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A. Flash lighting, also called a speedlight, appears suddenly, at a high intensity. Flash lighting can “freeze” the action, allowing for a sharp photo of moving objects. Speedlights can be attached to the camera, or they can be placed on mounts away from the camera. Because the light from the flash appears suddenly, however, you won’t know ahead of time exactly what kinds of shadows the light will create.
Backdrops tend to be at the center of your event, whether it's a photo booth backdrop, standard photography, or a tradeshow booth. They bring life, charm, and enjoyment to your subjects. With a photo booth in particular, your customers get to play. So...they're necessary. With over 500 hundred to choose from (and the option to custom-design your own), PB Backdrops has you covered.
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
No space? No problem. The 42 x 42 x 42-inch Little Studio unfolds to deliver a corner studio setting in any location. Its metal frame is shrouded in white diffusion fabric and has hook-and-loop edges so you can mount backdrops and floor mats with ease. When the shoot is over, the Little Studio folds down and slips into an included nylon carrying case. You can completely disassemble the studio if you really need to pack it down.
The fabric has a slight odor similar to vinegar and evaporated milk but airs out if you leave it unfolded a few days. The fabric, as expected, is lightweight but decent quality cotton. By definition Muslin is lightweight cotton cloth and, yep, it's thin so a backing layer is necessary if used against a bright light or window (e.g., my uploaded image). It ... full review
Users love the price and the quality of the product, but some do note that it’s too light for their liking. The Linco T-shaped backdrop stand features a sturdy design, a set of crossbars, and clamps to keep the fabric in place. Another great thing about this product is that it’s light – just four lbs., and you don’t need any special skills to assemble it. What’s more, you can adjust it from 2.6 ft. to 6.7 ft.
A user also mentions that the frame feels slightly flimsy, but he hasn’t had any problems with it. He adds that he is satisfied with its performance so far and that the carrying bag is a nice bonus. However, one customer complains that the product’s measurements are not correct and that it’s not strong enough to hold the vinyl in place without dipping.
In this SOOC shot, you can see just how down and dirty this setup was. The backdrop is not pulled out very far and taped down only in a couple of spots. In the top left edge of the image you can see the corner of the 50 inch Apollo. This also shows that the right edge of the light is hitting the subject, allowing for a soft feathered look, but more importantly for this setup, it's allowing the rest of the box to light our background.
Having skills in a variety of lighting techniques for your photo backdrop can give you some wonderful options for creating beautiful imagery for either products or portraits. By brushing up on your exposure and composition know-how along with practicing prior to your actual shoot date you’ll quickly be able to build a portfolio showing off your creative depth.
I shoot videos and portraits of classical and acoustic guitarists and have a small collection of backdrops I carry around. The StudioPRO 5' x 7' Blue Collapsible Twist Muslin is one of my favorites: convenient to transport, fast to set up and easy on the eye. It's a blue muslin marbled with random patches of white and darker grayish blues, almost resembling the sky with popcorn clouds. I love how it photographs and my sample is a little darker and more attractive and than the product photos.
Create the ideal setting for your photo shoots with photo backdrops and backdrop equipment. To accommodate a variety of client needs, consider stocking up on a selection of solid color and printed photo backdrops. Whether you own a collection of seamless background paper or you're just starting out in the business, you can choose from numerous designs and accessories suitable for headshots, family portraits, and product photography.