This was my first order with this product and I like it. The only thing that threw me off is that I expected it to be as pictured. Brick all as the 9x6 and the extra white on the bottom. It is in fact 9x6. I have included a couple test shots. The product works as expected. I love white back grounds. I think that this adds just a little bit of texture to them. Also important to not be right up against the backdrop. make sure that you get some distant between the subject and the back drop.
The StudioPRO 3000W's included backdrops add a lot of value and a professional touch that users love. The 10-foot power cord often eliminates the need for an extension, and can reduce anxiety over tripping on a taut line. The lightweight equipment and small case store easily, and if you travel a lot, you would be hard-pressed to find a more portable model.
Shooting on a clean white backdrop can be one of the more complex in-studio lighting setups around. Properly exposing for full lengths while giving your models room to work can require four or more extra lights and considerable amount of setup time. While taking the time to take care of the details is important for getting the perfect image and saving yourself hours of retouching on the back end, sometimes you just want to get a nice clean background without the hours of prep.
Photography Studio Green Screen Video Photo Quick Softbox Lighting Light Kit, 600 Watt Output, EZ1624GREENSCREENKIT Photo Studio Premium Reflector Umbrella Continuous 500 Watt Lighting kit, Background Support, and Muslin Background, NEWCB_BWG_FL-08 KIT Photo Studio Continous Lighting kit, Background Support, and Black & White Backgrounds, NEWCB_BW_26KIT 600 Watt Photo Studio Continous Lighting kit, Background Support, and Muslin Background, NEWCB_BWG_600WKIT
Alright so at first I was kinda debating on whether or not to get it because of all of the mixed reviews but I'm glad I got it because it's perfect for what I needed. I'm a free lance illustrator and besides working at home, I go to conventiontions quite frequently and I needed something that would help the whole set up process go by faster and opted for this and honestly, I'm glad I did.
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In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
As with lighting systems and camera equipment, backdrops require some kind of support to keep them in place. Background supports can be simple or sophisticated systems. The simple ones are easy to set up and break down and are well suited for location work, while sophisticated, permanent studio systems can hold multiple backgrounds that can be raised or lowered either manually or at the flip of a switch.
Look no further! This is an awesome kit. I was very impressed with the weight and quality of the hardware. The poles are thick and sturdy, and it includes a brochure with basic instructions. The set comes with multiple bags: the large primary bag that holds everything, and smaller "set" bags (two for the umbrellas/softboxes and one for the back muslin stand). Overall I am very satisfied with this purchase and highly recommend this set. Also, the seller was great with communication.
A. Regardless of the lighting system you’ve selected, you should have at least some control over the light intensity. A basic lighting system should allow you to adjust the power of the lighting to half or full. More complex systems will give you several settings options to control the intensity of the lighting. If you purchase an inexpensive lighting system, you’ll have to spend more time adjusting the physical position of the light to achieve the exact intensity of light on the subject you want.
A user also mentions that the frame feels slightly flimsy, but he hasn’t had any problems with it. He adds that he is satisfied with its performance so far and that the carrying bag is a nice bonus. However, one customer complains that the product’s measurements are not correct and that it’s not strong enough to hold the vinyl in place without dipping.
I was really excited to get this backdrop for my new YouTube channel (Nia Knows Best) and it did not fail. The quality is thick (which is good), and it is NOT transparent. That's perfect because I have a wall of magazine pictures behind this backdrop and yet you can't see anything but the shimmer of the rose gold glitter. The only thing I would say is that depending on the lighting the rose gold turns into a silver ish glitter which can be a little frustrating. In the last photo you can see how just because of the lighting switching, the rose gold turns into silver. Other than that it is perfect.
One of the main questions are customers ask us is “what is the difference between continuous and strobe lighting?” Continuous lighting uses a constant light source to light your subject, meaning that your lights will stay on during the entirety of your photo shoot. Continuous lighting is recommended for beginners. Strobe lighting uses a flash of light at the moment your camera shutter opens to illuminate your subject. Many professionals use this type of lighting because it offers more control of the light.
Among a raft of new products, Denny’s Fair Tale Trail puts your subject in a whimsical (dare we say Hobbit-esque) setting. The backdrop is available in your choice of three materials: Freedom Cloth, which is a wrinkle-free polyster that’s washable and dryer safe; Twist Flex, which uses the Freedom Cloth material but mounts it to a wire frame that can be folded down tight if you envision travelling a lot with the backdrop. Lastly, it’s available in canvas, which is a more delicate backdrop that ships with a wood mounting and Velcro straps. Sizes vary with Freedom Cloth, giving you the widest selection of size options.
This is the Meking background support system with a crossbar that telescopes from 77cm to 200cm. It can hold paper or cloth backgrounds to a maximum of almost 200cm. Item features: Heavy duty 18mm,22mm and 25mm diameter tubes holds the heavy backdrop or drapes light background stand convenient for on-location work where portability is required The three legs spread out quickly and are freestanding Special locking system and the power clamp designed for stability and secure the backdrop usage Item features: The lowest height of tripod: 77cm The highest height of tripod:200cm Crossbar length: 3 segments about 200cm Crossbar diameter:25mm.
Photo Floors or as we like to call them Roll Up Floors are the perfect compliment to any backdrop. Lightweight, easy to roll for storage, and very realistic. Photography floors are made of a thick durable neoprene rubber backed material which provides an anti slip faux flooring mat. Whether you are looking for a faux wood photography flooring or trying to bring the grass fields indoors, there are tons of options.