I am helping a friend’s daughter with her wedding planning and want to make a backdrop like this for the wedding ceremony. Can you elaborate on how the strings of lights were plugged in and whether they all “hung” versus the string light hanging down and then looping back up, if that makes sense? I like the look of them just hanging but it seems like plugging a bunch of individual ones would be hard. Am I making this too complicated?!
There are a few things to consider when choosing a backdrop size, including the size of your studio and the size of your subject. Portrait subjects should typically be pulled at least 3’ away from your backdrop to prevent shadows and allow for easy lighting. Of course, this distance your subject will be from the backdrop will be altered when taking overhead or backlit/high key shots. Below, we’ll discuss both the length and width restrictions of common backdrops.
I would definitely play around with it. Your not going to want to go too wide with 4 because odds are they will move around a bit and you’ll end up with some soft faces. Some key things to remember would be try to keep their faces all on the same plane of focus, that will allow you to shoot a little wider. Generally with 4 kids I would aim to shoot around f/4 but certainly play around. At that aperture you may want to consider moving them further away from the background. Keep in mind the closer you are to them and the further away from the background they are the more bokeh you will get!
A. Regardless of the lighting system you’ve selected, you should have at least some control over the light intensity. A basic lighting system should allow you to adjust the power of the lighting to half or full. More complex systems will give you several settings options to control the intensity of the lighting. If you purchase an inexpensive lighting system, you’ll have to spend more time adjusting the physical position of the light to achieve the exact intensity of light on the subject you want.
well my fault i didnt pay attention to other posted reviews that said order multiples. i only ordered one and of course it was no where near enough to do a proper back drop. so i will need to buy maybe 2 more. the picture seems a tad misleading cos it looks like just one solid panel. One Panel is the equivalent of one of my House curtains. which is where i hung this up, over my windows, to make a back drop for our New years eve family party. LOL it was real conversation piece.
I've included what the backdrop look like without people in it, and also what it looks like with several different kinds of skin tones so those of you who are thinking about buying this can take that into consideration with your potential clientele. As you can see, at least with just a horseshoe flash, people with darker skin tones definitely looked better with this backdrop.
Made from styrene, a wrinkle-free plastic, this versatile backdrop can be used as a light table, prop setup or a seamless background. Props or people on the other side of the backdrop are seen as shapes and eerie silhouettes. Placed in front of a light, it delivers a frosted glass effect. You can cut Translum with scissors, so you can whittle down a roll into any shape you desire. It’s available in three grades: lightweight, for a soft light effect with a 3/4-stop light loss, medium grade that eliminates most of the shadows and delivers a 1.5-stop light loss and a heavy grade that knocks back two stops of light (this grade is recommended for shooting tables and is cleanable). Medium and lightweight grades are sold in 60-inch x 18-foot rolls while the heavyweight grade is available in 54-inch x 18-foot rolls.

I am helping a friend’s daughter with her wedding planning and want to make a backdrop like this for the wedding ceremony. Can you elaborate on how the strings of lights were plugged in and whether they all “hung” versus the string light hanging down and then looping back up, if that makes sense? I like the look of them just hanging but it seems like plugging a bunch of individual ones would be hard. Am I making this too complicated?!


Love this! I am an armature photographer and have only used a few vinyl backdrops in the past. I needed a solid grey backdrop and thought I would try one of these because they are so much cheaper than the vinyl I had purchased in the past. It was super easy to use. I do just natural lighting so it was nice to not have to deal with a glare like I do on my vinyl ones. I also loved that it was so easy to set up and take down. I had read reviews that said collapsing it back up is difficult but I had a friend with me when using it and I asked her to hold one end and it literally took me less than 30 seconds on the first try...maybe we just got lucky? I wish they had more ... full review
This kit is truly jaw dropping. First of all, the quality of all of the products are amazing. The fabrics on the backdrops is professional level and the quality of the fabric of the soft boxes is even better. the lights are really strong and bright but the soft boxes make it... softer. The Background support is really sturdy and it is something that you can rely on. The reflectors comes in handy if you are one of those people who like to use it. Every product comes with well packaged and most come with a carry bag which is very nice. The second thing that is that the price is unbelievable. It comes with 4 lights, three different backdrops and all of the metal pieces! YOU WON"T FIND A BETTER DEAL! This is a great product for the professional photographer or for those starting out and want to have ... full review
For a dramatic or edgy appearance, go with low-key lighting. Low-key lighting also focuses attention onto your subject by surrounding them in shadows instead of light. To do this, you want to ensure that your solid black backdrop is at least 3 stops darker than the light on your subject. With low-key lighting, you also need to ensure that none of the light from your subject is hitting your backdrop. Grids and flag are very helpful for this.
Material:Thin Vinyl plastic cloth(not washable). Features: Light absorbant Non-reflective.No pocket Type: Computer-printed for realism. For: different sizes for wedding, audlt, children, holiday party etc. Vinyl cloth backdrops is our latest and greatest computer painted wrinkle-free fleece-like fabric. This lightweight fabric will give you the intense vivid color that you have been looking for in a backdrop.
Overall I am very happy with this purchase. I wanted to get a decent lighting studio with backdrop without dropping a lot of cash in for now. I will say when ordering it I was very hesitant. I have found things that are priced cheap,are generally cheap quality. This I think was fair. Everything was in the bag, all lights worked, no bent poles, or broken lights. The fabric of the muslin is rather thin, but I had no problem with transparency on the white. My only complaints are that the bag's strap feels very frail in the stitching where it connects to the bag, which I can easily fix with a needle and thread, and the aluminum poles for the stands/poles are very light and tip with ease. I'm sure a few sandbags hanging would fix that though. Other than that I am very happy with my purchase. I have attached a photo from a quick shoot I did to test the kit out with my oldest husky. A good product for the price, and someone wanting to keep it cheap and simple for a while.
You don’t have to browse Instagram long before you see images of people in dangerous places. You can satisfy the thrill-seeking selfie shooter with PhotoPie’s vertigo-inducing Bird’s Eye View floor mat. The bottom is made of non-slip rubber that will stay in place once it’s on the floor. The top material is felt and is imaged using a fade-resistant dye-sublimation process. Sizes range from 4 x 5 to 8 x 10 feet. 
I was a little thrown off that it came folded up in an envelop, as this lead to some significant "creasing". However, I just laid the material flat, rolled it up and hung it vertically so gravity would pull the creases out. After a couple of days of hanging, it is pretty much wrinkle free. I had been a little concerned about other reviewers' comments about the image quality (digital printing) on the actual backdrop, but mine is perfectly fine. Again, my only "negative" is that the backdrop appears to have a greater "floor depth" than what I currently have.
Shooting on a clean white backdrop can be one of the more complex in-studio lighting setups around. Properly exposing for full lengths while giving your models room to work can require four or more extra lights and considerable amount of setup time. While taking the time to take care of the details is important for getting the perfect image and saving yourself hours of retouching on the back end, sometimes you just want to get a nice clean background without the hours of prep.

Once I got the equipment out of the box, the entire kit took about 20-30 minutes to set up and break down. I'm expecting it'll be quicker once I've gotten used to it, but the kit's otherwise simple enough to handle. The backdrops are rather thin, but enough for my current needs. I'll need to be more aware of what's behind the muslin, and the sheets can be easily replaced by thicker material when necessary. The metal supports on the umbrellas are enough to keep the things open, but aren't very tolerant of, say, a klutz who knocks the stand over while setting up. (Nothing's broken, and everything's still useful, but... yeah, that bend wasn't there in the umbrella before.) The bag is sturdy enough for lugging things around, but it isn't padded - I've been using the muslins for that purpose. I'm keeping all the equipment boxes and plastic baggies to make sure things stay tidy, but if you wanted to, you could cut it down to just the containers for the light bulbs. Overall, pretty chuffed with this kit.


Muslin is a cotton weave fabric that holds dyes and paints with ease. These backgrounds are made of lightweight material and are clamped to a background stand or even draped over anything to transform the look of a picture. As the muslin is made of thinner and lighter material, it does not show wrinkles and can be used as a neutral background or as a dramatic one. It comes in many different sizes and pattern that range from 5x8 to 30x30 feet and solid color backdrop or designer series patterned design. Muslin backgrounds can feature replicas of old master paintings, abstract patterns or marbleized patterns. This material is very portable and fairly inexpensive making it a favorite with photographers.

This was a great value for the price. The backdrops photograph well, the lights are great and the stand is good. The stand didn't come with instructions to put it together, but wasn't too difficult to figure out. The backdrops did come with some wrinkles from being folded for shipping, but I have them rolled up together on a wrapping paper roll and they seem to be much better (and I haven't even ironed them yet.) I would recommend this product, especially for beginners like myself.
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As with lighting systems and camera equipment, backdrops require some kind of support to keep them in place. Background supports can be simple or sophisticated systems. The simple ones are easy to set up and break down and are well suited for location work, while sophisticated, permanent studio systems can hold multiple backgrounds that can be raised or lowered either manually or at the flip of a switch.
Another special effects background is the translucent background that is used in videography or photography to disappear under accurate lighting. It is a perfect backdrop to use for theatrical scrim effects wherein the photographers or videographers control the appearance and disappearance of the subjects. These backgrounds can be illusion netting, gauze, scrims and so on. The fabric used for these backdrops can be translucent or transparent and diffusive or non-diffusive.
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Position these lights to point at the backdrop and use manual settings to achieve the “blown out highlights” effect. Make sure the light reading is at least 3 stops higher than the light on your subject. Light bounced off the blown-out background will also create a back-lighting effect on your subject, the degree of back-lighting depends on the angle at which background light are pointed at the background.

This kit is truly jaw dropping. First of all, the quality of all of the products are amazing. The fabrics on the backdrops is professional level and the quality of the fabric of the soft boxes is even better. the lights are really strong and bright but the soft boxes make it... softer. The Background support is really sturdy and it is something that you can rely on. The reflectors comes in handy if you are one of those people who like to use it. Every product comes with well packaged and most come with a carry bag which is very nice. The second thing that is that the price is unbelievable. It comes with 4 lights, three different backdrops and all of the metal pieces! YOU WON"T FIND A BETTER DEAL! This is a great product for the professional photographer or for those starting out and want to have ... full review
Vinyl backdrops are thick, rolled and durable, and are recommended for professional studio work. They generally come in solids, but there are a few with printed patterns that can be very inexpensive. While most vinyl backgrounds have a glossy sheen, there are some (including a recently announced line by Savage, which includes the Savage Matte Finish Gray Infinity Series vinyl background) that have a matte finish to eliminate glare and reflections.
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