Collapsible backgrounds are an ideal choice for photographers who need a portable, compact, and simple to set up and take down. These versatile backdrops are lightweight, easy to setup and never show creases. Collapsible backgrounds spring open, attach to stands with touch fasteners, and can be used horizontally or vertically. Portable collapsible discs are limited and available in a small range of sizes. There are some foldable disc backdrops available that extend in front of the backdrop to the floor, serving as a seamless background for full-length subjects.
This was my first order with this product and I like it. The only thing that threw me off is that I expected it to be as pictured. Brick all as the 9x6 and the extra white on the bottom. It is in fact 9x6. I have included a couple test shots. The product works as expected. I love white back grounds. I think that this adds just a little bit of texture to them. Also important to not be right up against the backdrop. make sure that you get some distant between the subject and the back drop.
The Julius Studio background curtain set features an aluminum alloy construction to ensure durability and portability, and photo clams made of synthetic nylon to provide a strong grip and prevent the canvas from slipping out. Another great thing is that it’s adjustable in width (5-10.3 ft) and height (2.6 -7.5 ft). In addition to this, the set includes quality sandbags for stability.
For our session I tried to keep Mr. C about 3/4 of the way up from the lights on the wall and towards me (right around where you are seeing the garland and red ornaments in the above photo).  I was sitting only as far back from him as I had to, to get what I wanted of him in the frame (keeping in mind the three criteria above).  Using the garland and ornaments for props helped because he just played with them wherever I set them down.
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.

Nice strong clamp. Seems well made for an inexpensive gadget. Very handy addition to the things you can mount a camera to when either you don't have a tripod or the tripod just won't work. I have not tried it with the SLR but should hold well unless the camera is quite large or with a long heavy lens. Probably best with P&S or the smaller SLR & lenses.

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Stock up on extra drive components such as chains, switches, and weights, so you can quickly replace broken or missing parts. Be sure to keep plenty of spare clips, hooks, and brackets on hand so portrait backgrounds and video backdrops stay in place during shoots. Maintain clean and organized work spaces by storing paper rolls and mounting poles on wall-mounted and freestanding storage racks.

Stock up on extra drive components such as chains, switches, and weights, so you can quickly replace broken or missing parts. Be sure to keep plenty of spare clips, hooks, and brackets on hand so portrait backgrounds and video backdrops stay in place during shoots. Maintain clean and organized work spaces by storing paper rolls and mounting poles on wall-mounted and freestanding storage racks.
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