items of photography enthusiasts, crafters, artists, etsy sellers and other online sellers, professionals and product advertising clients. Light box Studio allows quick and easy shooting of small products such as jewelry, accessories, toys, watches, gadgets and other items. Assemble your own photo studio anywhere in minutes, you can unfold this LED lightbox studio and place it on any surface to get the perfect backdrop for small articles business photography, taking pictures for products. Portable folding magnetic circuit structure design, more convenient to install and carry, built-in led light, providing average light and prevents shadows and reflections in your photos. With backgrounds pads, and build-in light and USB cable.

It was higher quality then I had expected . One side is a very soft and silky/shiny material. The photo is only on one side , just to let you know . Needs to be ironed but ours broke and we do not have an iron at the moment. If the lines were out it would look absolutely gorgeous. Totally changed the feel of a room. Bought the 60”W by 80”L . Not disappointed.


These are better than I expected. Good solid build. Takes about a good solid hour to assemble everything. Everything worked perfectly after assembly. No sand for the sandbag, so I put a bottle of water in the pouch. Worked perfect as a counterweight. I live in a one bedroom apartment, so I put two of the lights away after testing and keep one assembled for impulse shoots.

Collapsible backgrounds are an ideal choice for photographers who need a portable, compact, and simple to set up and take down. These versatile backdrops are lightweight, easy to setup and never show creases. Collapsible backgrounds spring open, attach to stands with touch fasteners, and can be used horizontally or vertically. Portable collapsible discs are limited and available in a small range of sizes. There are some foldable disc backdrops available that extend in front of the backdrop to the floor, serving as a seamless background for full-length subjects.


Users love the price and the quality of the product, but some do note that it’s too light for their liking. The Linco T-shaped backdrop stand features a sturdy design, a set of crossbars, and clamps to keep the fabric in place. Another great thing about this product is that it’s light – just four lbs., and you don’t need any special skills to assemble it. What’s more, you can adjust it from 2.6 ft. to 6.7 ft. 
With a 20 or 24-foot long backdrop you’ll be able to cover just about every style of portraiture and product photography. These backdrops are great if you want to photograph a larger family full-length, or have a video shoot that requires movement. These long backdrops are great for when you want to pull your subjects far from your backdrop as well.

The key to getting those gorgeous big bubbles of light in the background is to locate your subject a decent distance from the lights while at the same time positioning yourself as close to your subject as you can be to get the shot you want and setting the aperture on your camera just about as wide open as you can. The further away your subject is from the lights, the closer your are to your subject and the wider the aperture…..the bigger the lights.

I've included what the backdrop look like without people in it, and also what it looks like with several different kinds of skin tones so those of you who are thinking about buying this can take that into consideration with your potential clientele. As you can see, at least with just a horseshoe flash, people with darker skin tones definitely looked better with this backdrop.
When I want new portraits of my kids, I never head to the photography studio. Instead, I head to the kitchen or front room, where I get great window light. I’m willing to spend a lot more time than most photographers would with my kids to get just the photo I want, and I often photograph them right in front of a blank wall for an easy background. This can get old pretty quickly, though, so I’ve collected 20 different options for easy DIY backdrops you can use in your home.
It was higher quality then I had expected . One side is a very soft and silky/shiny material. The photo is only on one side , just to let you know . Needs to be ironed but ours broke and we do not have an iron at the moment. If the lines were out it would look absolutely gorgeous. Totally changed the feel of a room. Bought the 60”W by 80”L . Not disappointed.

The Emart portable background support kit features adjustable crossbars, an aluminum alloy construction for portability and durability, heavy-duty spring clamps, and heavy-duty nylon sandbags. Another great thing about this product is that it comes with a bag so that you can take it with you on your trips. What’s more, you can adjust the height from 2.6 to 7 ft and the width from 5 to 10 ft.
I ordered this backdrop, because I've been recently getting into some basic photography and needed a backdrop in a standard, simple color. Please note that included with your purchase is ONLY the backdrop and clamps for it. The stand is sold separately. It came shipped to me in a smaller flat box. The backdrop itself was wrapped in a cellophane bag inside the box. The five spring clamps were in a smaller cellophane bag inside the box as well. The clamps were very good quality-they stayed closed without any slipping. The stitching and fabric quality looked very good, especially for the price. It's not thick enough to completely block out any light behind so be prepared to plan accordingly. It is not too thin either though in my opinion. The thinner material makes for easier storage. And yes it does have wrinkles when you unfold it, but that is easy ... full review
The Hand Painted Background is made from durable high quality muslin material and is 100% cotton to help absorb the light and eliminate reflection. It is completely seamless being made from one piece of material. It comes with a 4" rod pocket at one end. It is machine washable and crimped along the edges to prevent tears. It is light weight and easy to fold. Please allow for 5-8% manufacturing shrinkage. Package Contents One (1) 10 'x 12 ' W001 Muslin Backdrop Specifications -100% cotton to absorb the light and help eliminate reflection -completely Seamless, made from one piece of material -3.5" rod pocket at one end -Allow for 5-8% manufacturing shrinkage.
As with lighting systems and camera equipment, backdrops require some kind of support to keep them in place. Background supports can be simple or sophisticated systems. The simple ones are easy to set up and break down and are well suited for location work, while sophisticated, permanent studio systems can hold multiple backgrounds that can be raised or lowered either manually or at the flip of a switch.
×