Buyer beware!! Fell apart after 1 use :( The plastic pieces separate from the poles. The adjustment valve on one side is completely stuck so I cannot adjust sizing. Seller dismissed my contact...I'd honestly just like to exchange for hopefully one that is not defective but seller in not responding. Very disappointed in this purchase. I buy from Amazon very often and this has been my first issue with low quality merchandise.

If you do many in-studio portrait sessions, you probably have a lot of space set aside for background materials, props, and supports. Add to your stash with canvas backdrops for photography, and selections made of durable, low-maintenance materials, such as cotton and wrinkle-resistant polyester. Several backgrounds come on rolls so you can mount them to autopoles and smoothly swap out designs between poses. Seamless paper works particularly well for everyday needs, as you can roll sheets out to the desired length and then reuse or trim away pieces for easy recycling. Muslin photo and video backdrops feature non-reflective surfaces that diffuse light more naturally, which can help keep the focus on your subject. If you prefer materials that allow for fast and efficient cleanup, vinyl and PVC backgrounds are a solid choice, especially when you use them in potentially messy situations involving pets, babies, and toddlers.

They are plastic, but very strong and the clamping power is quite good. The only annoyance is the little red pads on the end, swivel all the way around so if you are trying to attach something up high with one hand, sometimes they flip backwards and don't grab correctly. You just need to make sure they are facing inwards before you reach up high. I used all 6 clamps to attach a large king size sheet to a linco backdrop stand and it was enough - ... full review
I am helping a friend’s daughter with her wedding planning and want to make a backdrop like this for the wedding ceremony. Can you elaborate on how the strings of lights were plugged in and whether they all “hung” versus the string light hanging down and then looping back up, if that makes sense? I like the look of them just hanging but it seems like plugging a bunch of individual ones would be hard. Am I making this too complicated?!

These are better than I expected. Good solid build. Takes about a good solid hour to assemble everything. Everything worked perfectly after assembly. No sand for the sandbag, so I put a bottle of water in the pouch. Worked perfect as a counterweight. I live in a one bedroom apartment, so I put two of the lights away after testing and keep one assembled for impulse shoots.
The backdrop support system typically mounts backdrops that feature a pole pocket. This pocket simply slides onto the cross bars. Backdrops without a pole pocket can also be mounted to the backdrop support system with spring clamps. Spring clamps (AKA A-Clamps) can be found at any hardware store and typically only cost a few dollars. These clamps are great to have around your studio, as they also allow you to clamp backdrops taut at the bottom to eliminate wrinkles or shadows.
Users love the price and the quality of the product, but some do note that it’s too light for their liking. The Linco T-shaped backdrop stand features a sturdy design, a set of crossbars, and clamps to keep the fabric in place. Another great thing about this product is that it’s light – just four lbs., and you don’t need any special skills to assemble it. What’s more, you can adjust it from 2.6 ft. to 6.7 ft. 
Made from styrene, a wrinkle-free plastic, this versatile backdrop can be used as a light table, prop setup or a seamless background. Props or people on the other side of the backdrop are seen as shapes and eerie silhouettes. Placed in front of a light, it delivers a frosted glass effect. You can cut Translum with scissors, so you can whittle down a roll into any shape you desire. It’s available in three grades: lightweight, for a soft light effect with a 3/4-stop light loss, medium grade that eliminates most of the shadows and delivers a 1.5-stop light loss and a heavy grade that knocks back two stops of light (this grade is recommended for shooting tables and is cleanable). Medium and lightweight grades are sold in 60-inch x 18-foot rolls while the heavyweight grade is available in 54-inch x 18-foot rolls.
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