Cheryl Woods is an accomplished photographer, designer and branding consultant with a career spanning 20+ years. Her photographic work includes editorial, fashion, portraiture and product photography for major companies in the consumer products field including QVC and Hanover Direct. She received a B.F.A. in Photography from the University of the Arts and an M.F.A. in Media Design from Full Sail University. Cheryl's work has been exhibited at the Lowes Museum of Art in Coral Gables, FL, The New York Independent Film Festival and the Rosenwald Wolf Gallery in Philadelphia, PA. Check out her website here!
Another special effects background is the translucent background that is used in videography or photography to disappear under accurate lighting. It is a perfect backdrop to use for theatrical scrim effects wherein the photographers or videographers control the appearance and disappearance of the subjects. These backgrounds can be illusion netting, gauze, scrims and so on. The fabric used for these backdrops can be translucent or transparent and diffusive or non-diffusive.
The Emart portable background support kit features adjustable crossbars, an aluminum alloy construction for portability and durability, heavy-duty spring clamps, and heavy-duty nylon sandbags. Another great thing about this product is that it comes with a bag so that you can take it with you on your trips. What’s more, you can adjust the height from 2.6 to 7 ft and the width from 5 to 10 ft.

Collapsible backgrounds are an ideal choice for photographers who need a portable, compact, and simple to set up and take down. These versatile backdrops are lightweight, easy to setup and never show creases. Collapsible backgrounds spring open, attach to stands with touch fasteners, and can be used horizontally or vertically. Portable collapsible discs are limited and available in a small range of sizes. There are some foldable disc backdrops available that extend in front of the backdrop to the floor, serving as a seamless background for full-length subjects.


Package Included: 1 x 2x3m Backdrop Crossbar Kit 1 x Carry CASE 4x Background Clamps(FREE GIFT) Description: This brand new portable background/backdrop support stand kit is extremely suitable for all level photographers from amateurs to professionals. It is a perfect solution to produce photo and video for web retailers and commercial product catalog, especially for costume and portrait. Very easy to use and set up in minutes.


Yes all the "bad" stuff they say about this product is true, it's essentially a very long roll of wrapping paper, thin, wrinkles easily. BUT that being said, if you treat it with just a little TLC this stuff performs beautifully. Photographs extremely well. Perfect for the beginner photographer on a limited budget, or like myself a more seasoned photographer with a small studio, I highly recommend this product. For the price it can't be beat! This photo was taken on the "barn wood" version.
The backdrop support system typically mounts backdrops that feature a pole pocket. This pocket simply slides onto the cross bars. Backdrops without a pole pocket can also be mounted to the backdrop support system with spring clamps. Spring clamps (AKA A-Clamps) can be found at any hardware store and typically only cost a few dollars. These clamps are great to have around your studio, as they also allow you to clamp backdrops taut at the bottom to eliminate wrinkles or shadows.
Easy to assemble with a whole lot of party magic, our design-a-room sets take the term scene setters to another level. You can turn any space into an immersive party environment with our unique selection. Create unforgettable photo ops and completely transform your party space or venue with these disposable party backdrops. Host a safari with the jungle journey design-a-room background. A carnival backdrop banner kit puts the big tent right in your living room. Mardi Gras street scenes let you bring New Orleans to your guests, no matter where you actually live. The best part? These kits feature cutouts to put over the backdrops for a layered look.

For gear, I used my Canon 50mm 1.4 lens. My camera settings for most of the shots you saw were f1.8,  ISO 640 and shutter speed around 250. No flash. Just natural light. You really just need to play around with it a bit depending on your lighting situation and what not.  Be brave and use that manual mode on your camera or at least the aperture priority setting. I did test shots using stuffed toys while the little guy was napping so as not to “waste” any precious time with him and risk missing any good shots. If you have older kids that will sit still you can get some really cool shots! If only Mr. C was old enough for an M&M bribe. Mr Moose did well though…. Here’s a test shot…..
ALL backdrops/floordrops found in our "NEW Design Arrivals" section are *ON SALE* for 30% off now through Sunday night. Shop here: http://www.backdropsandfloors.com/NEW-Design-Arrivals_c_221.html Enter coupon code: "newarrival" at checkout ----------------------------------------------------------- Sale rules can be found in the shopping cart before checkout.

A. Regardless of the lighting system you’ve selected, you should have at least some control over the light intensity. A basic lighting system should allow you to adjust the power of the lighting to half or full. More complex systems will give you several settings options to control the intensity of the lighting. If you purchase an inexpensive lighting system, you’ll have to spend more time adjusting the physical position of the light to achieve the exact intensity of light on the subject you want.
Position these lights to point at the backdrop and use manual settings to achieve the “blown out highlights” effect. Make sure the light reading is at least 3 stops higher than the light on your subject. Light bounced off the blown-out background will also create a back-lighting effect on your subject, the degree of back-lighting depends on the angle at which background light are pointed at the background.
I am helping a friend’s daughter with her wedding planning and want to make a backdrop like this for the wedding ceremony. Can you elaborate on how the strings of lights were plugged in and whether they all “hung” versus the string light hanging down and then looping back up, if that makes sense? I like the look of them just hanging but it seems like plugging a bunch of individual ones would be hard. Am I making this too complicated?!
This is a durable and well made photography back drop. All stitching is tight with no loose threads. It includes 5 spring clamps for hanging, or it can be hung using the sewn in rod pockets. It's made of 100% cotton and is a nice weight without being too heavy. Overall I'm very happy with this backdrop and recommend it to anyone looking for a nice white one.
Nice strong clamp. Seems well made for an inexpensive gadget. Very handy addition to the things you can mount a camera to when either you don't have a tripod or the tripod just won't work. I have not tried it with the SLR but should hold well unless the camera is quite large or with a long heavy lens. Probably best with P&S or the smaller SLR & lenses.
The fill light for this shoot is also a Profoto D1 1,000W strobe in a Westcott Apollo Orb, which is camera right and with the light sitting about waist height. This light is also pulled back a bit further than the main to give a wider spill. Since I am using my lights to do two jobs, lighting the subject and the background, I am not gridding and instead placing them so that one edge of the modifier is pointing towards the edge of the seamless and the other is towards the subject.
This Studio portrait umbrella Kit is easy to use and setup. These lights work great with digital cameras. It is ideal for all level photographers. It is a complete kit with a complete background supporting system with case. 3 section cross bar open up to 9ft and 8ft height. THREE 6' x 9' muslin backdrop(black, white and green) and a continuous lighting umbrellas kit.
Our full line of photo props and accessories will help you create the perfect portrait. From props that interact wonderfully with subjects to those that simply give your photos a little more interest. Our props are sure to help with creating magical photographs each and every time. Our realistic prop designs are often used in theatrical settings, special events, portraits, and even the motion picture industry.
For a dramatic or edgy appearance, go with low-key lighting. Low-key lighting also focuses attention onto your subject by surrounding them in shadows instead of light. To do this, you want to ensure that your solid black backdrop is at least 3 stops darker than the light on your subject. With low-key lighting, you also need to ensure that none of the light from your subject is hitting your backdrop. Grids and flag are very helpful for this.
What can I say? This background is flimsy and cheap and you can see right through it and it's packed folded and the creases never come out. It arrived with a few runs which is frustrating but you get what you pay for. All of that being said, under the right conditions the backdrop does photograph well, if you know what your doing. Shallow DOF and creative lighting and it did what it was needed for, which in my case was a quick set up for a baby holiday portrait.
The picture posted here is definitely deceiving, but overall I am happy with the product. I don't know how the photographer edited and/or modified the print in the listing to have the "depth" of the floor like that. I have two pictures that I will submit to show what I received - these are UN-EDITED photos (not run through Photoshop, only added my name to the bottom). I ended up using a floor cloth, as you can clearly see in the image. If the photographer used a separate floor cloth to achieve the extended "brick" look, I could understand it, but as the photo stands it is very deceiving. Obviously there were some adjustments made to bring out the colors in the background too. I can easily achieve the same "rich" colors in Photoshop or some other similar photo editing program.
Position these lights to point at the backdrop and use manual settings to achieve the “blown out highlights” effect. Make sure the light reading is at least 3 stops higher than the light on your subject. Light bounced off the blown-out background will also create a back-lighting effect on your subject, the degree of back-lighting depends on the angle at which background light are pointed at the background.

Among a raft of new products, Denny’s Fair Tale Trail puts your subject in a whimsical (dare we say Hobbit-esque) setting. The backdrop is available in your choice of three materials: Freedom Cloth, which is a wrinkle-free polyster that’s washable and dryer safe; Twist Flex, which uses the Freedom Cloth material but mounts it to a wire frame that can be folded down tight if you envision travelling a lot with the backdrop. Lastly, it’s available in canvas, which is a more delicate backdrop that ships with a wood mounting and Velcro straps. Sizes vary with Freedom Cloth, giving you the widest selection of size options.
Last is the Julius Studio, which is another crossbar set up that spans up to 10 ft. Like the others, this one also comes with a carry bag and the necessary clamps for securing your backdrop of choice. Also, like the others, this one is made of lightweight tubing that makes it easy to carry. Lastly, while users said this was easy to set up and use, they recommend using sandbags or some other type of weight to keep the system secure due to the light weight of the tubing.
The right camera lighting kit is the key to transforming mediocre photos and videos into quality memories or media. Photography light kits are not just for professional photographers any more thanks to the progression of technology and manufacturing that allows even beginners to have access to these photo game-changing tools. Whether you're a beginner looking for the right home studio lighting kit or a professional looking for new and used photography lighting kits for your business, eBay can help you find what you're looking for at a great price.

It may be our summer issue but winter isn’t all that far off (sorry), and with White House Custom Color’s Through the Woods backdrop, you can put your subjects in a Robert Frost-esque scene without the frostbite. Like the other backdrops in WHCC’s collection, this one is made of wrinkle-free, 100 percent polyester fabric. It’s sold in either 10 x 8-feet or 6 x 8-feet sizes.  
Having skills in a variety of lighting techniques for your photo backdrop can give you some wonderful options for creating beautiful imagery for either products or portraits. By brushing up on your exposure and composition know-how along with practicing prior to your actual shoot date you’ll quickly be able to build a portfolio showing off your creative depth.
Photo Studio Premium Reflector Umbrella Continuous 750 Watt Boom Lighting kit, Background Support, and Muslin Background, B/SFL08BOOMKITCBOOM _NEWCB_BWG Reflective Soft Umbrella Complete Photography and Video Stuido Lighting Kits, Background Support, Black White Chromakey Green 3 Muslin Backdrops, NEWCB_BWG_2050KIT Photo Studio 1000 Watt Continous Lighting kit, Background Support, and Muslin Background, NEWCB_BWG_1000WKIT Photo Studio Continous Triple Lighting kit, Background Support, and Black & White Backgrounds, NEWCB_BW_TRIPLEKIT
Arrived damaged with small holes from the folds but I thought I could work with it. It is not wide enough for full frame, edged in white and printed so poorly that the design looks like it has a flaw. Look carefully at the seller's images. Several are photoshopped to appear better than the product. The last shot the seller uses shows a huge printing flaw. From a design standpoint, this makes no sense whatsoever to blow out that area with white. It isn't simulated light to give depth, it's just a flaw from the printer. Really, really bad photoshop to begin with in the first place, with other areas showing white artifacts on the design. China quality and standards. Not recommended unless you can shoot around them or photoshop them out later.
I recently bought this 3 days ago and used it to shoot 38 headshots and a group photo for a university. The images came out fantastic!! I was amazed that the light quality was excellent and the light stands were sturdy without sandbags to fasten it. I bought a used kit but it was greatly taken cared of. I wanted an easy portable light kit and this is perfect very light weight and cost effective. Backgroynd stand is great, Muslim is thin in black but just double it up and youll be fine for headshots.
Muslin is a cotton weave fabric that holds dyes and paints with ease. These backgrounds are made of lightweight material and are clamped to a background stand or even draped over anything to transform the look of a picture. As the muslin is made of thinner and lighter material, it does not show wrinkles and can be used as a neutral background or as a dramatic one. It comes in many different sizes and pattern that range from 5x8 to 30x30 feet and solid color backdrop or designer series patterned design. Muslin backgrounds can feature replicas of old master paintings, abstract patterns or marbleized patterns. This material is very portable and fairly inexpensive making it a favorite with photographers.
Collapsible backgrounds are an ideal choice for photographers who need a portable, compact, and simple to set up and take down. These versatile backdrops are lightweight, easy to setup and never show creases. Collapsible backgrounds spring open, attach to stands with touch fasteners, and can be used horizontally or vertically. Portable collapsible discs are limited and available in a small range of sizes. There are some foldable disc backdrops available that extend in front of the backdrop to the floor, serving as a seamless background for full-length subjects.
There are a few things to consider when choosing a backdrop size, including the size of your studio and the size of your subject. Portrait subjects should typically be pulled at least 3’ away from your backdrop to prevent shadows and allow for easy lighting. Of course, this distance your subject will be from the backdrop will be altered when taking overhead or backlit/high key shots. Below, we’ll discuss both the length and width restrictions of common backdrops.
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