We had so much fun on Christmas with this backdrop and the accessories. We had an ugly Christmas sweater dinner and we took so many photos using this. It was like an ongoing photo session. The back drop is very sturdy and was put up for the next holiday season. I used a hot glue gun to attach the sticks to the props rather than using the tape strips that were included.
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
Arrived damaged with small holes from the folds but I thought I could work with it. It is not wide enough for full frame, edged in white and printed so poorly that the design looks like it has a flaw. Look carefully at the seller's images. Several are photoshopped to appear better than the product. The last shot the seller uses shows a huge printing flaw. From a design standpoint, this makes no sense whatsoever to blow out that area with white. It isn't simulated light to give depth, it's just a flaw from the printer. Really, really bad photoshop to begin with in the first place, with other areas showing white artifacts on the design. China quality and standards. Not recommended unless you can shoot around them or photoshop them out later.
I just got this today and attached it to my back drop stand using A Clamps across the top. There are some crease marks where it was folded so I will try various tricks I found on the internet to get them out, hopefully, without melting or ruining it. I didn't give it 5 stars because it is a little small at 5'x7' for anything but a seated subject. That's not the sellers fault as it clearly states 5'x7' but I would definitely recommend it if it were 6'x9' or larger. Even with the folded creases, it works well out of the box.
Stands often come with crossbars that can support a cloth, vinyl, muslin, or paper backdrop and are secured by either slipping it through a pole pocket or by clamps. For many stands, a crossbar is not needed if the backdrop is canvas or vinyl and has a wooden mounting. Single portable backdrop stands are also available. Portable photography stands are easy to set up, break down, and transport to locations.
In this SOOC shot, you can see just how down and dirty this setup was. The backdrop is not pulled out very far and taped down only in a couple of spots. In the top left edge of the image you can see the corner of the 50 inch Apollo. This also shows that the right edge of the light is hitting the subject, allowing for a soft feathered look, but more importantly for this setup, it's allowing the rest of the box to light our background.
Having skills in a variety of lighting techniques for your photo backdrop can give you some wonderful options for creating beautiful imagery for either products or portraits. By brushing up on your exposure and composition know-how along with practicing prior to your actual shoot date you’ll quickly be able to build a portfolio showing off your creative depth.
Anyone that does any kind of handy work around the house (or anywhere for that matter) definitely needs to keep a few of these on hand. They are simple. They are plastic, but they feel very strong. The spring inside is REALLY strong! It's got a tight grip for sure! I have around 40-50 of these (different brands) that I've acquired over the years doing woodworking projects. These rank right up there with the best ones! If you're gluing something, these are a must to clamp the parts together. Great grip and as inexpensive as you're going to find! (currently $9.99/1.67ea). Hard to argue with that!
Collapsible backgrounds are an ideal choice for photographers who need a portable, compact, and simple to set up and take down. These versatile backdrops are lightweight, easy to setup and never show creases. Collapsible backgrounds spring open, attach to stands with touch fasteners, and can be used horizontally or vertically. Portable collapsible discs are limited and available in a small range of sizes. There are some foldable disc backdrops available that extend in front of the backdrop to the floor, serving as a seamless background for full-length subjects.
If you're looking for photography backdrops suitable for outdoor or portable use, collapsible backgrounds are both economical and space-efficient choices. Many fold down to a third of their size, and come with convenient carrying bags so you have room to pack and protect multiple backgrounds. Several styles feature reversible designs, to give clients a choice of colors and patterns. Pastel pink and blue backgrounds work well for baby showers. Urban-inspired prints let kids and teens show off their more expressive side. You'll also find options in camera-ready, chroma-key colors suitable for special effects projects.