This is the Meking background support system with a crossbar that telescopes from 77cm to 200cm. It can hold paper or cloth backgrounds to a maximum of almost 200cm. Item features: Heavy duty 18mm,22mm and 25mm diameter tubes holds the heavy backdrop or drapes light background stand convenient for on-location work where portability is required The three legs spread out quickly and are freestanding Special locking system and the power clamp designed for stability and secure the backdrop usage Item features: The lowest height of tripod: 77cm The highest height of tripod:200cm Crossbar length: 3 segments about 200cm Crossbar diameter:25mm.
It may be our summer issue but winter isn’t all that far off (sorry), and with White House Custom Color’s Through the Woods backdrop, you can put your subjects in a Robert Frost-esque scene without the frostbite. Like the other backdrops in WHCC’s collection, this one is made of wrinkle-free, 100 percent polyester fabric. It’s sold in either 10 x 8-feet or 6 x 8-feet sizes.
Cotton is a great photo background because it works well with the subject, especially if the lighting is properly set up. Also, if you want a backdrop that’s perfect for traveling, invest in a cotton fabric backdrop. It’s portable and easy to transport, set up, and collapse. It varies in size, too, so make sure to pick the right one before going to your location.
The fill light for this shoot is also a Profoto D1 1,000W strobe in a Westcott Apollo Orb, which is camera right and with the light sitting about waist height. This light is also pulled back a bit further than the main to give a wider spill. Since I am using my lights to do two jobs, lighting the subject and the background, I am not gridding and instead placing them so that one edge of the modifier is pointing towards the edge of the seamless and the other is towards the subject.
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The key to getting those gorgeous big bubbles of light in the background is to locate your subject a decent distance from the lights while at the same time positioning yourself as close to your subject as you can be to get the shot you want and setting the aperture on your camera just about as wide open as you can. The further away your subject is from the lights, the closer your are to your subject and the wider the aperture…..the bigger the lights.
The backdrops not high definition, will some blurred,so need distance to take pictures. Also many large format images may seem a little pixelated when you view it up close but I make sure that only suitable images are used for the drops to provide the most realistic look possible.Please keep in mind that all computer screens vary in color calibration.
The Little Studio System is a must-have backdrop solution for photographing newborns, infants, toddlers, pets, and products. The Little Studio is essentially a 3.5 x 3.5 x 3.5-foot room in a box. This system is completely collapsible and can be paired with hundreds of available backdrops and floordrops. These backdrops attach to the system with Velcro, allowing for instant set changes and clean up.
If you’d like to do a little further reading, here are a couple of links to tutorials that I found helpful before trying this myself. Prop Insanity has a great one with pictures of their actual studio set up using this type of background and Digitial Photography School has a great article on How to Take Beautiful Bokeh Christmas Images . (Bokeh being that gorgeous background blur we all love). You can also check out my Photography board on pinterest for more ideas. If you do try this, I would LOVE to see your finished product so please come share with us on Facebook.
Grab a prop and get ready to strike a pose! For every reason and every season, we offer a variety of photo booth backdrops and photo booth supplies. If you're hosting a party, you know how important it is to keep guests engaged with fun activities - it's the key to taking any celebration from drab to fab! And the best way to keep the good times rolling is by setting up your very own DIY photo booth. For birthdays, weddings, holiday celebrations, graduation parties and so much more, you're bound to find the right fit for your shindig with our huge assortment of photo booth props, accessories and backdrops. Whether you're the kind of guy or gal who like to grin cheek-to-cheek or maybe you'd rather throw up a peace sign or pose with a prop, this collection of party supplies helps everybody get camera-ready. Selfie lovers, rejoice!
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
While many photographers are experts at their craft and able to utilize natural lighting and landscapes as backgrounds for their portraits, studios that provide a controlled environment are a necessity for many photographers. A key component to any photography studio is your background material as the right background materials can make or break a photo session. To ensure you achieve the overall theme and feel of your photography style, here's a look at what you might consider when choosing affordable background materials offered on eBay .
Once I got the equipment out of the box, the entire kit took about 20-30 minutes to set up and break down. I'm expecting it'll be quicker once I've gotten used to it, but the kit's otherwise simple enough to handle. The backdrops are rather thin, but enough for my current needs. I'll need to be more aware of what's behind the muslin, and the sheets can be easily replaced by thicker material when necessary. The metal supports on the umbrellas are enough to keep the things open, but aren't very tolerant of, say, a klutz who knocks the stand over while setting up. (Nothing's broken, and everything's still useful, but... yeah, that bend wasn't there in the umbrella before.) The bag is sturdy enough for lugging things around, but it isn't padded - I've been using the muslins for that purpose. I'm keeping all the equipment boxes and plastic baggies to make sure things stay tidy, but if you wanted to, you could cut it down to just the containers for the light bulbs. Overall, pretty chuffed with this kit.
Photography Studio Green Screen Video Photo Quick Softbox Lighting Light Kit, 600 Watt Output, EZ1624GREENSCREENKIT Photo Studio Premium Reflector Umbrella Continuous 500 Watt Lighting kit, Background Support, and Muslin Background, NEWCB_BWG_FL-08 KIT Photo Studio Continous Lighting kit, Background Support, and Black & White Backgrounds, NEWCB_BW_26KIT 600 Watt Photo Studio Continous Lighting kit, Background Support, and Muslin Background, NEWCB_BWG_600WKIT
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