This is my first DIY project. I decided to make this backdrop stand so when I film my YouTube videos. I bought all of the products used from my local Home Depot. I bought three 10 feet long PCV pipes. 4 end caps, 4 T-caps and 2 Elbow Caps. I had a Home Depot Employee cut the PCV pipe for me in store. The 1st PCV was cut in TWO 54 inch long pieces. The 2nd PCV pipe was cut into FOUR 30 inch long pieces. The 3rd PCV pipe was cut into FOUR 12 inch long pieces. I got this idea from Pinterest and I found it very helpful. I spent $10.23 total, including tax, and it took me less than 10 minutes to construct this project. This is great for Vlogging, low-budget photography studios or even a photo-booth at an or birthday party!
A. Regardless of the lighting system you’ve selected, you should have at least some control over the light intensity. A basic lighting system should allow you to adjust the power of the lighting to half or full. More complex systems will give you several settings options to control the intensity of the lighting. If you purchase an inexpensive lighting system, you’ll have to spend more time adjusting the physical position of the light to achieve the exact intensity of light on the subject you want.
In summary, the key factors to getting the backdrop and subject lit in a similar exposure zone is distance; The distance of the subject to the background and the distance of the light source to the subject. Decrease the distance of the subject to background and increase the distance of the main light to the subject to make this easier. The key factor for getting a soft and directional quality to the light is also distance, but it's the opposite. By getting the light closer to the subject, we can create a softer light with more directional qualities. Also remember that these qualities of the light are relative to the size of the light source. If you are using a smaller light source, you will need to get it in closer to hold those transitional values. If you are using a larger light source, you may be able to get your light further back and still hold those soft-light qualities. Also, if the examples and basic principles here make sense to you, you have kind of just learned the inverse square law!
Please keep your expectations realistic: this is a $30 backdrop that will be delivered to your door. This is not fancy. This isn't printed on the best of materials, but do you need it to be? If you're a professional photographer who has worked with backdrops that are $200 a pop, you shouldn't waste your time with this one. But if you're like me, just cutting my teeth out on this business, this is a fine investment that is fun and easy.
As with lighting systems and camera equipment, backdrops require some kind of support to keep them in place. Background supports can be simple or sophisticated systems. The simple ones are easy to set up and break down and are well suited for location work, while sophisticated, permanent studio systems can hold multiple backgrounds that can be raised or lowered either manually or at the flip of a switch.
Users love the price and the quality of the product, but some do note that it’s too light for their liking. The Linco T-shaped backdrop stand features a sturdy design, a set of crossbars, and clamps to keep the fabric in place. Another great thing about this product is that it’s light – just four lbs., and you don’t need any special skills to assemble it. What’s more, you can adjust it from 2.6 ft. to 6.7 ft.
The folks at the slanted lens are anything but low value so it was kinda surprising to see that many of their setups are actually low-budget DIYs. The short below shows six of those tricks including a plumbing backdrop hanger, a ton of budgety lighting solutions (some of which we have covered in the past, but their softbox is pure budget geniusity) and my favorite, another use for a tarp.
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