The key to getting those gorgeous big bubbles of light in the background is to locate your subject a decent distance from the lights while at the same time positioning yourself as close to your subject as you can be to get the shot you want and setting the aperture on your camera just about as wide open as you can. The further away your subject is from the lights, the closer your are to your subject and the wider the aperture…..the bigger the lights.

Want to tweak one of our images? Have your own custom image you'd like to print? The possibilities are endless and our customer service department is ready to help. We print using forced perspective to help give you the most realistic image possible so that your portraits will look realistic as if you were actually on location. If you have an image that you own or have rights to, we'll help you get it formatted correctly for our printing process. Email us your artwork to start the process. If you're wanting a custom Hollywood style photo backdrop with your logo(s) repeated all over it, we do that too with one of our step and repeat backdrops!
No space? No problem. The 42 x 42 x 42-inch Little Studio unfolds to deliver a corner studio setting in any location. Its metal frame is shrouded in white diffusion fabric and has hook-and-loop edges so you can mount backdrops and floor mats with ease. When the shoot is over, the Little Studio folds down and slips into an included nylon carrying case. You can completely disassemble the studio if you really need to pack it down. 

Position these lights to point at the backdrop and use manual settings to achieve the “blown out highlights” effect. Make sure the light reading is at least 3 stops higher than the light on your subject. Light bounced off the blown-out background will also create a back-lighting effect on your subject, the degree of back-lighting depends on the angle at which background light are pointed at the background.
Arrived damaged with small holes from the folds but I thought I could work with it. It is not wide enough for full frame, edged in white and printed so poorly that the design looks like it has a flaw. Look carefully at the seller's images. Several are photoshopped to appear better than the product. The last shot the seller uses shows a huge printing flaw. From a design standpoint, this makes no sense whatsoever to blow out that area with white. It isn't simulated light to give depth, it's just a flaw from the printer. Really, really bad photoshop to begin with in the first place, with other areas showing white artifacts on the design. China quality and standards. Not recommended unless you can shoot around them or photoshop them out later.
If you're looking for photography backdrops suitable for outdoor or portable use, collapsible backgrounds are both economical and space-efficient choices. Many fold down to a third of their size, and come with convenient carrying bags so you have room to pack and protect multiple backgrounds. Several styles feature reversible designs, to give clients a choice of colors and patterns. Pastel pink and blue backgrounds work well for baby showers. Urban-inspired prints let kids and teens show off their more expressive side. You'll also find options in camera-ready, chroma-key colors suitable for special effects projects.
This is exactly what I needed to help my small photography business get off the ground even more! Great product! Very strong stands, and yes, as other reviewers stated, the backdrops are muslin and are very thin, just hang all three or a thicker material behind it and it's fine! I took some really nice Valentines Photographs of my children to test it out! I'm a very happy photographer right now! I did see a few complain about the light fixtures breaking on them, I think the case might be that they are over tighting the bulbs, don't, and you should be fine! I also read a few complain about everything not fitting back into the bag, I did not have this problem, everything fit back in just great! A very happy customer here!! I've attached some of the photographs I took using the black background.
Backdrops and backgrounds have become indispensable to the photo booth and tradeshow experience as well as to so many other events. Does that mean you need one? Absolutely. And PB Backdrops has just the right one for you. With one of the largest selections anywhere, you can make your choice from pillow cover tension fabrics or single-sided tensions, all of which are custom printed  with hundreds of themes, or you can select from specific styles including rosette and mermaid.
Great backdrop! I had been looking for a hand painted backdrop but had found that most of them were far too expensive for my budget. Some of the more expensive backdrops also appeared to have far too many design and color variations for my needs. This backdrop is excellent quality and the color is perfect! The slight variations between dark and light gray look lovely in my images.

In summary, the key factors to getting the backdrop and subject lit in a similar exposure zone is distance; The distance of the subject to the background and the distance of the light source to the subject. Decrease the distance of the subject to background and increase the distance of the main light to the subject to make this easier. The key factor for getting a soft and directional quality to the light is also distance, but it's the opposite. By getting the light closer to the subject, we can create a softer light with more directional qualities. Also remember that these qualities of the light are relative to the size of the light source. If you are using a smaller light source, you will need to get it in closer to hold those transitional values. If you are using a larger light source, you may be able to get your light further back and still hold those soft-light qualities. Also, if the examples and basic principles here make sense to you, you have kind of just learned the inverse square law!


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