I ordered this backdrop, because I've been recently getting into some basic photography and needed a backdrop in a standard, simple color. Please note that included with your purchase is ONLY the backdrop and clamps for it. The stand is sold separately. It came shipped to me in a smaller flat box. The backdrop itself was wrapped in a cellophane bag inside the box. The five spring clamps were in a smaller cellophane bag inside the box as well. The clamps were very good quality-they stayed closed without any slipping. The stitching and fabric quality looked very good, especially for the price. It's not thick enough to completely block out any light behind so be prepared to plan accordingly. It is not too thin either though in my opinion. The thinner material makes for easier storage. And yes it does have wrinkles when you unfold it, but that is easy ... full review
As with lighting systems and camera equipment, backdrops require some kind of support to keep them in place. Background supports can be simple or sophisticated systems. The simple ones are easy to set up and break down and are well suited for location work, while sophisticated, permanent studio systems can hold multiple backgrounds that can be raised or lowered either manually or at the flip of a switch.

No space? No problem. The 42 x 42 x 42-inch Little Studio unfolds to deliver a corner studio setting in any location. Its metal frame is shrouded in white diffusion fabric and has hook-and-loop edges so you can mount backdrops and floor mats with ease. When the shoot is over, the Little Studio folds down and slips into an included nylon carrying case. You can completely disassemble the studio if you really need to pack it down. 
Made from styrene, a wrinkle-free plastic, this versatile backdrop can be used as a light table, prop setup or a seamless background. Props or people on the other side of the backdrop are seen as shapes and eerie silhouettes. Placed in front of a light, it delivers a frosted glass effect. You can cut Translum with scissors, so you can whittle down a roll into any shape you desire. It’s available in three grades: lightweight, for a soft light effect with a 3/4-stop light loss, medium grade that eliminates most of the shadows and delivers a 1.5-stop light loss and a heavy grade that knocks back two stops of light (this grade is recommended for shooting tables and is cleanable). Medium and lightweight grades are sold in 60-inch x 18-foot rolls while the heavyweight grade is available in 54-inch x 18-foot rolls.
I am helping a friend’s daughter with her wedding planning and want to make a backdrop like this for the wedding ceremony. Can you elaborate on how the strings of lights were plugged in and whether they all “hung” versus the string light hanging down and then looping back up, if that makes sense? I like the look of them just hanging but it seems like plugging a bunch of individual ones would be hard. Am I making this too complicated?!
The backdrops used for photography are usually made of lighter material which makes it easy for the photographers to carry them around while traveling. The backdrops are usually hung as panels or can be easily draped over anything to give a particular effect. They can also be suspended from background stands by using clamps. Depending upon the type of effect needed by the photographer, the type and size of backdrop can be selected from the wide variety available. Since backdrops require some support, there are many types of background supports available that are well-suited for location work, or even sophisticated permanent studios.
They are plastic, but very strong and the clamping power is quite good. The only annoyance is the little red pads on the end, swivel all the way around so if you are trying to attach something up high with one hand, sometimes they flip backwards and don't grab correctly. You just need to make sure they are facing inwards before you reach up high. I used all 6 clamps to attach a large king size sheet to a linco backdrop stand and it was enough - ... full review
This project is simple and doesn’t take very long at all, maybe about an hour from start to finish. After you’re finished, you will want to roll up the fabric and lights for storage until the wedding. Consider covering it as well, to keep and dirt or dust from settling on it. We covered ours with garbage bags since black dog fur and white curtains are not exactly friends.

Breaking news: Bokeh is in! With Lastolite’s Out of Focus Backgrounds, you won’t need to fiddle with your camera’s aperture to mimic that dreamy depth of field. There are a pair of double-sided backdrops in the Out of Focus line: one features a blurred seascape/autumn foliage, and the other sports summer foliage on one side and city lights on the other. At 4 x 5 feet, these backdrops should handle close to full-length portraits and will collapse to about a third of their size for transport. They weigh in at 3.3 pounds and come with their own carrying case. 


When it comes to special effect backgrounds, the chroma key backdrops are the most common used in tandem with special effects. The chroma key or key backgrounds are usually set to perfect blue or green helping a computer differentiate the background from the subject easily. This background can be used to superimpose a second image over the first one to show the chroma key color section.

Now that you've got all the wow-worthy props you need, it's time to consider how you want your photo booth to look. Do you want to set the scene for a fiesta? Or maybe you'd like to create a photo booth that's filed with floral touches? Perhaps you're going for something a little more seasonal appropriate such as a mad scientist set for Halloween or Irish clovers for St. Patrick's Day? No matter the occasion, we have backdrops that fit every theme. Beyond this, we also offer a myriad of wall decorations and cardboard cutouts that can easily be added to accent your statement-making backdrop. And with our 110% Lowest Price Guarantee, everything is priced to make you smile too!


Love this! I am an armature photographer and have only used a few vinyl backdrops in the past. I needed a solid grey backdrop and thought I would try one of these because they are so much cheaper than the vinyl I had purchased in the past. It was super easy to use. I do just natural lighting so it was nice to not have to deal with a glare like I do on my vinyl ones. I also loved that it was so easy to set up and take down. I had read reviews that said collapsing it back up is difficult but I had a friend with me when using it and I asked her to hold one end and it literally took me less than 30 seconds on the first try...maybe we just got lucky? I wish they had more ... full review
With a 20 or 24-foot long backdrop you’ll be able to cover just about every style of portraiture and product photography. These backdrops are great if you want to photograph a larger family full-length, or have a video shoot that requires movement. These long backdrops are great for when you want to pull your subjects far from your backdrop as well.
Look no further! This is an awesome kit. I was very impressed with the weight and quality of the hardware. The poles are thick and sturdy, and it includes a brochure with basic instructions. The set comes with multiple bags: the large primary bag that holds everything, and smaller "set" bags (two for the umbrellas/softboxes and one for the back muslin stand). Overall I am very satisfied with this purchase and highly recommend this set. Also, the seller was great with communication.
Love this! I am an armature photographer and have only used a few vinyl backdrops in the past. I needed a solid grey backdrop and thought I would try one of these because they are so much cheaper than the vinyl I had purchased in the past. It was super easy to use. I do just natural lighting so it was nice to not have to deal with a glare like I do on my vinyl ones. I also loved that it was so easy to set up and take down. I had read reviews that said collapsing it back up is difficult but I had a friend with me when using it and I asked her to hold one end and it literally took me less than 30 seconds on the first try...maybe we just got lucky? I wish they had more ... full review

Get an austere rustic look with Background Town’s Wall Yellow. It’s available in two materials. NewFab is a tear resistant “paper-like” substrate that’s wrinkle resistant and won’t reflect light. It’s sold in 3.9 x 5-foot and 5 x 6.8-foot sizes. NewFab backdrops won’t come with rod pockets and aren’t machine washable. If you need a backdrop with those attributes, spring for Background Town’s UltraCloth material, a machine-washable backdrop that’s wrinkle-free and has rod pockets sewn in. It’s sold in sizes ranging from 6 x 8 to 8 x 12 feet.
You don’t have to browse Instagram long before you see images of people in dangerous places. You can satisfy the thrill-seeking selfie shooter with PhotoPie’s vertigo-inducing Bird’s Eye View floor mat. The bottom is made of non-slip rubber that will stay in place once it’s on the floor. The top material is felt and is imaged using a fade-resistant dye-sublimation process. Sizes range from 4 x 5 to 8 x 10 feet. 
Everyone wants to feel special, and when you buy a Drop It Modern fabric backdrop you’ll be one of 15 photographers to gain access to that style—the company maintains a limited inventory so that each style is more exclusive. These non-reflective canvas linen fabric backdrops are sold in 54- or 98-inch widths and 108-inch lengths. Wrinkle resistant and seamless, these backdrops can be machine washed and tumbled dry on low heat. Pictured here is Sunray. 
Among a raft of new products, Denny’s Fair Tale Trail puts your subject in a whimsical (dare we say Hobbit-esque) setting. The backdrop is available in your choice of three materials: Freedom Cloth, which is a wrinkle-free polyster that’s washable and dryer safe; Twist Flex, which uses the Freedom Cloth material but mounts it to a wire frame that can be folded down tight if you envision travelling a lot with the backdrop. Lastly, it’s available in canvas, which is a more delicate backdrop that ships with a wood mounting and Velcro straps. Sizes vary with Freedom Cloth, giving you the widest selection of size options.
One of the main questions are customers ask us is “what is the difference between continuous and strobe lighting?” Continuous lighting uses a constant light source to light your subject, meaning that your lights will stay on during the entirety of your photo shoot. Continuous lighting is recommended for beginners. Strobe lighting uses a flash of light at the moment your camera shutter opens to illuminate your subject. Many professionals use this type of lighting because it offers more control of the light.

A traditional backdrop support system is the most common mounting solution for photography studios. The backdrop support system consists of a 3-section cross bar and two light stands. By utilizing two of the included cross bars, the backdrop support system can mount backdrops up to 7-feet wide. By utilizing all three cross bars, this system can mount backdrops up to 10.5-feet wide. The included  stands can extend up to 12-feet high for photographing tall people, high movement, or products.
The type of material that you choose for photo backdrops can impact the photos that you take in several ways. Materials such as cotton, muslin, or canvas, may absorb and soften your studio lighting whereas materials such as vinyl, polyester, and velvet may reflect some of your studio lighting in your photos. Different situations will call for different photo material options, so it's a good idea to have a range of colors and prints in different material types. Many of these materials are available in this eBay category. Other photo background materials may include:
A. Many photographers choose a continuous lighting set as a introductory set because of its low starting price. Additionally, continuous lighting allows you to control shadows, and to take the time to figure out the exact camera settings to use. However, continuous light generates heat, so if you’re shooting portrait photos, your subjects could grow uncomfortable.
This Studio portrait umbrella Kit is easy to use and setup. These lights work great with digital cameras. It is ideal for all level photographers. It is a complete kit with a complete background supporting system with case. 3 section cross bar open up to 9ft and 8ft height. THREE 6' x 9' muslin backdrop(black, white and green) and a continuous lighting umbrellas kit.
6× Photo Studio Light Photography Background Clips Backdrop Clamps Peg Package Contents: 6 clamps Description: These Set of 6 Universal Pro Clamps are easy to use and would be a great addition to your studio. These clamps are extremely useful in positioning or stretching your background onto backdrop support systems. Clamps are perfect when you need to attach any kind of fabric background to a support system. They work perfectly for Muslin, paper, and even canvas backdrops. These clamps are also known as spring clamps, A-clamps, and even studio tongs.
Another special effects background is the translucent background that is used in videography or photography to disappear under accurate lighting. It is a perfect backdrop to use for theatrical scrim effects wherein the photographers or videographers control the appearance and disappearance of the subjects. These backgrounds can be illusion netting, gauze, scrims and so on. The fabric used for these backdrops can be translucent or transparent and diffusive or non-diffusive.
The seller describes this as “seamless”.... not even close! This is the CHEAPEST photo backdrop I’ve ever bought. It was folded in packaging in a way that there were folds every 8 x 10 inches- completely unusable. I tried to steam out the wrinkles (because this in no way is fabric- I didn’t want to risk putting it in the dryer). The steaming was unsuccessful. I tried putting it in the dryer for a minute or 2 and the wrinkles were all still there but the ink was not!
To start constructing this DIY backdrop, measure how thick your elbow is compared to your curtain rod, and add electrical tape around the end of the rod until you have a tight fit. For most people, it will be easier to put a little bit of tape on at a time, testing the fit every so often until it’s snug, but measurements can give you a good base to start with. Don’t attach the rod to the elbow yet, however.
Stock up on extra drive components such as chains, switches, and weights, so you can quickly replace broken or missing parts. Be sure to keep plenty of spare clips, hooks, and brackets on hand so portrait backgrounds and video backdrops stay in place during shoots. Maintain clean and organized work spaces by storing paper rolls and mounting poles on wall-mounted and freestanding storage racks.
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