In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
It was higher quality then I had expected . One side is a very soft and silky/shiny material. The photo is only on one side , just to let you know . Needs to be ironed but ours broke and we do not have an iron at the moment. If the lines were out it would look absolutely gorgeous. Totally changed the feel of a room. Bought the 60”W by 80”L . Not disappointed.
The picture posted here is definitely deceiving, but overall I am happy with the product. I don't know how the photographer edited and/or modified the print in the listing to have the "depth" of the floor like that. I have two pictures that I will submit to show what I received - these are UN-EDITED photos (not run through Photoshop, only added my name to the bottom). I ended up using a floor cloth, as you can clearly see in the image. If the photographer used a separate floor cloth to achieve the extended "brick" look, I could understand it, but as the photo stands it is very deceiving. Obviously there were some adjustments made to bring out the colors in the background too. I can easily achieve the same "rich" colors in Photoshop or some other similar photo editing program.
I've included what the backdrop look like without people in it, and also what it looks like with several different kinds of skin tones so those of you who are thinking about buying this can take that into consideration with your potential clientele. As you can see, at least with just a horseshoe flash, people with darker skin tones definitely looked better with this backdrop.
A user also mentions that the frame feels slightly flimsy, but he hasn’t had any problems with it. He adds that he is satisfied with its performance so far and that the carrying bag is a nice bonus. However, one customer complains that the product’s measurements are not correct and that it’s not strong enough to hold the vinyl in place without dipping.
I would definitely play around with it. Your not going to want to go too wide with 4 because odds are they will move around a bit and you’ll end up with some soft faces. Some key things to remember would be try to keep their faces all on the same plane of focus, that will allow you to shoot a little wider. Generally with 4 kids I would aim to shoot around f/4 but certainly play around. At that aperture you may want to consider moving them further away from the background. Keep in mind the closer you are to them and the further away from the background they are the more bokeh you will get!
Anyone that does any kind of handy work around the house (or anywhere for that matter) definitely needs to keep a few of these on hand. They are simple. They are plastic, but they feel very strong. The spring inside is REALLY strong! It's got a tight grip for sure! I have around 40-50 of these (different brands) that I've acquired over the years doing woodworking projects. These rank right up there with the best ones! If you're gluing something, these are a must to clamp the parts together. Great grip and as inexpensive as you're going to find! (currently $9.99/1.67ea). Hard to argue with that!
What type of photography studio props are you looking for? We have faux wood photography backdrops, brick wall photo backdrops, damask photo drops, nature backgrounds, bokeh photography backgrounds, bridal photo backdrops, prom photo backgrounds and so much more. The list goes on and on and one because we want you to be able to find everything you need for your backdrop needs right here on our website. We wouldn’t be surprised if you wanted to purchase one of everything.
In summary, the key factors to getting the backdrop and subject lit in a similar exposure zone is distance; The distance of the subject to the background and the distance of the light source to the subject. Decrease the distance of the subject to background and increase the distance of the main light to the subject to make this easier. The key factor for getting a soft and directional quality to the light is also distance, but it's the opposite. By getting the light closer to the subject, we can create a softer light with more directional qualities. Also remember that these qualities of the light are relative to the size of the light source. If you are using a smaller light source, you will need to get it in closer to hold those transitional values. If you are using a larger light source, you may be able to get your light further back and still hold those soft-light qualities. Also, if the examples and basic principles here make sense to you, you have kind of just learned the inverse square law!
For our session I tried to keep Mr. C about 3/4 of the way up from the lights on the wall and towards me (right around where you are seeing the garland and red ornaments in the above photo).  I was sitting only as far back from him as I had to, to get what I wanted of him in the frame (keeping in mind the three criteria above).  Using the garland and ornaments for props helped because he just played with them wherever I set them down.

The Emart portable background support kit features adjustable crossbars, an aluminum alloy construction for portability and durability, heavy-duty spring clamps, and heavy-duty nylon sandbags. Another great thing about this product is that it comes with a bag so that you can take it with you on your trips. What’s more, you can adjust the height from 2.6 to 7 ft and the width from 5 to 10 ft.
Though I had an idea for the DIY photo booth backdrop a long time ago, it took awhile for me and my fiance to get around to constructing it. We decided we wanted a backdrop with a sheer white curtain and bright string lights. We settled on the string lights because of their warm vibe. Plus, we thought they tied in nicely with our loosely light-themed wedding.
Canvas backgrounds are made of a moderately thick, heavy fabric. These backdrops are mostly painted to look like classic paintings or have imagery of scenic realism. They are also known as roll drops or scenics and need a suspension system. Usually, photographers use motorized backdrop stands though background rollers can also be used to clamp the canvas. A good canvas backdrop can provide an amazing look to the photographers scenes and can even last for a longer span of time. These backdrops are also available with subtle patterns or even neutral backgrounds which highlights the portrait subject.
Users love the portable carrying bag, but some do note that it’s not heavy-duty or suitable for heavy fabrics. The ePhoto support stand kit is made of lightweight aluminum for portability, and you can adjust the height up to 8 ft. and the width to 10 ft. Another great thing about this product is that you can set it up in minutes, store it in the included carry bag and take it with you.

Yes all the "bad" stuff they say about this product is true, it's essentially a very long roll of wrapping paper, thin, wrinkles easily. BUT that being said, if you treat it with just a little TLC this stuff performs beautifully. Photographs extremely well. Perfect for the beginner photographer on a limited budget, or like myself a more seasoned photographer with a small studio, I highly recommend this product. For the price it can't be beat! This photo was taken on the "barn wood" version.
In this SOOC shot, you can see just how down and dirty this setup was. The backdrop is not pulled out very far and taped down only in a couple of spots. In the top left edge of the image you can see the corner of the 50 inch Apollo. This also shows that the right edge of the light is hitting the subject, allowing for a soft feathered look, but more importantly for this setup, it's allowing the rest of the box to light our background.
A. Regardless of the lighting system you’ve selected, you should have at least some control over the light intensity. A basic lighting system should allow you to adjust the power of the lighting to half or full. More complex systems will give you several settings options to control the intensity of the lighting. If you purchase an inexpensive lighting system, you’ll have to spend more time adjusting the physical position of the light to achieve the exact intensity of light on the subject you want.
The latest addition to our lineup, these are serious solutions for serious exhibitors who need much more powerful and attention-grabbing setups than backdrops or backgrounds: a single system and they will create the perfect walk-in booth for your expo or promotional event. They assemble swiftly, they're lightweight, durable, highly portable, and you can add vivid custom graphics.
A traditional backdrop support system is the most common mounting solution for photography studios. The backdrop support system consists of a 3-section cross bar and two light stands. By utilizing two of the included cross bars, the backdrop support system can mount backdrops up to 7-feet wide. By utilizing all three cross bars, this system can mount backdrops up to 10.5-feet wide. The included  stands can extend up to 12-feet high for photographing tall people, high movement, or products.
Browse our collection of photography props including posing stools, steps for seated and standing shots, numbers, and more. These photography props are also ideal for theatre productions, catalog shoots, school portraits and more. With multiple options available, you are sure to find the photography props you need at the low prices you want. Interested in learning more about photography props? Check out What Posing Props Can Do For Your Photo Shoot!
No more wasting your money on cheap vinyl. We've got just what you're looking for in a professional fabric photo backdrop. We print on high quality, matte finish, non-glare cloth with a dye sublimation process that exceeds expectations. We even have three different fabrics to choose from, allowing for further individualization! Other companies either print on subpar materials (like vinyl, muslin, or even paper!) or they print direct to fabric, which lessens the resolution and leaves you wanting more. Here at Photo Pie, we pride ourselves on providing excellent customer service through your entire ordering process. Whether you're needing a one time backdrop for a party or needing durable, wrinkle free backdrops for your photography studio, we've got professionally sublimated backdrops just for you!
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