A good beginner, entry-level, infrequent use backdrop. If you take the time to remove the wrinkles, and there are quite a few due to shipping restrictions, it turns out to be a good first backdrop. I rolled it tightly on a 1” pvc, leaving it that way for several days, and hung it afterwards. There were a few places I needed to use a hair dryer to get them out but once done it’s a nice backdrop. It’s lightweight being vinyl but the printing on it looks much richer. For the price you know you will need to do some work but in the end it’s well worth it.
Photo Floors or as we like to call them Roll Up Floors are the perfect compliment to any backdrop. Lightweight, easy to roll for storage, and very realistic.  Photography floors are made of a thick durable neoprene rubber backed material which provides an anti slip faux flooring mat.  Whether you are looking for a faux wood photography flooring or trying to bring the grass fields indoors, there are tons of options.

The latest addition to our lineup, these are serious solutions for serious exhibitors who need much more powerful and attention-grabbing setups than backdrops or backgrounds: a single system and they will create the perfect walk-in booth for your expo or promotional event. They assemble swiftly, they're lightweight, durable, highly portable, and you can add vivid custom graphics.


The picture posted here is definitely deceiving, but overall I am happy with the product. I don't know how the photographer edited and/or modified the print in the listing to have the "depth" of the floor like that. I have two pictures that I will submit to show what I received - these are UN-EDITED photos (not run through Photoshop, only added my name to the bottom). I ended up using a floor cloth, as you can clearly see in the image. If the photographer used a separate floor cloth to achieve the extended "brick" look, I could understand it, but as the photo stands it is very deceiving. Obviously there were some adjustments made to bring out the colors in the background too. I can easily achieve the same "rich" colors in Photoshop or some other similar photo editing program.

An additional piece to go in the kitchen! with some matching dish towels and foam dish drying mats,everything was pulled together nicely. The window in the kitchen is as big as the curtains here and when the sunlight shines in at the end of the day it looks like you are strolling through this valley, very beautiful. Wouldn't recommend this unless you have a very large window so the panels can open all the way so you can see the entire picture.
Backdrops tend to be at the center of your event, whether it's a photo booth backdrop, standard photography, or a tradeshow booth. They bring life, charm, and enjoyment to your subjects. With a photo booth in particular, your customers get to play. So...they're necessary. With over 500 hundred to choose from (and the option to custom-design your own), PB Backdrops has you covered.

A 5 or 6-foot wide backdrop is a great size for headshots and ¾-length portraits. These backdrops are easy to manage and still only requires minimal space to set up. These backgrounds are ideal for event photographers who often work in busy spaces or for photographers working in a small home studio. While 5 to 6-foot backdrops offer more flexibility than 3.5-foot backdrops, they still become a bit tight if when photographing a couple or full-length portrait.
Once I got the equipment out of the box, the entire kit took about 20-30 minutes to set up and break down. I'm expecting it'll be quicker once I've gotten used to it, but the kit's otherwise simple enough to handle. The backdrops are rather thin, but enough for my current needs. I'll need to be more aware of what's behind the muslin, and the sheets can be easily replaced by thicker material when necessary. The metal supports on the umbrellas are enough to keep the things open, but aren't very tolerant of, say, a klutz who knocks the stand over while setting up. (Nothing's broken, and everything's still useful, but... yeah, that bend wasn't there in the umbrella before.) The bag is sturdy enough for lugging things around, but it isn't padded - I've been using the muslins for that purpose. I'm keeping all the equipment boxes and plastic baggies to make sure things stay tidy, but if you wanted to, you could cut it down to just the containers for the light bulbs. Overall, pretty chuffed with this kit.
Features The photography light box is designed for small items of photography enthusiasts, crafters, artists, etsy sellers and other online sellers, professionals and product advertising clients. Light box Studio allows quick and easy shooting of small products such as jewelry, accessories, toys, watches, gadgets and other items. Assemble your own photo studio anywhere in minutes, you can unfold this LED lightbox studio and place it on any surface to get the perfect backdrop for small articles business photography, taking pictures for products. Portable folding magnetic circuit structure design, more convenient to install and carry, built-in led light, providing average light and prevents shadows and reflections in your photos. With backgrounds pads, and build-in light and USB cable.

Breaking news: Bokeh is in! With Lastolite’s Out of Focus Backgrounds, you won’t need to fiddle with your camera’s aperture to mimic that dreamy depth of field. There are a pair of double-sided backdrops in the Out of Focus line: one features a blurred seascape/autumn foliage, and the other sports summer foliage on one side and city lights on the other. At 4 x 5 feet, these backdrops should handle close to full-length portraits and will collapse to about a third of their size for transport. They weigh in at 3.3 pounds and come with their own carrying case. 


The key to getting those gorgeous big bubbles of light in the background is to locate your subject a decent distance from the lights while at the same time positioning yourself as close to your subject as you can be to get the shot you want and setting the aperture on your camera just about as wide open as you can. The further away your subject is from the lights, the closer your are to your subject and the wider the aperture…..the bigger the lights.
Great photography doesn’t always involve buying the most expensive camera on the market. Certainly, great cameras yield very good results. But even the best camera can’t perform to its best level without great lighting in the scene. Quite often, that great lighting will come from the sun with outdoor photos. However, when you have to shoot indoors, you need to provide your own lighting. Although you can produce this lighting with an on-camera flash unit, photography lighting sets provide the best quality of light. You also can make significant adjustments to the intensity and direction of light when using a set, giving you maximum control of the photo quality.
The Julius Studio background curtain set features an aluminum alloy construction to ensure durability and portability, and photo clams made of synthetic nylon to provide a strong grip and prevent the canvas from slipping out. Another great thing is that it’s adjustable in width (5-10.3 ft) and height (2.6 -7.5 ft). In addition to this, the set includes quality sandbags for stability.
What this tells us is that the further away the light source is from the subject and backdrop, the more likely we are to get an equal exposure from one to the other. The quality of the light source can also change with distance. You will notice that as the light gets further away it becomes a harder light with less transitional values. Also, if the subject appears to be further away from the backdrop in the last image, it's due to me needing to use a shorter focal length (zoom out) to avoid getting the softbox in the shot. The shorter focal length exaggerates perspective.
The key to getting those gorgeous big bubbles of light in the background is to locate your subject a decent distance from the lights while at the same time positioning yourself as close to your subject as you can be to get the shot you want and setting the aperture on your camera just about as wide open as you can. The further away your subject is from the lights, the closer your are to your subject and the wider the aperture…..the bigger the lights.
Photography Studio Green Screen Video Photo Quick Softbox Lighting Light Kit, 600 Watt Output, EZ1624GREENSCREENKIT Photo Studio Premium Reflector Umbrella Continuous 500 Watt Lighting kit, Background Support, and Muslin Background, NEWCB_BWG_FL-08 KIT Photo Studio Continous Lighting kit, Background Support, and Black & White Backgrounds, NEWCB_BW_26KIT 600 Watt Photo Studio Continous Lighting kit, Background Support, and Muslin Background, NEWCB_BWG_600WKIT

As with lighting systems and camera equipment, backdrops require some kind of support to keep them in place. Background supports can be simple or sophisticated systems. The simple ones are easy to set up and break down and are well suited for location work, while sophisticated, permanent studio systems can hold multiple backgrounds that can be raised or lowered either manually or at the flip of a switch.
For gear, I used my Canon 50mm 1.4 lens. My camera settings for most of the shots you saw were f1.8,  ISO 640 and shutter speed around 250. No flash. Just natural light. You really just need to play around with it a bit depending on your lighting situation and what not.  Be brave and use that manual mode on your camera or at least the aperture priority setting. I did test shots using stuffed toys while the little guy was napping so as not to “waste” any precious time with him and risk missing any good shots. If you have older kids that will sit still you can get some really cool shots! If only Mr. C was old enough for an M&M bribe. Mr Moose did well though…. Here’s a test shot…..
In summary, the key factors to getting the backdrop and subject lit in a similar exposure zone is distance; The distance of the subject to the background and the distance of the light source to the subject. Decrease the distance of the subject to background and increase the distance of the main light to the subject to make this easier. The key factor for getting a soft and directional quality to the light is also distance, but it's the opposite. By getting the light closer to the subject, we can create a softer light with more directional qualities. Also remember that these qualities of the light are relative to the size of the light source. If you are using a smaller light source, you will need to get it in closer to hold those transitional values. If you are using a larger light source, you may be able to get your light further back and still hold those soft-light qualities. Also, if the examples and basic principles here make sense to you, you have kind of just learned the inverse square law!
Another buyer mentions that it’s easy to adjust the portable backdrop stand and that it’s perfect for light-weight backdrops. He highly recommends it as one of the best background stands available. However, a couple of users have noted that the product is flimsy and breaks because the plastic is of poor quality. Some also complain that they received a damaged unit.
Overall I am very happy with this purchase. I wanted to get a decent lighting studio with backdrop without dropping a lot of cash in for now. I will say when ordering it I was very hesitant. I have found things that are priced cheap,are generally cheap quality. This I think was fair. Everything was in the bag, all lights worked, no bent poles, or broken lights. The fabric of the muslin is rather thin, but I had no problem with transparency on the white. My only complaints are that the bag's strap feels very frail in the stitching where it connects to the bag, which I can easily fix with a needle and thread, and the aluminum poles for the stands/poles are very light and tip with ease. I'm sure a few sandbags hanging would fix that though. Other than that I am very happy with my purchase. I have attached a photo from a quick shoot I did to test the kit out with my oldest husky. A good product for the price, and someone wanting to keep it cheap and simple for a while.
Features The photography light box is designed for small items of photography enthusiasts, crafters, artists, etsy sellers and other online sellers, professionals and product advertising clients. Light box Studio allows quick and easy shooting of small products such as jewelry, accessories, toys, watches, gadgets and other items. Assemble your own photo studio anywhere in minutes, you can unfold this LED lightbox studio and place it on any surface to get the perfect backdrop for small articles business photography, taking pictures for products. Portable folding magnetic circuit structure design, more convenient to install and carry, built-in led light, providing average light and prevents shadows and reflections in your photos. With backgrounds pads, and build-in light and USB cable.
Made from styrene, a wrinkle-free plastic, this versatile backdrop can be used as a light table, prop setup or a seamless background. Props or people on the other side of the backdrop are seen as shapes and eerie silhouettes. Placed in front of a light, it delivers a frosted glass effect. You can cut Translum with scissors, so you can whittle down a roll into any shape you desire. It’s available in three grades: lightweight, for a soft light effect with a 3/4-stop light loss, medium grade that eliminates most of the shadows and delivers a 1.5-stop light loss and a heavy grade that knocks back two stops of light (this grade is recommended for shooting tables and is cleanable). Medium and lightweight grades are sold in 60-inch x 18-foot rolls while the heavyweight grade is available in 54-inch x 18-foot rolls.
Material:Thin Vinyl plastic cloth(not washable). Features: Light absorbant Non-reflective.No pocket Type: Computer-printed for realism. For: different sizes for wedding, audlt, children, holiday party etc. Vinyl cloth backdrops is our latest and greatest computer painted wrinkle-free fleece-like fabric. This lightweight fabric will give you the intense vivid color that you have been looking for in a backdrop.
There are a few things to consider when choosing a backdrop size, including the size of your studio and the size of your subject. Portrait subjects should typically be pulled at least 3’ away from your backdrop to prevent shadows and allow for easy lighting. Of course, this distance your subject will be from the backdrop will be altered when taking overhead or backlit/high key shots. Below, we’ll discuss both the length and width restrictions of common backdrops.
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