The type of material that you choose for photo backdrops can impact the photos that you take in several ways. Materials such as cotton, muslin, or canvas, may absorb and soften your studio lighting whereas materials such as vinyl, polyester, and velvet may reflect some of your studio lighting in your photos. Different situations will call for different photo material options, so it's a good idea to have a range of colors and prints in different material types. Many of these materials are available in this eBay category. Other photo background materials may include:
The fill light for this shoot is also a Profoto D1 1,000W strobe in a Westcott Apollo Orb, which is camera right and with the light sitting about waist height. This light is also pulled back a bit further than the main to give a wider spill. Since I am using my lights to do two jobs, lighting the subject and the background, I am not gridding and instead placing them so that one edge of the modifier is pointing towards the edge of the seamless and the other is towards the subject.

Nice strong clamp. Seems well made for an inexpensive gadget. Very handy addition to the things you can mount a camera to when either you don't have a tripod or the tripod just won't work. I have not tried it with the SLR but should hold well unless the camera is quite large or with a long heavy lens. Probably best with P&S or the smaller SLR & lenses.
Stands often come with crossbars that can support a cloth, vinyl, muslin, or paper backdrop and are secured by either slipping it through a pole pocket or by clamps. For many stands, a crossbar is not needed if the backdrop is canvas or vinyl and has a wooden mounting. Single portable backdrop stands are also available. Portable photography stands are easy to set up, break down, and transport to locations.

Lastolite by Manfrotto offers the essentials to smoothen and soften natural or artificial lighting for portrait and fashion photography with backgrounds and accessories for an extra creative touch. And don't forget about our reflectors and diffusers, available in circular and triangular shapes, softboxes for speed lights and studio lights, in various shapes and sizes. Our umbrellas and backdrops are available in different materials and surfaces ideal for still life photography. We designed our unique lighting tools consulting a network of professional photographers in order to meet their needs. Many features of our products are patented and our R&D team is constantly looking to further improve product functionality. Lastolite Light Modifiers are designed to be collapsable, providing increased compactness and portability. Developed and produced in the UK following strict quality standards, Lastolite by Manfrotto offers the ultimate lighting solution for all photographers, whether in the studio or outdoors.


A user also mentions that the frame feels slightly flimsy, but he hasn’t had any problems with it. He adds that he is satisfied with its performance so far and that the carrying bag is a nice bonus. However, one customer complains that the product’s measurements are not correct and that it’s not strong enough to hold the vinyl in place without dipping.
When I received this it was folded down to 1'x6" package. After unfolding it, every fold line is very visible. Also the interior lights on top are part of the drop. This is an old time type of backdrop that depicts like a French street in late 1800 to early 1900 why there is a interior ceiling with lights on the top of this backdrop is in my opinion stupid. Also the seams should have been glued in a downward overlay application. Instead they are in a upward application which makes the top of the seam fold down exposing the white backside of the drop. Avoid. And by something that is actually cloth and not vinyl.

I'm a professional photographer and purchased this on the chance that it was as advertised. I shoot 8th grade graduation dances and have always used a black backdrop to make the images "pop". I was worried in buying this that there would be a lot of maintenance in getting the wrinkles out...worked perfect from package to hanging on the frame! Awesome product and well worth the money!
6× Photo Studio Light Photography Background Clips Backdrop Clamps Peg Package Contents: 6 clamps Description: These Set of 6 Universal Pro Clamps are easy to use and would be a great addition to your studio. These clamps are extremely useful in positioning or stretching your background onto backdrop support systems. Clamps are perfect when you need to attach any kind of fabric background to a support system. They work perfectly for Muslin, paper, and even canvas backdrops. These clamps are also known as spring clamps, A-clamps, and even studio tongs.
In this SOOC shot, you can see just how down and dirty this setup was. The backdrop is not pulled out very far and taped down only in a couple of spots. In the top left edge of the image you can see the corner of the 50 inch Apollo. This also shows that the right edge of the light is hitting the subject, allowing for a soft feathered look, but more importantly for this setup, it's allowing the rest of the box to light our background.
I am helping a friend’s daughter with her wedding planning and want to make a backdrop like this for the wedding ceremony. Can you elaborate on how the strings of lights were plugged in and whether they all “hung” versus the string light hanging down and then looping back up, if that makes sense? I like the look of them just hanging but it seems like plugging a bunch of individual ones would be hard. Am I making this too complicated?!
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
The picture posted here is definitely deceiving, but overall I am happy with the product. I don't know how the photographer edited and/or modified the print in the listing to have the "depth" of the floor like that. I have two pictures that I will submit to show what I received - these are UN-EDITED photos (not run through Photoshop, only added my name to the bottom). I ended up using a floor cloth, as you can clearly see in the image. If the photographer used a separate floor cloth to achieve the extended "brick" look, I could understand it, but as the photo stands it is very deceiving. Obviously there were some adjustments made to bring out the colors in the background too. I can easily achieve the same "rich" colors in Photoshop or some other similar photo editing program.
Great backdrop! I had been looking for a hand painted backdrop but had found that most of them were far too expensive for my budget. Some of the more expensive backdrops also appeared to have far too many design and color variations for my needs. This backdrop is excellent quality and the color is perfect! The slight variations between dark and light gray look lovely in my images.
As with lighting systems and camera equipment, backdrops require some kind of support to keep them in place. Background supports can be simple or sophisticated systems. The simple ones are easy to set up and break down and are well suited for location work, while sophisticated, permanent studio systems can hold multiple backgrounds that can be raised or lowered either manually or at the flip of a switch.

Everyone wants to feel special, and when you buy a Drop It Modern fabric backdrop you’ll be one of 15 photographers to gain access to that style—the company maintains a limited inventory so that each style is more exclusive. These non-reflective canvas linen fabric backdrops are sold in 54- or 98-inch widths and 108-inch lengths. Wrinkle resistant and seamless, these backdrops can be machine washed and tumbled dry on low heat. Pictured here is Sunray. 
The idea is to hang this backdrop so that some of the floor print is actually hanging up off the floor and this works very well. The full-length photo shows this way of hanging the backdrop. However, it also works very well if you just hang the backdrop so that the brick is straight up and the floor print is on the floor. The creases from the item being folded are not avoidable, but I did not do a thing to try to remove them and, as you can see, they did not cause any problems in these photos. I am very careful to fold the backdrop when I'm done with it on exactly the same creases so as not cause any further creases or wrinkles. It's easy to do, but a large floor area is very helpful when folding. The smaller sized one might be a better option if you shooting only single subjects. I bought the LimoStudio backdrop frame LimoStudio Photo Video Studio Adjustable Muslin Background Backdrop Support System Stand & Cross Bar, AGG1111and the two together are awesome. I truly love this product!

For gear, I used my Canon 50mm 1.4 lens. My camera settings for most of the shots you saw were f1.8,  ISO 640 and shutter speed around 250. No flash. Just natural light. You really just need to play around with it a bit depending on your lighting situation and what not.  Be brave and use that manual mode on your camera or at least the aperture priority setting. I did test shots using stuffed toys while the little guy was napping so as not to “waste” any precious time with him and risk missing any good shots. If you have older kids that will sit still you can get some really cool shots! If only Mr. C was old enough for an M&M bribe. Mr Moose did well though…. Here’s a test shot…..

Velour backgrounds are a relatively thick but lightweight material that is available in 40x5 to 8x12 inches. They give you the look of seamless without the hassle of getting crumpled up and ruined. Most are made of wrinkle-resistant fabric and can be reused again and again. Even though these backdrops are not available in a wide range of patterns and colors, they are perfect for those looking for low maintenance backdrops.

Football season is nearly upon us and Backdrop Express’s sports and stadium-themed printed backdrops are a great way to capitalize on the bone crunching. They’re available in poly paper or vinyl in either 4 x 5-foot or 5 x 6-foot sizes, or a fabric with sizes ranging from 5 x 6.5 feet up to 10 x 10 feet in a choice of light or heavyweight. The poly paper version is water resistant and has a matte finish. If you opt for vinyl, you’ll get a more durable backdrop that’s also water resistant and has a matte finish. The heavyweight fabric is a polyester/cotton knot that’s washable and wrinkle resistant with a sewn-in rod pocket. The lightweight fabric is a 100 percent polyester weave that Backdrop Express likens to a tablecloth. It, too, is wrinkle resistant, though less than the heavyweight fabric. On the plus side, Backdrop Express says the printed design is “slightly clearer” on the lightweight version. Decisions, decisions. 
The Emart portable background support kit features adjustable crossbars, an aluminum alloy construction for portability and durability, heavy-duty spring clamps, and heavy-duty nylon sandbags. Another great thing about this product is that it comes with a bag so that you can take it with you on your trips. What’s more, you can adjust the height from 2.6 to 7 ft and the width from 5 to 10 ft.
A purchaser comments that the adjustable backdrop stand is sturdy enough to do the job and that it’s easy to put it together. He adds that it’s light and easy to transport and that he highly recommends it to anyone looking for portable background stands. Another reviewer shares that he bought three adjustable support frames and that he is pleased with the construction and the stability.
So why only 4 stars and not 5? I personally don't like the very top of the backdrop. If you look at the pictures carefully (I don't know if you can actually see this because I tried to crop these out), it looks like there are ceiling lights on a dark alley street. Scientifically, that's impossible and realistically, it looks WEIRD. But other than that, it's near perfect for what you're paying for.
I was really excited to get this backdrop for my new YouTube channel (Nia Knows Best) and it did not fail. The quality is thick (which is good), and it is NOT transparent. That's perfect because I have a wall of magazine pictures behind this backdrop and yet you can't see anything but the shimmer of the rose gold glitter. The only thing I would say is that depending on the lighting the rose gold turns into a silver ish glitter which can be a little frustrating. In the last photo you can see how just because of the lighting switching, the rose gold turns into silver. Other than that it is perfect.
There's no hiding the fact that the LimoStudio 3-Piece Softbox Set is a bare-bones package. The only accessories included with this package are three stands, three softboxes, 12 bulbs, and a case. The boxes and stands are of a good size, and the stands are adjustable to different angles. In the end, however, brightness (and a budget price) are the features that make the LimoStudio a standout.
One of the main questions are customers ask us is “what is the difference between continuous and strobe lighting?” Continuous lighting uses a constant light source to light your subject, meaning that your lights will stay on during the entirety of your photo shoot. Continuous lighting is recommended for beginners. Strobe lighting uses a flash of light at the moment your camera shutter opens to illuminate your subject. Many professionals use this type of lighting because it offers more control of the light.
The package arrived in a Manila folder therefore had lot of creases. I follow the instructions and ironed it and as you can see in the photos the creases diminished greatly. My husband made a 2x4 frame for it with wood already available as we do no have a photographer stand. It came out lovely. I can’t wait for the final result as the date arrives. Well worth the money! Not the greatest quality of material but it’s also not bad for what’s intended for.
Anyone that does any kind of handy work around the house (or anywhere for that matter) definitely needs to keep a few of these on hand. They are simple. They are plastic, but they feel very strong. The spring inside is REALLY strong! It's got a tight grip for sure! I have around 40-50 of these (different brands) that I've acquired over the years doing woodworking projects. These rank right up there with the best ones! If you're gluing something, these are a must to clamp the parts together. Great grip and as inexpensive as you're going to find! (currently $9.99/1.67ea). Hard to argue with that!

We offer a product range that’s unsurpassed for its variety, selection and value. From smooth Seamless Paper in every color under the sun to Floor Drops with amazingly lifelike, dimensional patterns that can create the look of location shooting in the studio, we make the products that photographers rely on for creating perfect backgrounds for virtually every situation. Just starting out and need a flexible solution for a space that does double duty? We have reversible backgrounds that are easy to set up and break down. Upgrading your high-traffic commercial studio and looking for a timeless, professional backdrop set? We have heavy-duty, durable vinyl that will stand the test of time.
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