A purchaser comments that the adjustable backdrop stand is sturdy enough to do the job and that it’s easy to put it together. He adds that it’s light and easy to transport and that he highly recommends it to anyone looking for portable background stands. Another reviewer shares that he bought three adjustable support frames and that he is pleased with the construction and the stability.
For a dramatic or edgy appearance, go with low-key lighting. Low-key lighting also focuses attention onto your subject by surrounding them in shadows instead of light. To do this, you want to ensure that your solid black backdrop is at least 3 stops darker than the light on your subject. With low-key lighting, you also need to ensure that none of the light from your subject is hitting your backdrop. Grids and flag are very helpful for this.
At Backdrop Express we offer a wide selection of backdrop support systems, with options for every type of photographer. Whether you're a student, have limited storage space, or have been in the industry for many years and are just looking for an upgrade, we have a backdrop stand to meet your needs. All our backdrop stands are secure, reliable and professional-quality! These easy-to-use and easy-to-store backdrop stands are cost-effective and versatile, easily supporting most standard photography backdrops, including muslin backdrops and seamless paper. Check out our wide selection of Backdrop Kits & save money when you purchase a backdrop with your backdrop stand!
Don't take this review too critical to the overall worth of the product. Ultimately you pay for what you get and this is a very reasonable price for a starter home studio setup. I've been working with freelance photography for a few years now, primarily as a hobby, and decided to buy this as a portable setup I can take just about anywhere I want. Everything was functional for that purpose and works wonderfully. The light fixtures come with lights that aren't dimmable but adjustment of height and distance from the umbrella to the bulb can suffice. The carrying bag is fairly poor quality but it's kind of just a nice little extra you get with the package so I didn't take that to heart. The stand pieces, both for the backdrop and the lights, are fairly well made but if you aren't gentle they can be easily broken. As for the backdrops themselves, you get a white, black and green one; all of which are the expected colors and are decent material. However, if you intend to set these up indoors (or outdoors for that matter) be sure to have a background that is plain. These are not the thickest back drops and you can really see just about everything behind them if you aren't caring enough to have a plain backing. Overall, I am satisfied, but you shouldn't expect this to be the only kit you will ever need. Adequate for the beginner but once you really want to make a serious home studio, you will need something much more advanced.
In summary, the key factors to getting the backdrop and subject lit in a similar exposure zone is distance; The distance of the subject to the background and the distance of the light source to the subject. Decrease the distance of the subject to background and increase the distance of the main light to the subject to make this easier. The key factor for getting a soft and directional quality to the light is also distance, but it's the opposite. By getting the light closer to the subject, we can create a softer light with more directional qualities. Also remember that these qualities of the light are relative to the size of the light source. If you are using a smaller light source, you will need to get it in closer to hold those transitional values. If you are using a larger light source, you may be able to get your light further back and still hold those soft-light qualities. Also, if the examples and basic principles here make sense to you, you have kind of just learned the inverse square law!

A. Flash lighting, also called a speedlight, appears suddenly, at a high intensity. Flash lighting can “freeze” the action, allowing for a sharp photo of moving objects. Speedlights can be attached to the camera, or they can be placed on mounts away from the camera. Because the light from the flash appears suddenly, however, you won’t know ahead of time exactly what kinds of shadows the light will create.

Vinyl backdrops are thick, rolled and durable, and are recommended for professional studio work. They generally come in solids, but there are a few with printed patterns that can be very inexpensive. While most vinyl backgrounds have a glossy sheen, there are some (including a recently announced line by Savage, which includes the Savage Matte Finish Gray Infinity Series vinyl background) that have a matte finish to eliminate glare and reflections.
If you're looking for photography backdrops suitable for outdoor or portable use, collapsible backgrounds are both economical and space-efficient choices. Many fold down to a third of their size, and come with convenient carrying bags so you have room to pack and protect multiple backgrounds. Several styles feature reversible designs, to give clients a choice of colors and patterns. Pastel pink and blue backgrounds work well for baby showers. Urban-inspired prints let kids and teens show off their more expressive side. You'll also find options in camera-ready, chroma-key colors suitable for special effects projects.
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