6× Photo Studio Light Photography Background Clips Backdrop Clamps Peg Package Contents: 6 clamps Description: These Set of 6 Universal Pro Clamps are easy to use and would be a great addition to your studio. These clamps are extremely useful in positioning or stretching your background onto backdrop support systems. Clamps are perfect when you need to attach any kind of fabric background to a support system. They work perfectly for Muslin, paper, and even canvas backdrops. These clamps are also known as spring clamps, A-clamps, and even studio tongs.
You can channel our cavemen ancestry with Custom Photo Prop’s Faux Fur Mat, safe in the knowledge that no animals were harmed in their making. These synthetic mats are PETA-approved, machine-washable and hypoallergenic. They can be ordered as a basket stuffer in a 20 x 32-inch size. It’s sold as a 15 x 15-inch layer or in 3 x 5-foot and 5 x 6-foot sizes. They’re super comfortable on baby’s skin as well.

The latest addition to our lineup, these are serious solutions for serious exhibitors who need much more powerful and attention-grabbing setups than backdrops or backgrounds: a single system and they will create the perfect walk-in booth for your expo or promotional event. They assemble swiftly, they're lightweight, durable, highly portable, and you can add vivid custom graphics.
Material:Thin Vinyl plastic cloth(not washable). Features: Light absorbant Non-reflective.No pocket Type: Computer-printed for realism. For: different sizes for wedding, audlt, children, holiday party etc. Vinyl cloth backdrops is our latest and greatest computer painted wrinkle-free fleece-like fabric. This lightweight fabric will give you the intense vivid color that you have been looking for in a backdrop.
The most simple way to hang a backdrop is by using wall hooks. This solution is suitable for people using smaller and lighter backdrops. 5 x 7-foot X-Drop Backdrops and 3.5 x 3.5-foot backdrops feature built-in grommets for use with hooks. While you can install these into your wall, we recommend picking up a pack of removable wall hooks to protect your walls. They are usually under $10 USD per pack.
What type of photography studio props are you looking for? We have faux wood photography backdrops, brick wall photo backdrops, damask photo drops, nature backgrounds, bokeh photography backgrounds, bridal photo backdrops, prom photo backgrounds and so much more. The list goes on and on and one because we want you to be able to find everything you need for your backdrop needs right here on our website. We wouldn’t be surprised if you wanted to purchase one of everything.

A good beginner, entry-level, infrequent use backdrop. If you take the time to remove the wrinkles, and there are quite a few due to shipping restrictions, it turns out to be a good first backdrop. I rolled it tightly on a 1” pvc, leaving it that way for several days, and hung it afterwards. There were a few places I needed to use a hair dryer to get them out but once done it’s a nice backdrop. It’s lightweight being vinyl but the printing on it looks much richer. For the price you know you will need to do some work but in the end it’s well worth it.
The Hand Painted Background is made from durable high quality muslin material and is 100% cotton to help absorb the light and eliminate reflection. It is completely seamless being made from one piece of material. It comes with a 4" rod pocket at one end. It is machine washable and crimped along the edges to prevent tears. It is light weight and easy to fold. Please allow for 5-8% manufacturing shrinkage. Package Contents One (1) 10 'x 12 ' W001 Muslin Backdrop Specifications -100% cotton to absorb the light and help eliminate reflection -completely Seamless, made from one piece of material -3.5" rod pocket at one end -Allow for 5-8% manufacturing shrinkage.
This was my first order with this product and I like it. The only thing that threw me off is that I expected it to be as pictured. Brick all as the 9x6 and the extra white on the bottom. It is in fact 9x6. I have included a couple test shots. The product works as expected. I love white back grounds. I think that this adds just a little bit of texture to them. Also important to not be right up against the backdrop. make sure that you get some distant between the subject and the back drop.

Love this! I am an armature photographer and have only used a few vinyl backdrops in the past. I needed a solid grey backdrop and thought I would try one of these because they are so much cheaper than the vinyl I had purchased in the past. It was super easy to use. I do just natural lighting so it was nice to not have to deal with a glare like I do on my vinyl ones. I also loved that it was so easy to set up and take down. I had read reviews that said collapsing it back up is difficult but I had a friend with me when using it and I asked her to hold one end and it literally took me less than 30 seconds on the first try...maybe we just got lucky? I wish they had more ... full review


A user mentions that he was surprised by the quality and that he hasn’t had issues with it. He shares that he bought several to shoot pictures for his website and that it takes a couple of minutes to set them up. Another purchaser states that he would have liked if there were sandbags to keep the frame stable, but it works well nonetheless. However, one customer has noted that the stand is flimsy and that the clips are not holding the fabric well.
Express your love of geology with ProStudio’s Hard Rock Poser. They may look back-breaking, but these posers are made from plastic and are hollow inside so you can move them around your studio, or to a location, with ease. (Pro tip: Pretend they’re real and lift one over your head to impress friends and clients.) The poser has a flat top and is sturdy enough for an adult to sit on. The small rock measures in at 19 x 14 x 12 inches while a large model is 27 x 21 x 25 inches. Additional sizes and rock colors are also available.
Please keep your expectations realistic: this is a $30 backdrop that will be delivered to your door. This is not fancy. This isn't printed on the best of materials, but do you need it to be? If you're a professional photographer who has worked with backdrops that are $200 a pop, you shouldn't waste your time with this one. But if you're like me, just cutting my teeth out on this business, this is a fine investment that is fun and easy.
Photo Studio Premium Reflector Umbrella Continuous 750 Watt Boom Lighting kit, Background Support, and Muslin Background, B/SFL08BOOMKITCBOOM _NEWCB_BWG Reflective Soft Umbrella Complete Photography and Video Stuido Lighting Kits, Background Support, Black White Chromakey Green 3 Muslin Backdrops, NEWCB_BWG_2050KIT Photo Studio 1000 Watt Continous Lighting kit, Background Support, and Muslin Background, NEWCB_BWG_1000WKIT Photo Studio Continous Triple Lighting kit, Background Support, and Black & White Backgrounds, NEWCB_BW_TRIPLEKIT
I am helping a friend’s daughter with her wedding planning and want to make a backdrop like this for the wedding ceremony. Can you elaborate on how the strings of lights were plugged in and whether they all “hung” versus the string light hanging down and then looping back up, if that makes sense? I like the look of them just hanging but it seems like plugging a bunch of individual ones would be hard. Am I making this too complicated?!
Now that you've got all the wow-worthy props you need, it's time to consider how you want your photo booth to look. Do you want to set the scene for a fiesta? Or maybe you'd like to create a photo booth that's filed with floral touches? Perhaps you're going for something a little more seasonal appropriate such as a mad scientist set for Halloween or Irish clovers for St. Patrick's Day? No matter the occasion, we have backdrops that fit every theme. Beyond this, we also offer a myriad of wall decorations and cardboard cutouts that can easily be added to accent your statement-making backdrop. And with our 110% Lowest Price Guarantee, everything is priced to make you smile too!

Drops & Props custom work is professional, high quality, and accurate. They were responsive to our needs and hustled to complete an order that had an impossibly tight turn around time. We ordered backdrops not only for our photo booth but to have a shared experience in every Etsy office across the globe. They made this happen for us and we are so grateful.
The seller describes this as “seamless”.... not even close! This is the CHEAPEST photo backdrop I’ve ever bought. It was folded in packaging in a way that there were folds every 8 x 10 inches- completely unusable. I tried to steam out the wrinkles (because this in no way is fabric- I didn’t want to risk putting it in the dryer). The steaming was unsuccessful. I tried putting it in the dryer for a minute or 2 and the wrinkles were all still there but the ink was not!
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
The main cause of this working is distance. Notice how close the subject is standing to the background and how far away the main light is from the subject. In this example, the subject is approximately 2 feet from the backdrop and the main light is approximately 4 feet from the subject. If you're new to this, I would recommend starting with your main light a bit further back to make it a little less challenging. You will see why in a second.

I've included what the backdrop look like without people in it, and also what it looks like with several different kinds of skin tones so those of you who are thinking about buying this can take that into consideration with your potential clientele. As you can see, at least with just a horseshoe flash, people with darker skin tones definitely looked better with this backdrop.
There are a few things to consider when choosing a backdrop size, including the size of your studio and the size of your subject. Portrait subjects should typically be pulled at least 3’ away from your backdrop to prevent shadows and allow for easy lighting. Of course, this distance your subject will be from the backdrop will be altered when taking overhead or backlit/high key shots. Below, we’ll discuss both the length and width restrictions of common backdrops.

It may be our summer issue but winter isn’t all that far off (sorry), and with White House Custom Color’s Through the Woods backdrop, you can put your subjects in a Robert Frost-esque scene without the frostbite. Like the other backdrops in WHCC’s collection, this one is made of wrinkle-free, 100 percent polyester fabric. It’s sold in either 10 x 8-feet or 6 x 8-feet sizes.  
These lights worked perfectly for what I purchased them for - as part of the backdrop for my Christmas pictures. They are a great, long length and width and shine brightly, but they are not overpowering. I had no issues stringing them up at all. They have a steady on mode as well as several different blinking modes. My only complaint is that the plug did not fit into my standard outlet - it was very loose and kept sliding out, so I had to tape it in to use it. Also, there is no off switch, so these have to be unplugged when not in use. Like I said, though, they worked great for my intended purpose.

In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
One of the advantages of using a chroma key background is that it can shorten production time by doing away with the need to change from one background to another. This kind of photo backdrop allows the photographer to freely take pictures without thinking of what background will best fit the image, as they can decide on that part later in the post-processing stage.
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