I've included what the backdrop look like without people in it, and also what it looks like with several different kinds of skin tones so those of you who are thinking about buying this can take that into consideration with your potential clientele. As you can see, at least with just a horseshoe flash, people with darker skin tones definitely looked better with this backdrop.
A. Regardless of the lighting system you’ve selected, you should have at least some control over the light intensity. A basic lighting system should allow you to adjust the power of the lighting to half or full. More complex systems will give you several settings options to control the intensity of the lighting. If you purchase an inexpensive lighting system, you’ll have to spend more time adjusting the physical position of the light to achieve the exact intensity of light on the subject you want.
The fill light for this shoot is also a Profoto D1 1,000W strobe in a Westcott Apollo Orb, which is camera right and with the light sitting about waist height. This light is also pulled back a bit further than the main to give a wider spill. Since I am using my lights to do two jobs, lighting the subject and the background, I am not gridding and instead placing them so that one edge of the modifier is pointing towards the edge of the seamless and the other is towards the subject.