Backgrounds, also known as backdrops, are a standard feature used in a controlled setting such as a photography studio. The ability to change backgrounds adds versatility to portraits allowing you endless possibilities in truly crafting an image. Backdrops are available in various types and are categorized based on the size and materials they are made of. These can range from simple solids to subtle patterns and even custom-painted, photo-realistic scenes. To effectively use a backdrop you will need stands and other accessories.
Stock up on extra drive components such as chains, switches, and weights, so you can quickly replace broken or missing parts. Be sure to keep plenty of spare clips, hooks, and brackets on hand so portrait backgrounds and video backdrops stay in place during shoots. Maintain clean and organized work spaces by storing paper rolls and mounting poles on wall-mounted and freestanding storage racks.
Features The photography light box is designed for small items of photography enthusiasts, crafters, artists, etsy sellers and other online sellers, professionals and product advertising clients. Light box Studio allows quick and easy shooting of small products such as jewelry, accessories, toys, watches, gadgets and other items. Assemble your own photo studio anywhere in minutes, you can unfold this LED lightbox studio and place it on any surface to get the perfect backdrop for small articles business photography, taking pictures for products. Portable folding magnetic circuit structure design, more convenient to install and carry, built-in led light, providing average light and prevents shadows and reflections in your photos. With backgrounds pads, and build-in light and USB cable.
This is one of the best purchases I've made! I have a Talk Show and wanted good lighting and a place for my banner without spending hundreds of dollars. Well this was it! The stand where you hang your back drop, extends. It can go extremely wide or small enough to hang a small banner for an event. Same thing with the length. It can go as high as 6/7ft and as low as 2/3ft. Everything came new, nothing broke, everything worked. All four light stands can raise high or go low. For people using this for photography I strongly recommend getting some brighter light bulbs. This would be my only issue and recommendation. The bulbs are not bright enough at all. Its ok for the mean time or if you don't really need bright lights. It's amazing how this entire set up can be broken down quickly and all packed into a large, black, gym bag looking thingy that it comes in (of course inside the delivery box). I've had it for about a year and have taken it down atleast twice. My daughter and I put it back together when we moved in about 20 min or less. It comes with 4 light stands, 2 with umbrellas & 2 with the square light covers, 2 light covers, 1 backdrop stand, 3 sheets (black, green, white), 4 light bulbs, 3/4 clips for sheets & large black gym bag. Highly Recommend!
The Julius Studio background curtain set features an aluminum alloy construction to ensure durability and portability, and photo clams made of synthetic nylon to provide a strong grip and prevent the canvas from slipping out. Another great thing is that it’s adjustable in width (5-10.3 ft) and height (2.6 -7.5 ft). In addition to this, the set includes quality sandbags for stability.
As I expected with cotton it came quite wrinkled, but as any cotton the wrinkles come out well. Of course, ironing requires work and on such large piece of fabric it took about 15 minutes. Cotton will wrinkle again if it is folded for storage, so ideally it would be best to store it mounted on the stands, but for me it is not possible due to lack of space. So I expect that I will need to iron it again, but hopefully it will take less time compared to the initial ironing as I packed it less tightly. Steam ironing works best. For a large piece of fabric like this I use a separate bottle to spray mist on ... full review
For our session I tried to keep Mr. C about 3/4 of the way up from the lights on the wall and towards me (right around where you are seeing the garland and red ornaments in the above photo). I was sitting only as far back from him as I had to, to get what I wanted of him in the frame (keeping in mind the three criteria above). Using the garland and ornaments for props helped because he just played with them wherever I set them down.
What can I say? This background is flimsy and cheap and you can see right through it and it's packed folded and the creases never come out. It arrived with a few runs which is frustrating but you get what you pay for. All of that being said, under the right conditions the backdrop does photograph well, if you know what your doing. Shallow DOF and creative lighting and it did what it was needed for, which in my case was a quick set up for a baby holiday portrait.
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
Our full line of photo props and accessories will help you create the perfect portrait. From props that interact wonderfully with subjects to those that simply give your photos a little more interest. Our props are sure to help with creating magical photographs each and every time. Our realistic prop designs are often used in theatrical settings, special events, portraits, and even the motion picture industry.
Please keep your expectations realistic: this is a $30 backdrop that will be delivered to your door. This is not fancy. This isn't printed on the best of materials, but do you need it to be? If you're a professional photographer who has worked with backdrops that are $200 a pop, you shouldn't waste your time with this one. But if you're like me, just cutting my teeth out on this business, this is a fine investment that is fun and easy.
The folks at the slanted lens are anything but low value so it was kinda surprising to see that many of their setups are actually low-budget DIYs. The short below shows six of those tricks including a plumbing backdrop hanger, a ton of budgety lighting solutions (some of which we have covered in the past, but their softbox is pure budget geniusity) and my favorite, another use for a tarp.
Photography Studio Green Screen Video Photo Quick Softbox Lighting Light Kit, 600 Watt Output, EZ1624GREENSCREENKIT Photo Studio Premium Reflector Umbrella Continuous 500 Watt Lighting kit, Background Support, and Muslin Background, NEWCB_BWG_FL-08 KIT Photo Studio Continous Lighting kit, Background Support, and Black & White Backgrounds, NEWCB_BW_26KIT 600 Watt Photo Studio Continous Lighting kit, Background Support, and Muslin Background, NEWCB_BWG_600WKIT
The type of material that you choose for photo backdrops can impact the photos that you take in several ways. Materials such as cotton, muslin, or canvas, may absorb and soften your studio lighting whereas materials such as vinyl, polyester, and velvet may reflect some of your studio lighting in your photos. Different situations will call for different photo material options, so it's a good idea to have a range of colors and prints in different material types. Many of these materials are available in this eBay category. Other photo background materials may include:
I would definitely play around with it. Your not going to want to go too wide with 4 because odds are they will move around a bit and you’ll end up with some soft faces. Some key things to remember would be try to keep their faces all on the same plane of focus, that will allow you to shoot a little wider. Generally with 4 kids I would aim to shoot around f/4 but certainly play around. At that aperture you may want to consider moving them further away from the background. Keep in mind the closer you are to them and the further away from the background they are the more bokeh you will get!