Vinyl backdrops are thick, rolled and durable, and are recommended for professional studio work. They generally come in solids, but there are a few with printed patterns that can be very inexpensive. While most vinyl backgrounds have a glossy sheen, there are some (including a recently announced line by Savage, which includes the Savage Matte Finish Gray Infinity Series vinyl background) that have a matte finish to eliminate glare and reflections.
As with lighting systems and camera equipment, backdrops require some kind of support to keep them in place. Background supports can be simple or sophisticated systems. The simple ones are easy to set up and break down and are well suited for location work, while sophisticated, permanent studio systems can hold multiple backgrounds that can be raised or lowered either manually or at the flip of a switch.
This project is simple and doesn’t take very long at all, maybe about an hour from start to finish. After you’re finished, you will want to roll up the fabric and lights for storage until the wedding. Consider covering it as well, to keep and dirt or dust from settling on it. We covered ours with garbage bags since black dog fur and white curtains are not exactly friends.
This is an 10ft*10 ft (300cm*300cm) spring backdrop with general appearance of a picture, there is a floor for person to stand on, and not seamless, mean it's two pieces backdrops. Backgrounds are suitable for Wedding, Children Photography, Holiday Party, Birthday or Photo Booths etc. If you need size that larger than 150 cm*200 cm, please contact us and additional charges is needed, also large size backgrounds have seams, please don't worry because the seam will not interfere with the photos. For any questions and problems please feel free to contact with me, I will do my best to answer and help you.
Breaking news: Bokeh is in! With Lastolite’s Out of Focus Backgrounds, you won’t need to fiddle with your camera’s aperture to mimic that dreamy depth of field. There are a pair of double-sided backdrops in the Out of Focus line: one features a blurred seascape/autumn foliage, and the other sports summer foliage on one side and city lights on the other. At 4 x 5 feet, these backdrops should handle close to full-length portraits and will collapse to about a third of their size for transport. They weigh in at 3.3 pounds and come with their own carrying case. 
In this SOOC shot, you can see just how down and dirty this setup was. The backdrop is not pulled out very far and taped down only in a couple of spots. In the top left edge of the image you can see the corner of the 50 inch Apollo. This also shows that the right edge of the light is hitting the subject, allowing for a soft feathered look, but more importantly for this setup, it's allowing the rest of the box to light our background.

A good beginner, entry-level, infrequent use backdrop. If you take the time to remove the wrinkles, and there are quite a few due to shipping restrictions, it turns out to be a good first backdrop. I rolled it tightly on a 1” pvc, leaving it that way for several days, and hung it afterwards. There were a few places I needed to use a hair dryer to get them out but once done it’s a nice backdrop. It’s lightweight being vinyl but the printing on it looks much richer. For the price you know you will need to do some work but in the end it’s well worth it.

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Like other photo backdrop materials, polyester also comes in various sizes and colors. An advantage of this fabric is that it’s wrinkle-free. If there are heavy wrinkles, it can easily be removed by warm ironing from the back or by steam ironing it when it’s hung. It also includes rod holes that are perfect for hanging, especially if you don’t have a place to store it after using.


The fill light for this shoot is also a Profoto D1 1,000W strobe in a Westcott Apollo Orb, which is camera right and with the light sitting about waist height. This light is also pulled back a bit further than the main to give a wider spill. Since I am using my lights to do two jobs, lighting the subject and the background, I am not gridding and instead placing them so that one edge of the modifier is pointing towards the edge of the seamless and the other is towards the subject.
Stands often come with crossbars that can support a cloth, vinyl, muslin, or paper backdrop and are secured by either slipping it through a pole pocket or by clamps. For many stands, a crossbar is not needed if the backdrop is canvas or vinyl and has a wooden mounting. Single portable backdrop stands are also available. Portable photography stands are easy to set up, break down, and transport to locations.
No more wasting your money on cheap vinyl. We've got just what you're looking for in a professional fabric photo backdrop. We print on high quality, matte finish, non-glare cloth with a dye sublimation process that exceeds expectations. We even have three different fabrics to choose from, allowing for further individualization! Other companies either print on subpar materials (like vinyl, muslin, or even paper!) or they print direct to fabric, which lessens the resolution and leaves you wanting more. Here at Photo Pie, we pride ourselves on providing excellent customer service through your entire ordering process. Whether you're needing a one time backdrop for a party or needing durable, wrinkle free backdrops for your photography studio, we've got professionally sublimated backdrops just for you!
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