Summer may be drawing to a close soon, but ice cream is everyone’s year-round fave. Unlike the real stuff, Ink & Elm’s Dip n Dots backdrop won’t melt on you and its matte vinyl is tear resistant, so you can use it as a floor drop, too. It’s water resistant in case some real ice cream spills from your subject’s hands (or yours, we’re not judging). You can order the backdrop with grommets along the top for an extra $8, or spend $15 to get a pole pocket along the top. Sizes range from 3 x 2 feet up to 10 x 6 feet. Yum.
Studio Light Video Photo Softbox Photography Kit Muslin Backdrop Lighting Kit Package Content: (2) Light Holder w/ Silver Black Softbox Reflector (2) 24" White Square Umbrella Reflector (2) Studio Single Light Holder (4) 7ft Tall Alumium Light Stand (4) 45Watts Day-Light Bulbs (1) Backdrop Support System w/ Carrying Bag (1) 5'x10' Green Backdrop Screen (1) 5'x10' Black Backdrop Screen (1) 5'x10' White Backdrop Screen (4) Backdrop Helper(Clip) （ Free Gift） * Item color may slightly differ from photos due to varying monitor display and settings.
Even shooting on location you can achieve some background lighting magic. The sun moves around throughout the day — think east to west as well as dawn to dusk. Analyze what time of the day the sun will project the light on your subject at the desired angle. Note: Hard light (direct sun) will create darker shadows while diffused light (cloudy overcast) will create softer shadows.
Think of the Pearl photo booth as magic on a stand. Capture the smiles, capture the joy, turn it into top quality photos with customizable messages and graphics, then send these off into the world - all in a flash. Ideal for weddings, corporate functions, birthday parties, proms . . . you get the picture. The Pearl sets up in minutes, creates joy and memories for hours.
You don’t have to browse Instagram long before you see images of people in dangerous places. You can satisfy the thrill-seeking selfie shooter with PhotoPie’s vertigo-inducing Bird’s Eye View floor mat. The bottom is made of non-slip rubber that will stay in place once it’s on the floor. The top material is felt and is imaged using a fade-resistant dye-sublimation process. Sizes range from 4 x 5 to 8 x 10 feet.
Cheryl Woods is an accomplished photographer, designer and branding consultant with a career spanning 20+ years. Her photographic work includes editorial, fashion, portraiture and product photography for major companies in the consumer products field including QVC and Hanover Direct. She received a B.F.A. in Photography from the University of the Arts and an M.F.A. in Media Design from Full Sail University. Cheryl's work has been exhibited at the Lowes Museum of Art in Coral Gables, FL, The New York Independent Film Festival and the Rosenwald Wolf Gallery in Philadelphia, PA. Check out her website here!
This was my first order with this product and I like it. The only thing that threw me off is that I expected it to be as pictured. Brick all as the 9x6 and the extra white on the bottom. It is in fact 9x6. I have included a couple test shots. The product works as expected. I love white back grounds. I think that this adds just a little bit of texture to them. Also important to not be right up against the backdrop. make sure that you get some distant between the subject and the back drop.
Backdrops and backgrounds have become indispensable to the photo booth and tradeshow experience as well as to so many other events. Does that mean you need one? Absolutely. And PB Backdrops has just the right one for you. With one of the largest selections anywhere, you can make your choice from pillow cover tension fabrics or single-sided tensions, all of which are custom printed with hundreds of themes, or you can select from specific styles including rosette and mermaid.
I would definitely play around with it. Your not going to want to go too wide with 4 because odds are they will move around a bit and you’ll end up with some soft faces. Some key things to remember would be try to keep their faces all on the same plane of focus, that will allow you to shoot a little wider. Generally with 4 kids I would aim to shoot around f/4 but certainly play around. At that aperture you may want to consider moving them further away from the background. Keep in mind the closer you are to them and the further away from the background they are the more bokeh you will get!
AMAZING!!! I was worried about what the quality of this backdrop would be because of the price. The colors are BRIGHT and don't look faded in the picture!! It comes folded very small. I suggest hanging it asap. A little work with a steamer got the creases out with not much effort. It has small faded spots from the creases but i cant see them in the picture. I was worried the color would be lighter than the people in the picture but that is not the case. Great buy :)
With a 20 or 24-foot long backdrop you’ll be able to cover just about every style of portraiture and product photography. These backdrops are great if you want to photograph a larger family full-length, or have a video shoot that requires movement. These long backdrops are great for when you want to pull your subjects far from your backdrop as well.
This is my first DIY project. I decided to make this backdrop stand so when I film my YouTube videos. I bought all of the products used from my local Home Depot. I bought three 10 feet long PCV pipes. 4 end caps, 4 T-caps and 2 Elbow Caps. I had a Home Depot Employee cut the PCV pipe for me in store. The 1st PCV was cut in TWO 54 inch long pieces. The 2nd PCV pipe was cut into FOUR 30 inch long pieces. The 3rd PCV pipe was cut into FOUR 12 inch long pieces. I got this idea from Pinterest and I found it very helpful. I spent $10.23 total, including tax, and it took me less than 10 minutes to construct this project. This is great for Vlogging, low-budget photography studios or even a photo-booth at an or birthday party!
This is one of the best purchases I've made! I have a Talk Show and wanted good lighting and a place for my banner without spending hundreds of dollars. Well this was it! The stand where you hang your back drop, extends. It can go extremely wide or small enough to hang a small banner for an event. Same thing with the length. It can go as high as 6/7ft and as low as 2/3ft. Everything came new, nothing broke, everything worked. All four light stands can raise high or go low. For people using this for photography I strongly recommend getting some brighter light bulbs. This would be my only issue and recommendation. The bulbs are not bright enough at all. Its ok for the mean time or if you don't really need bright lights. It's amazing how this entire set up can be broken down quickly and all packed into a large, black, gym bag looking thingy that it comes in (of course inside the delivery box). I've had it for about a year and have taken it down atleast twice. My daughter and I put it back together when we moved in about 20 min or less. It comes with 4 light stands, 2 with umbrellas & 2 with the square light covers, 2 light covers, 1 backdrop stand, 3 sheets (black, green, white), 4 light bulbs, 3/4 clips for sheets & large black gym bag. Highly Recommend!
6× Photo Studio Light Photography Background Clips Backdrop Clamps Peg Package Contents: 6 clamps Description： These Set of 6 Universal Pro Clamps are easy to use and would be a great addition to your studio. These clamps are extremely useful in positioning or stretching your background onto backdrop support systems. Clamps are perfect when you need to attach any kind of fabric background to a support system. They work perfectly for Muslin, paper, and even canvas backdrops. These clamps are also known as spring clamps, A-clamps, and even studio tongs.
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
The backdrop support system typically mounts backdrops that feature a pole pocket. This pocket simply slides onto the cross bars. Backdrops without a pole pocket can also be mounted to the backdrop support system with spring clamps. Spring clamps (AKA A-Clamps) can be found at any hardware store and typically only cost a few dollars. These clamps are great to have around your studio, as they also allow you to clamp backdrops taut at the bottom to eliminate wrinkles or shadows.
This kind of fabric has an amazing quality that absorbs light from flashes around the studio. It enables you to have a pitch-black (if using black velour) portrait background that will not reflect the light from your flash or lighting equipment. This way, you don’t have to worry about the direction of light affecting the background because it leaves no detail.
Our full line of photo props and accessories will help you create the perfect portrait. From props that interact wonderfully with subjects to those that simply give your photos a little more interest. Our props are sure to help with creating magical photographs each and every time. Our realistic prop designs are often used in theatrical settings, special events, portraits, and even the motion picture industry.
One of the advantages of using a chroma key background is that it can shorten production time by doing away with the need to change from one background to another. This kind of photo backdrop allows the photographer to freely take pictures without thinking of what background will best fit the image, as they can decide on that part later in the post-processing stage.