There are a few things to consider when choosing a backdrop size, including the size of your studio and the size of your subject. Portrait subjects should typically be pulled at least 3’ away from your backdrop to prevent shadows and allow for easy lighting. Of course, this distance your subject will be from the backdrop will be altered when taking overhead or backlit/high key shots. Below, we’ll discuss both the length and width restrictions of common backdrops.
This is my first DIY project. I decided to make this backdrop stand so when I film my YouTube videos. I bought all of the products used from my local Home Depot. I bought three 10 feet long PCV pipes. 4 end caps, 4 T-caps and 2 Elbow Caps. I had a Home Depot Employee cut the PCV pipe for me in store. The 1st PCV was cut in TWO 54 inch long pieces. The 2nd PCV pipe was cut into FOUR 30 inch long pieces. The 3rd PCV pipe was cut into FOUR 12 inch long pieces. I got this idea from Pinterest and I found it very helpful. I spent $10.23 total, including tax, and it took me less than 10 minutes to construct this project. This is great for Vlogging, low-budget photography studios or even a photo-booth at an or birthday party!
When I received this it was folded down to 1'x6" package. After unfolding it, every fold line is very visible. Also the interior lights on top are part of the drop. This is an old time type of backdrop that depicts like a French street in late 1800 to early 1900 why there is a interior ceiling with lights on the top of this backdrop is in my opinion stupid. Also the seams should have been glued in a downward overlay application. Instead they are in a upward application which makes the top of the seam fold down exposing the white backside of the drop. Avoid. And by something that is actually cloth and not vinyl.
The idea is to hang this backdrop so that some of the floor print is actually hanging up off the floor and this works very well. The full-length photo shows this way of hanging the backdrop. However, it also works very well if you just hang the backdrop so that the brick is straight up and the floor print is on the floor. The creases from the item being folded are not avoidable, but I did not do a thing to try to remove them and, as you can see, they did not cause any problems in these photos. I am very careful to fold the backdrop when I'm done with it on exactly the same creases so as not cause any further creases or wrinkles. It's easy to do, but a large floor area is very helpful when folding. The smaller sized one might be a better option if you shooting only single subjects. I bought the LimoStudio backdrop frame LimoStudio Photo Video Studio Adjustable Muslin Background Backdrop Support System Stand & Cross Bar, AGG1111and the two together are awesome. I truly love this product!
I shoot videos and portraits of classical and acoustic guitarists and have a small collection of backdrops I carry around. The StudioPRO 5' x 7' Blue Collapsible Twist Muslin is one of my favorites: convenient to transport, fast to set up and easy on the eye. It's a blue muslin marbled with random patches of white and darker grayish blues, almost resembling the sky with popcorn clouds. I love how it photographs and my sample is a little darker and more attractive and than the product photos.
Browse our collection of photography props including posing stools, steps for seated and standing shots, numbers, and more. These photography props are also ideal for theatre productions, catalog shoots, school portraits and more. With multiple options available, you are sure to find the photography props you need at the low prices you want. Interested in learning more about photography props? Check out What Posing Props Can Do For Your Photo Shoot!
The Julius Studio background curtain set features an aluminum alloy construction to ensure durability and portability, and photo clams made of synthetic nylon to provide a strong grip and prevent the canvas from slipping out. Another great thing is that it’s adjustable in width (5-10.3 ft) and height (2.6 -7.5 ft). In addition to this, the set includes quality sandbags for stability.
Another buyer mentions that it’s easy to adjust the portable backdrop stand and that it’s perfect for light-weight backdrops. He highly recommends it as one of the best background stands available. However, a couple of users have noted that the product is flimsy and breaks because the plastic is of poor quality. Some also complain that they received a damaged unit.
This was my first order with this product and I like it. The only thing that threw me off is that I expected it to be as pictured. Brick all as the 9x6 and the extra white on the bottom. It is in fact 9x6. I have included a couple test shots. The product works as expected. I love white back grounds. I think that this adds just a little bit of texture to them. Also important to not be right up against the backdrop. make sure that you get some distant between the subject and the back drop.
There's no hiding the fact that the LimoStudio 3-Piece Softbox Set is a bare-bones package. The only accessories included with this package are three stands, three softboxes, 12 bulbs, and a case. The boxes and stands are of a good size, and the stands are adjustable to different angles. In the end, however, brightness (and a budget price) are the features that make the LimoStudio a standout.
Features: 1.5-In-1 Design: Fill-in light ring, Bluetooth shutter, Selfie Stick, Phone Holder, Tripod Lamp 2.Wide Application: Widely applied to podcast, live video, video chat, selfie fill light, makeup, filling light indoors, portrait, fashion, wedding art, advertisement photography, etc.3.With Controller: Brightness up and down(10-level brightness), light color switching and power on/off easily handled through the controller 4.3-Light Color: Warm Light, Soft Light, White light. Different light color delivers differetn shooting results. 5.Eye Protection Light Source: Soft light photography light with stepless dimming, can be adjusted to your desired level. 6.Designed to Last: High quality led bead equipepd, flicker-free, no light ra.
This was a great value for the price. The backdrops photograph well, the lights are great and the stand is good. The stand didn't come with instructions to put it together, but wasn't too difficult to figure out. The backdrops did come with some wrinkles from being folded for shipping, but I have them rolled up together on a wrapping paper roll and they seem to be much better (and I haven't even ironed them yet.) I would recommend this product, especially for beginners like myself.
To start constructing this DIY backdrop, measure how thick your elbow is compared to your curtain rod, and add electrical tape around the end of the rod until you have a tight fit. For most people, it will be easier to put a little bit of tape on at a time, testing the fit every so often until it’s snug, but measurements can give you a good base to start with. Don’t attach the rod to the elbow yet, however.
Any photo op is just as exciting as the party itself with our unique photo booth props. Stick props that include everything from emojis to silly monsters to zoo animals? Check. Costume accessories that you can wear and share like hats, masks and glasses? Yep, we got 'em. Novelty jewelry in every color and style? You better believe it! Set all of these fun finds out next to your DIY photo booth for guests to grab as the prepare to pose. Best of all, they double as take home party favors once the celebration wraps.
A traditional backdrop support system is the most common mounting solution for photography studios. The backdrop support system consists of a 3-section cross bar and two light stands. By utilizing two of the included cross bars, the backdrop support system can mount backdrops up to 7-feet wide. By utilizing all three cross bars, this system can mount backdrops up to 10.5-feet wide. The included stands can extend up to 12-feet high for photographing tall people, high movement, or products.
For a dramatic or edgy appearance, go with low-key lighting. Low-key lighting also focuses attention onto your subject by surrounding them in shadows instead of light. To do this, you want to ensure that your solid black backdrop is at least 3 stops darker than the light on your subject. With low-key lighting, you also need to ensure that none of the light from your subject is hitting your backdrop. Grids and flag are very helpful for this.
I was a little thrown off that it came folded up in an envelop, as this lead to some significant "creasing". However, I just laid the material flat, rolled it up and hung it vertically so gravity would pull the creases out. After a couple of days of hanging, it is pretty much wrinkle free. I had been a little concerned about other reviewers' comments about the image quality (digital printing) on the actual backdrop, but mine is perfectly fine. Again, my only "negative" is that the backdrop appears to have a greater "floor depth" than what I currently have.
A user also mentions that the frame feels slightly flimsy, but he hasn’t had any problems with it. He adds that he is satisfied with its performance so far and that the carrying bag is a nice bonus. However, one customer complains that the product’s measurements are not correct and that it’s not strong enough to hold the vinyl in place without dipping.
Backdrops and backgrounds have become indispensable to the photo booth and tradeshow experience as well as to so many other events. Does that mean you need one? Absolutely. And PB Backdrops has just the right one for you. With one of the largest selections anywhere, you can make your choice from pillow cover tension fabrics or single-sided tensions, all of which are custom printed with hundreds of themes, or you can select from specific styles including rosette and mermaid.
Nice strong clamp. Seems well made for an inexpensive gadget. Very handy addition to the things you can mount a camera to when either you don't have a tripod or the tripod just won't work. I have not tried it with the SLR but should hold well unless the camera is quite large or with a long heavy lens. Probably best with P&S or the smaller SLR & lenses.
Users love the price and the quality of the product, but some do note that it’s too light for their liking. The Linco T-shaped backdrop stand features a sturdy design, a set of crossbars, and clamps to keep the fabric in place. Another great thing about this product is that it’s light – just four lbs., and you don’t need any special skills to assemble it. What’s more, you can adjust it from 2.6 ft. to 6.7 ft.
The backdrop support system typically mounts backdrops that feature a pole pocket. This pocket simply slides onto the cross bars. Backdrops without a pole pocket can also be mounted to the backdrop support system with spring clamps. Spring clamps (AKA A-Clamps) can be found at any hardware store and typically only cost a few dollars. These clamps are great to have around your studio, as they also allow you to clamp backdrops taut at the bottom to eliminate wrinkles or shadows.
When it comes to special effect backgrounds, the chroma key backdrops are the most common used in tandem with special effects. The chroma key or key backgrounds are usually set to perfect blue or green helping a computer differentiate the background from the subject easily. This background can be used to superimpose a second image over the first one to show the chroma key color section.
Please keep your expectations realistic: this is a $30 backdrop that will be delivered to your door. This is not fancy. This isn't printed on the best of materials, but do you need it to be? If you're a professional photographer who has worked with backdrops that are $200 a pop, you shouldn't waste your time with this one. But if you're like me, just cutting my teeth out on this business, this is a fine investment that is fun and easy.
Position these lights to point at the backdrop and use manual settings to achieve the “blown out highlights” effect. Make sure the light reading is at least 3 stops higher than the light on your subject. Light bounced off the blown-out background will also create a back-lighting effect on your subject, the degree of back-lighting depends on the angle at which background light are pointed at the background.
Once I got the equipment out of the box, the entire kit took about 20-30 minutes to set up and break down. I'm expecting it'll be quicker once I've gotten used to it, but the kit's otherwise simple enough to handle. The backdrops are rather thin, but enough for my current needs. I'll need to be more aware of what's behind the muslin, and the sheets can be easily replaced by thicker material when necessary. The metal supports on the umbrellas are enough to keep the things open, but aren't very tolerant of, say, a klutz who knocks the stand over while setting up. (Nothing's broken, and everything's still useful, but... yeah, that bend wasn't there in the umbrella before.) The bag is sturdy enough for lugging things around, but it isn't padded - I've been using the muslins for that purpose. I'm keeping all the equipment boxes and plastic baggies to make sure things stay tidy, but if you wanted to, you could cut it down to just the containers for the light bulbs. Overall, pretty chuffed with this kit.
Some canvas backdrops include subtle patterns that provide an interesting but neutral background that doesn’t compete with a portrait subject for attention. Darker backgrounds can be used for low-key lighting, while a lighter, well-lit photo background can create a completely different high-key mood. Canvas backdrops at Adorama range in price from around $135.00 for a 5×7 to $270.00 for an 8×8-foot cloth.