Any photo op is just as exciting as the party itself with our unique photo booth props. Stick props that include everything from emojis to silly monsters to zoo animals? Check. Costume accessories that you can wear and share like hats, masks and glasses? Yep, we got 'em. Novelty jewelry in every color and style? You better believe it! Set all of these fun finds out next to your DIY photo booth for guests to grab as the prepare to pose. Best of all, they double as take home party favors once the celebration wraps.
well my fault i didnt pay attention to other posted reviews that said order multiples. i only ordered one and of course it was no where near enough to do a proper back drop. so i will need to buy maybe 2 more. the picture seems a tad misleading cos it looks like just one solid panel. One Panel is the equivalent of one of my House curtains. which is where i hung this up, over my windows, to make a back drop for our New years eve family party. LOL it was real conversation piece.
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
Shooting on a clean white backdrop can be one of the more complex in-studio lighting setups around. Properly exposing for full lengths while giving your models room to work can require four or more extra lights and considerable amount of setup time. While taking the time to take care of the details is important for getting the perfect image and saving yourself hours of retouching on the back end, sometimes you just want to get a nice clean background without the hours of prep.
As I expected with cotton it came quite wrinkled, but as any cotton the wrinkles come out well. Of course, ironing requires work and on such large piece of fabric it took about 15 minutes. Cotton will wrinkle again if it is folded for storage, so ideally it would be best to store it mounted on the stands, but for me it is not possible due to lack of space. So I expect that I will need to iron it again, but hopefully it will take less time compared to the initial ironing as I packed it less tightly. Steam ironing works best. For a large piece of fabric like this I use a separate bottle to spray mist on ... full review
AMAZING!!! I was worried about what the quality of this backdrop would be because of the price. The colors are BRIGHT and don't look faded in the picture!! It comes folded very small. I suggest hanging it asap. A little work with a steamer got the creases out with not much effort. It has small faded spots from the creases but i cant see them in the picture. I was worried the color would be lighter than the people in the picture but that is not the case. Great buy :)
You can channel our cavemen ancestry with Custom Photo Prop’s Faux Fur Mat, safe in the knowledge that no animals were harmed in their making. These synthetic mats are PETA-approved, machine-washable and hypoallergenic. They can be ordered as a basket stuffer in a 20 x 32-inch size. It’s sold as a 15 x 15-inch layer or in 3 x 5-foot and 5 x 6-foot sizes. They’re super comfortable on baby’s skin as well.
For our session I tried to keep Mr. C about 3/4 of the way up from the lights on the wall and towards me (right around where you are seeing the garland and red ornaments in the above photo). I was sitting only as far back from him as I had to, to get what I wanted of him in the frame (keeping in mind the three criteria above). Using the garland and ornaments for props helped because he just played with them wherever I set them down.
I ordered this backdrop, because I've been recently getting into some basic photography and needed a backdrop in a standard, simple color. Please note that included with your purchase is ONLY the backdrop and clamps for it. The stand is sold separately. It came shipped to me in a smaller flat box. The backdrop itself was wrapped in a cellophane bag inside the box. The five spring clamps were in a smaller cellophane bag inside the box as well. The clamps were very good quality-they stayed closed without any slipping. The stitching and fabric quality looked very good, especially for the price. It's not thick enough to completely block out any light behind so be prepared to plan accordingly. It is not too thin either though in my opinion. The thinner material makes for easier storage. And yes it does have wrinkles when you unfold it, but that is easy ... full review
Nice strong clamp. Seems well made for an inexpensive gadget. Very handy addition to the things you can mount a camera to when either you don't have a tripod or the tripod just won't work. I have not tried it with the SLR but should hold well unless the camera is quite large or with a long heavy lens. Probably best with P&S or the smaller SLR & lenses.
The backdrops used for photography are usually made of lighter material which makes it easy for the photographers to carry them around while traveling. The backdrops are usually hung as panels or can be easily draped over anything to give a particular effect. They can also be suspended from background stands by using clamps. Depending upon the type of effect needed by the photographer, the type and size of backdrop can be selected from the wide variety available. Since backdrops require some support, there are many types of background supports available that are well-suited for location work, or even sophisticated permanent studios.
I was a little thrown off that it came folded up in an envelop, as this lead to some significant "creasing". However, I just laid the material flat, rolled it up and hung it vertically so gravity would pull the creases out. After a couple of days of hanging, it is pretty much wrinkle free. I had been a little concerned about other reviewers' comments about the image quality (digital printing) on the actual backdrop, but mine is perfectly fine. Again, my only "negative" is that the backdrop appears to have a greater "floor depth" than what I currently have.
In summary, the key factors to getting the backdrop and subject lit in a similar exposure zone is distance; The distance of the subject to the background and the distance of the light source to the subject. Decrease the distance of the subject to background and increase the distance of the main light to the subject to make this easier. The key factor for getting a soft and directional quality to the light is also distance, but it's the opposite. By getting the light closer to the subject, we can create a softer light with more directional qualities. Also remember that these qualities of the light are relative to the size of the light source. If you are using a smaller light source, you will need to get it in closer to hold those transitional values. If you are using a larger light source, you may be able to get your light further back and still hold those soft-light qualities. Also, if the examples and basic principles here make sense to you, you have kind of just learned the inverse square law!
This is a durable and well made photography back drop. All stitching is tight with no loose threads. It includes 5 spring clamps for hanging, or it can be hung using the sewn in rod pockets. It's made of 100% cotton and is a nice weight without being too heavy. Overall I'm very happy with this backdrop and recommend it to anyone looking for a nice white one.
I just got this today and attached it to my back drop stand using A Clamps across the top. There are some crease marks where it was folded so I will try various tricks I found on the internet to get them out, hopefully, without melting or ruining it. I didn't give it 5 stars because it is a little small at 5'x7' for anything but a seated subject. That's not the sellers fault as it clearly states 5'x7' but I would definitely recommend it if it were 6'x9' or larger. Even with the folded creases, it works well out of the box.
There's no hiding the fact that the LimoStudio 3-Piece Softbox Set is a bare-bones package. The only accessories included with this package are three stands, three softboxes, 12 bulbs, and a case. The boxes and stands are of a good size, and the stands are adjustable to different angles. In the end, however, brightness (and a budget price) are the features that make the LimoStudio a standout.
The paper is awesome and thick and great for a photography backdrop. The problem I had with it was no statement letting me know that you cannot use it on a regular stand or the paper will unwind uncontrollably and end up in a crinkled mess on the floor. Half of my roll spun out onto the floor as soon as I tried pulling a little bit out to do a session. Thankfully I was preparing for the session about 15 minutes before the appointment time and I was able to wind it up, cut off the creased parts and rig up something with some painters tape to temporarily keep it in place. Because of this I was unable to change out my backdrop during the session without risk of it unraveling again with my clients here at my place. In order to use this ... full review
The backdrop support system typically mounts backdrops that feature a pole pocket. This pocket simply slides onto the cross bars. Backdrops without a pole pocket can also be mounted to the backdrop support system with spring clamps. Spring clamps (AKA A-Clamps) can be found at any hardware store and typically only cost a few dollars. These clamps are great to have around your studio, as they also allow you to clamp backdrops taut at the bottom to eliminate wrinkles or shadows.
Chromakey gives you the ability to insert your photography client into a background of your choosing by having them pose in front of a vibrantly colored screen. You can do this in post-processing programs by removing and replacing the chromakeyed color with the background of your choosing. While you can technically chromakey any color, opting for a very exaggerated color, neon green or blue, will reduce the chance of your client accidentally looking like a floating head without a body because you chromakeyed the color of their dress.
Breaking news: Bokeh is in! With Lastolite’s Out of Focus Backgrounds, you won’t need to fiddle with your camera’s aperture to mimic that dreamy depth of field. There are a pair of double-sided backdrops in the Out of Focus line: one features a blurred seascape/autumn foliage, and the other sports summer foliage on one side and city lights on the other. At 4 x 5 feet, these backdrops should handle close to full-length portraits and will collapse to about a third of their size for transport. They weigh in at 3.3 pounds and come with their own carrying case.
Buyer beware!! Fell apart after 1 use :( The plastic pieces separate from the poles. The adjustment valve on one side is completely stuck so I cannot adjust sizing. Seller dismissed my contact...I'd honestly just like to exchange for hopefully one that is not defective but seller in not responding. Very disappointed in this purchase. I buy from Amazon very often and this has been my first issue with low quality merchandise.
Having skills in a variety of lighting techniques for your photo backdrop can give you some wonderful options for creating beautiful imagery for either products or portraits. By brushing up on your exposure and composition know-how along with practicing prior to your actual shoot date you’ll quickly be able to build a portfolio showing off your creative depth.
You don’t have to browse Instagram long before you see images of people in dangerous places. You can satisfy the thrill-seeking selfie shooter with PhotoPie’s vertigo-inducing Bird’s Eye View floor mat. The bottom is made of non-slip rubber that will stay in place once it’s on the floor. The top material is felt and is imaged using a fade-resistant dye-sublimation process. Sizes range from 4 x 5 to 8 x 10 feet.
I recently bought this 3 days ago and used it to shoot 38 headshots and a group photo for a university. The images came out fantastic!! I was amazed that the light quality was excellent and the light stands were sturdy without sandbags to fasten it. I bought a used kit but it was greatly taken cared of. I wanted an easy portable light kit and this is perfect very light weight and cost effective. Backgroynd stand is great, Muslim is thin in black but just double it up and youll be fine for headshots.
Football season is nearly upon us and Backdrop Express’s sports and stadium-themed printed backdrops are a great way to capitalize on the bone crunching. They’re available in poly paper or vinyl in either 4 x 5-foot or 5 x 6-foot sizes, or a fabric with sizes ranging from 5 x 6.5 feet up to 10 x 10 feet in a choice of light or heavyweight. The poly paper version is water resistant and has a matte finish. If you opt for vinyl, you’ll get a more durable backdrop that’s also water resistant and has a matte finish. The heavyweight fabric is a polyester/cotton knot that’s washable and wrinkle resistant with a sewn-in rod pocket. The lightweight fabric is a 100 percent polyester weave that Backdrop Express likens to a tablecloth. It, too, is wrinkle resistant, though less than the heavyweight fabric. On the plus side, Backdrop Express says the printed design is “slightly clearer” on the lightweight version. Decisions, decisions.
As with lighting systems and camera equipment, backdrops require some kind of support to keep them in place. Background supports can be simple or sophisticated systems. The simple ones are easy to set up and break down and are well suited for location work, while sophisticated, permanent studio systems can hold multiple backgrounds that can be raised or lowered either manually or at the flip of a switch.