Features: 1.5-In-1 Design: Fill-in light ring, Bluetooth shutter, Selfie Stick, Phone Holder, Tripod Lamp 2.Wide Application: Widely applied to podcast, live video, video chat, selfie fill light, makeup, filling light indoors, portrait, fashion, wedding art, advertisement photography, etc.3.With Controller: Brightness up and down(10-level brightness), light color switching and power on/off easily handled through the controller 4.3-Light Color: Warm Light, Soft Light, White light. Different light color delivers differetn shooting results. 5.Eye Protection Light Source: Soft light photography light with stepless dimming, can be adjusted to your desired level. 6.Designed to Last: High quality led bead equipepd, flicker-free, no light ra.
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
Drops & Props custom work is professional, high quality, and accurate. They were responsive to our needs and hustled to complete an order that had an impossibly tight turn around time. We ordered backdrops not only for our photo booth but to have a shared experience in every Etsy office across the globe. They made this happen for us and we are so grateful.
Another special effects background is the translucent background that is used in videography or photography to disappear under accurate lighting. It is a perfect backdrop to use for theatrical scrim effects wherein the photographers or videographers control the appearance and disappearance of the subjects. These backgrounds can be illusion netting, gauze, scrims and so on. The fabric used for these backdrops can be translucent or transparent and diffusive or non-diffusive.
A traditional backdrop support system is the most common mounting solution for photography studios. The backdrop support system consists of a 3-section cross bar and two light stands. By utilizing two of the included cross bars, the backdrop support system can mount backdrops up to 7-feet wide. By utilizing all three cross bars, this system can mount backdrops up to 10.5-feet wide. The included  stands can extend up to 12-feet high for photographing tall people, high movement, or products.

Love this! I am an armature photographer and have only used a few vinyl backdrops in the past. I needed a solid grey backdrop and thought I would try one of these because they are so much cheaper than the vinyl I had purchased in the past. It was super easy to use. I do just natural lighting so it was nice to not have to deal with a glare like I do on my vinyl ones. I also loved that it was so easy to set up and take down. I had read reviews that said collapsing it back up is difficult but I had a friend with me when using it and I asked her to hold one end and it literally took me less than 30 seconds on the first try...maybe we just got lucky? I wish they had more ... full review

Like other photo backdrop materials, polyester also comes in various sizes and colors. An advantage of this fabric is that it’s wrinkle-free. If there are heavy wrinkles, it can easily be removed by warm ironing from the back or by steam ironing it when it’s hung. It also includes rod holes that are perfect for hanging, especially if you don’t have a place to store it after using.


I love this backdrop for photos; I used it for my daughters pictures to use on her first birthday card. However, as other reviewers stated, getting the creases out is nearly impossible. I took another persons idea of wrapping it around a pole (one of those long, skinny paint rollers meant for painting ceilings - so very skinny). I wrapped it around the pole and used tape to hold it in place for TWO WEEKS. While it helped with the creases a little bit, they were still pretty visible. I would love to purchase more of these for future use but am hesitant; I wish the supplier would ship them rolled in tubes as opposed to folding them.
Easy to use and looks good in portraits. I used a stand by Fancierstudio and clips by LimoStudio and got this backdrop set up nicely. It's plenty long, and looks like you could cut it up and use it to cover a larger area, however I wish it were wider. It's just barely wide enough for a good portrait, but not any wider. It looks good if you put your subject a foot or so in front of it with a large aperture and get some bokeh on it.

Users love the portable carrying bag, but some do note that it’s not heavy-duty or suitable for heavy fabrics. The ePhoto support stand kit is made of lightweight aluminum for portability, and you can adjust the height up to 8 ft. and the width to 10 ft. Another great thing about this product is that you can set it up in minutes, store it in the included carry bag and take it with you.
If you're looking for photography backdrops suitable for outdoor or portable use, collapsible backgrounds are both economical and space-efficient choices. Many fold down to a third of their size, and come with convenient carrying bags so you have room to pack and protect multiple backgrounds. Several styles feature reversible designs, to give clients a choice of colors and patterns. Pastel pink and blue backgrounds work well for baby showers. Urban-inspired prints let kids and teens show off their more expressive side. You'll also find options in camera-ready, chroma-key colors suitable for special effects projects.
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