AMAZING!!! I was worried about what the quality of this backdrop would be because of the price. The colors are BRIGHT and don't look faded in the picture!! It comes folded very small. I suggest hanging it asap. A little work with a steamer got the creases out with not much effort. It has small faded spots from the creases but i cant see them in the picture. I was worried the color would be lighter than the people in the picture but that is not the case. Great buy :)
Arrived damaged with small holes from the folds but I thought I could work with it. It is not wide enough for full frame, edged in white and printed so poorly that the design looks like it has a flaw. Look carefully at the seller's images. Several are photoshopped to appear better than the product. The last shot the seller uses shows a huge printing flaw. From a design standpoint, this makes no sense whatsoever to blow out that area with white. It isn't simulated light to give depth, it's just a flaw from the printer. Really, really bad photoshop to begin with in the first place, with other areas showing white artifacts on the design. China quality and standards. Not recommended unless you can shoot around them or photoshop them out later.
This kind of fabric has an amazing quality that absorbs light from flashes around the studio. It enables you to have a pitch-black (if using black velour) portrait background that will not reflect the light from your flash or lighting equipment. This way, you don’t have to worry about the direction of light affecting the background because it leaves no detail.

6× Photo Studio Light Photography Background Clips Backdrop Clamps Peg Package Contents: 6 clamps Description: These Set of 6 Universal Pro Clamps are easy to use and would be a great addition to your studio. These clamps are extremely useful in positioning or stretching your background onto backdrop support systems. Clamps are perfect when you need to attach any kind of fabric background to a support system. They work perfectly for Muslin, paper, and even canvas backdrops. These clamps are also known as spring clamps, A-clamps, and even studio tongs.


Canvas backgrounds are made of a moderately thick, heavy fabric. These backdrops are mostly painted to look like classic paintings or have imagery of scenic realism. They are also known as roll drops or scenics and need a suspension system. Usually, photographers use motorized backdrop stands though background rollers can also be used to clamp the canvas. A good canvas backdrop can provide an amazing look to the photographers scenes and can even last for a longer span of time. These backdrops are also available with subtle patterns or even neutral backgrounds which highlights the portrait subject.
6× Photo Studio Light Photography Background Clips Backdrop Clamps Peg Package Contents: 6 clamps Description: These Set of 6 Universal Pro Clamps are easy to use and would be a great addition to your studio. These clamps are extremely useful in positioning or stretching your background onto backdrop support systems. Clamps are perfect when you need to attach any kind of fabric background to a support system. They work perfectly for Muslin, paper, and even canvas backdrops. These clamps are also known as spring clamps, A-clamps, and even studio tongs.

Football season is nearly upon us and Backdrop Express’s sports and stadium-themed printed backdrops are a great way to capitalize on the bone crunching. They’re available in poly paper or vinyl in either 4 x 5-foot or 5 x 6-foot sizes, or a fabric with sizes ranging from 5 x 6.5 feet up to 10 x 10 feet in a choice of light or heavyweight. The poly paper version is water resistant and has a matte finish. If you opt for vinyl, you’ll get a more durable backdrop that’s also water resistant and has a matte finish. The heavyweight fabric is a polyester/cotton knot that’s washable and wrinkle resistant with a sewn-in rod pocket. The lightweight fabric is a 100 percent polyester weave that Backdrop Express likens to a tablecloth. It, too, is wrinkle resistant, though less than the heavyweight fabric. On the plus side, Backdrop Express says the printed design is “slightly clearer” on the lightweight version. Decisions, decisions. 


Get an austere rustic look with Background Town’s Wall Yellow. It’s available in two materials. NewFab is a tear resistant “paper-like” substrate that’s wrinkle resistant and won’t reflect light. It’s sold in 3.9 x 5-foot and 5 x 6.8-foot sizes. NewFab backdrops won’t come with rod pockets and aren’t machine washable. If you need a backdrop with those attributes, spring for Background Town’s UltraCloth material, a machine-washable backdrop that’s wrinkle-free and has rod pockets sewn in. It’s sold in sizes ranging from 6 x 8 to 8 x 12 feet.
Users love the portable carrying bag, but some do note that it’s not heavy-duty or suitable for heavy fabrics. The ePhoto support stand kit is made of lightweight aluminum for portability, and you can adjust the height up to 8 ft. and the width to 10 ft. Another great thing about this product is that you can set it up in minutes, store it in the included carry bag and take it with you.

Even shooting on location you can achieve some background lighting magic. The sun moves around throughout the day — think east to west as well as dawn to dusk. Analyze what time of the day the sun will project the light on your subject at the desired angle. Note: Hard light (direct sun) will create darker shadows while diffused light (cloudy overcast) will create softer shadows.
Overall a beautiful backdrop. More yellow than I was expecting though. The yellowish center on mine is very large and bright, with much less brown/green than the one pictured. I used it for a dance troupe portrait and the yellow wasn’t flattering with everyone’s skin tone. Too bland. However, I changed the color in post and I LOVE the result. The yellow center became a natural bright spot under whatever color I painted with, and is a lovely effect. I have included pictures. The first one is mostly unaltered in color, just darkened a little. I am keeping the backdrop, knowing that I’ll have to be careful with subject/lighting or paint it in post-processing.
AMAZING!!! I was worried about what the quality of this backdrop would be because of the price. The colors are BRIGHT and don't look faded in the picture!! It comes folded very small. I suggest hanging it asap. A little work with a steamer got the creases out with not much effort. It has small faded spots from the creases but i cant see them in the picture. I was worried the color would be lighter than the people in the picture but that is not the case. Great buy :)
Great for the price point! Will get lots of use out of it. Biggest issue was setting it up, theres absolutely no instructions that comes with this set. There is a piece of paper titled “instructions” BUT it’s literally just a list of what’s inside the packaging and not how to put it together. Had to watch a video online to figure it out. This was my first time setting up something like this. Also the polls are a little flimsy and I’m always worried about it falling over however again you pay what you get, don’t expect top of the line equipment when you’re purchasing relatively cheap stuff. Anyways thumbs up from me, it’s basically exactly what I needed.
Summer may be drawing to a close soon, but ice cream is everyone’s year-round fave. Unlike the real stuff, Ink & Elm’s Dip n Dots backdrop won’t melt on you and its matte vinyl is tear resistant, so you can use it as a floor drop, too. It’s water resistant in case some real ice cream spills from your subject’s hands (or yours, we’re not judging). You can order the backdrop with grommets along the top for an extra $8, or spend $15 to get a pole pocket along the top. Sizes range from 3 x 2 feet up to 10 x 6 feet. Yum.

Fast delivery. The product arrived in it's original box only. There was obvious wear on the box where the product inside fits snuggly against the box. There was also a hole in the lower portion of the box. When you open the box the two stands are in seperate bags (as pictured) and the two poles are together in plastic. I could see several small holes in both bags where they rubbed against the box. The biggest hole is really a cut about 1/2 long. I was disappointed but then I didn't buy the product for the bags. Taking the stands out of the bags I was surprised to find them undamaged. So, I had to put it together. It was easy to assemble and disassemble by myself. I've done it twice. (Hint: if you can't unsnap the ... full review


This was my first order with this product and I like it. The only thing that threw me off is that I expected it to be as pictured. Brick all as the 9x6 and the extra white on the bottom. It is in fact 9x6. I have included a couple test shots. The product works as expected. I love white back grounds. I think that this adds just a little bit of texture to them. Also important to not be right up against the backdrop. make sure that you get some distant between the subject and the back drop.
Great for the price point! Will get lots of use out of it. Biggest issue was setting it up, theres absolutely no instructions that comes with this set. There is a piece of paper titled “instructions” BUT it’s literally just a list of what’s inside the packaging and not how to put it together. Had to watch a video online to figure it out. This was my first time setting up something like this. Also the polls are a little flimsy and I’m always worried about it falling over however again you pay what you get, don’t expect top of the line equipment when you’re purchasing relatively cheap stuff. Anyways thumbs up from me, it’s basically exactly what I needed.
Made from styrene, a wrinkle-free plastic, this versatile backdrop can be used as a light table, prop setup or a seamless background. Props or people on the other side of the backdrop are seen as shapes and eerie silhouettes. Placed in front of a light, it delivers a frosted glass effect. You can cut Translum with scissors, so you can whittle down a roll into any shape you desire. It’s available in three grades: lightweight, for a soft light effect with a 3/4-stop light loss, medium grade that eliminates most of the shadows and delivers a 1.5-stop light loss and a heavy grade that knocks back two stops of light (this grade is recommended for shooting tables and is cleanable). Medium and lightweight grades are sold in 60-inch x 18-foot rolls while the heavyweight grade is available in 54-inch x 18-foot rolls.
Again, if you are starting out or having trouble I would recommend getting the light a little further back (somewhere between 4 to 8 feet if using a similar sized light source). You will also notice that the right side of my backdrop is actually not 100 percent white, it fades to a light gray shade. I could increase my fill or correct this in post-processing, but the slight shift is intentional in this image.
The StudioPRO 3000W's included backdrops add a lot of value and a professional touch that users love. The 10-foot power cord often eliminates the need for an extension, and can reduce anxiety over tripping on a taut line. The lightweight equipment and small case store easily, and if you travel a lot, you would be hard-pressed to find a more portable model.
Easy to use and looks good in portraits. I used a stand by Fancierstudio and clips by LimoStudio and got this backdrop set up nicely. It's plenty long, and looks like you could cut it up and use it to cover a larger area, however I wish it were wider. It's just barely wide enough for a good portrait, but not any wider. It looks good if you put your subject a foot or so in front of it with a large aperture and get some bokeh on it.
This was a great value for the price. The backdrops photograph well, the lights are great and the stand is good. The stand didn't come with instructions to put it together, but wasn't too difficult to figure out. The backdrops did come with some wrinkles from being folded for shipping, but I have them rolled up together on a wrapping paper roll and they seem to be much better (and I haven't even ironed them yet.) I would recommend this product, especially for beginners like myself.

When I received this it was folded down to 1'x6" package. After unfolding it, every fold line is very visible. Also the interior lights on top are part of the drop. This is an old time type of backdrop that depicts like a French street in late 1800 to early 1900 why there is a interior ceiling with lights on the top of this backdrop is in my opinion stupid. Also the seams should have been glued in a downward overlay application. Instead they are in a upward application which makes the top of the seam fold down exposing the white backside of the drop. Avoid. And by something that is actually cloth and not vinyl.

A. Many photographers choose a continuous lighting set as a introductory set because of its low starting price. Additionally, continuous lighting allows you to control shadows, and to take the time to figure out the exact camera settings to use. However, continuous light generates heat, so if you’re shooting portrait photos, your subjects could grow uncomfortable.
No space? No problem. The 42 x 42 x 42-inch Little Studio unfolds to deliver a corner studio setting in any location. Its metal frame is shrouded in white diffusion fabric and has hook-and-loop edges so you can mount backdrops and floor mats with ease. When the shoot is over, the Little Studio folds down and slips into an included nylon carrying case. You can completely disassemble the studio if you really need to pack it down. 

This is an 10ft*10 ft (300cm*300cm) spring backdrop with general appearance of a picture, there is a floor for person to stand on, and not seamless, mean it's two pieces backdrops. Backgrounds are suitable for Wedding, Children Photography, Holiday Party, Birthday or Photo Booths etc. If you need size that larger than 150 cm*200 cm, please contact us and additional charges is needed, also large size backgrounds have seams, please don't worry because the seam will not interfere with the photos. For any questions and problems please feel free to contact with me, I will do my best to answer and help you.


For a dramatic or edgy appearance, go with low-key lighting. Low-key lighting also focuses attention onto your subject by surrounding them in shadows instead of light. To do this, you want to ensure that your solid black backdrop is at least 3 stops darker than the light on your subject. With low-key lighting, you also need to ensure that none of the light from your subject is hitting your backdrop. Grids and flag are very helpful for this.

The paper is awesome and thick and great for a photography backdrop. The problem I had with it was no statement letting me know that you cannot use it on a regular stand or the paper will unwind uncontrollably and end up in a crinkled mess on the floor. Half of my roll spun out onto the floor as soon as I tried pulling a little bit out to do a session. Thankfully I was preparing for the session about 15 minutes before the appointment time and I was able to wind it up, cut off the creased parts and rig up something with some painters tape to temporarily keep it in place. Because of this I was unable to change out my backdrop during the session without risk of it unraveling again with my clients here at my place. In order to use this ... full review
Position these lights to point at the backdrop and use manual settings to achieve the “blown out highlights” effect. Make sure the light reading is at least 3 stops higher than the light on your subject. Light bounced off the blown-out background will also create a back-lighting effect on your subject, the degree of back-lighting depends on the angle at which background light are pointed at the background.
I shoot videos and portraits of classical and acoustic guitarists and have a small collection of backdrops I carry around. The StudioPRO 5' x 7' Blue Collapsible Twist Muslin is one of my favorites: convenient to transport, fast to set up and easy on the eye. It's a blue muslin marbled with random patches of white and darker grayish blues, almost resembling the sky with popcorn clouds. I love how it photographs and my sample is a little darker and more attractive and than the product photos.
For gear, I used my Canon 50mm 1.4 lens. My camera settings for most of the shots you saw were f1.8,  ISO 640 and shutter speed around 250. No flash. Just natural light. You really just need to play around with it a bit depending on your lighting situation and what not.  Be brave and use that manual mode on your camera or at least the aperture priority setting. I did test shots using stuffed toys while the little guy was napping so as not to “waste” any precious time with him and risk missing any good shots. If you have older kids that will sit still you can get some really cool shots! If only Mr. C was old enough for an M&M bribe. Mr Moose did well though…. Here’s a test shot…..
Though I had an idea for the DIY photo booth backdrop a long time ago, it took awhile for me and my fiance to get around to constructing it. We decided we wanted a backdrop with a sheer white curtain and bright string lights. We settled on the string lights because of their warm vibe. Plus, we thought they tied in nicely with our loosely light-themed wedding.
I just got this today and attached it to my back drop stand using A Clamps across the top. There are some crease marks where it was folded so I will try various tricks I found on the internet to get them out, hopefully, without melting or ruining it. I didn't give it 5 stars because it is a little small at 5'x7' for anything but a seated subject. That's not the sellers fault as it clearly states 5'x7' but I would definitely recommend it if it were 6'x9' or larger. Even with the folded creases, it works well out of the box.

Buy-backdrop.com is the world's leading online photography backdrops products destination. Our goal is to provide complete one-stop shopping for all backdrops. We strive to provide you with the most current selections, the best prices, the most complete size range with custom made and the largest variety of choices, all the backdrops are directly delivered to consumers around the world. Our innovative data-driven business model allows us to offer customized products, allow you provide any photos to us at scale for optimal marketing, merchandising and fulfillment.
Great for the price point! Will get lots of use out of it. Biggest issue was setting it up, theres absolutely no instructions that comes with this set. There is a piece of paper titled “instructions” BUT it’s literally just a list of what’s inside the packaging and not how to put it together. Had to watch a video online to figure it out. This was my first time setting up something like this. Also the polls are a little flimsy and I’m always worried about it falling over however again you pay what you get, don’t expect top of the line equipment when you’re purchasing relatively cheap stuff. Anyways thumbs up from me, it’s basically exactly what I needed.

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Look no further! This is an awesome kit. I was very impressed with the weight and quality of the hardware. The poles are thick and sturdy, and it includes a brochure with basic instructions. The set comes with multiple bags: the large primary bag that holds everything, and smaller "set" bags (two for the umbrellas/softboxes and one for the back muslin stand). Overall I am very satisfied with this purchase and highly recommend this set. Also, the seller was great with communication.
I am helping a friend’s daughter with her wedding planning and want to make a backdrop like this for the wedding ceremony. Can you elaborate on how the strings of lights were plugged in and whether they all “hung” versus the string light hanging down and then looping back up, if that makes sense? I like the look of them just hanging but it seems like plugging a bunch of individual ones would be hard. Am I making this too complicated?!
One of the main questions are customers ask us is “what is the difference between continuous and strobe lighting?” Continuous lighting uses a constant light source to light your subject, meaning that your lights will stay on during the entirety of your photo shoot. Continuous lighting is recommended for beginners. Strobe lighting uses a flash of light at the moment your camera shutter opens to illuminate your subject. Many professionals use this type of lighting because it offers more control of the light.
Again, if you are starting out or having trouble I would recommend getting the light a little further back (somewhere between 4 to 8 feet if using a similar sized light source). You will also notice that the right side of my backdrop is actually not 100 percent white, it fades to a light gray shade. I could increase my fill or correct this in post-processing, but the slight shift is intentional in this image.

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Last is the Julius Studio, which is another crossbar set up that spans up to 10 ft. Like the others, this one also comes with a carry bag and the necessary clamps for securing your backdrop of choice. Also, like the others, this one is made of lightweight tubing that makes it easy to carry. Lastly, while users said this was easy to set up and use, they recommend using sandbags or some other type of weight to keep the system secure due to the light weight of the tubing.
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
Summer may be drawing to a close soon, but ice cream is everyone’s year-round fave. Unlike the real stuff, Ink & Elm’s Dip n Dots backdrop won’t melt on you and its matte vinyl is tear resistant, so you can use it as a floor drop, too. It’s water resistant in case some real ice cream spills from your subject’s hands (or yours, we’re not judging). You can order the backdrop with grommets along the top for an extra $8, or spend $15 to get a pole pocket along the top. Sizes range from 3 x 2 feet up to 10 x 6 feet. Yum.
Great for the price point! Will get lots of use out of it. Biggest issue was setting it up, theres absolutely no instructions that comes with this set. There is a piece of paper titled “instructions” BUT it’s literally just a list of what’s inside the packaging and not how to put it together. Had to watch a video online to figure it out. This was my first time setting up something like this. Also the polls are a little flimsy and I’m always worried about it falling over however again you pay what you get, don’t expect top of the line equipment when you’re purchasing relatively cheap stuff. Anyways thumbs up from me, it’s basically exactly what I needed.

We offer a product range that’s unsurpassed for its variety, selection and value. From smooth Seamless Paper in every color under the sun to Floor Drops with amazingly lifelike, dimensional patterns that can create the look of location shooting in the studio, we make the products that photographers rely on for creating perfect backgrounds for virtually every situation. Just starting out and need a flexible solution for a space that does double duty? We have reversible backgrounds that are easy to set up and break down. Upgrading your high-traffic commercial studio and looking for a timeless, professional backdrop set? We have heavy-duty, durable vinyl that will stand the test of time.
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