I am helping a friend’s daughter with her wedding planning and want to make a backdrop like this for the wedding ceremony. Can you elaborate on how the strings of lights were plugged in and whether they all “hung” versus the string light hanging down and then looping back up, if that makes sense? I like the look of them just hanging but it seems like plugging a bunch of individual ones would be hard. Am I making this too complicated?!
Easy to assemble with a whole lot of party magic, our design-a-room sets take the term scene setters to another level. You can turn any space into an immersive party environment with our unique selection. Create unforgettable photo ops and completely transform your party space or venue with these disposable party backdrops. Host a safari with the jungle journey design-a-room background. A carnival backdrop banner kit puts the big tent right in your living room. Mardi Gras street scenes let you bring New Orleans to your guests, no matter where you actually live. The best part? These kits feature cutouts to put over the backdrops for a layered look.

The fill light for this shoot is also a Profoto D1 1,000W strobe in a Westcott Apollo Orb, which is camera right and with the light sitting about waist height. This light is also pulled back a bit further than the main to give a wider spill. Since I am using my lights to do two jobs, lighting the subject and the background, I am not gridding and instead placing them so that one edge of the modifier is pointing towards the edge of the seamless and the other is towards the subject.
Muslin is a cotton weave fabric that holds dyes and paints with ease. These backgrounds are made of lightweight material and are clamped to a background stand or even draped over anything to transform the look of a picture. As the muslin is made of thinner and lighter material, it does not show wrinkles and can be used as a neutral background or as a dramatic one. It comes in many different sizes and pattern that range from 5x8 to 30x30 feet and solid color backdrop or designer series patterned design. Muslin backgrounds can feature replicas of old master paintings, abstract patterns or marbleized patterns. This material is very portable and fairly inexpensive making it a favorite with photographers.
Muslin is a cotton weave fabric that holds dyes and paints with ease. These backgrounds are made of lightweight material and are clamped to a background stand or even draped over anything to transform the look of a picture. As the muslin is made of thinner and lighter material, it does not show wrinkles and can be used as a neutral background or as a dramatic one. It comes in many different sizes and pattern that range from 5x8 to 30x30 feet and solid color backdrop or designer series patterned design. Muslin backgrounds can feature replicas of old master paintings, abstract patterns or marbleized patterns. This material is very portable and fairly inexpensive making it a favorite with photographers.
Made from styrene, a wrinkle-free plastic, this versatile backdrop can be used as a light table, prop setup or a seamless background. Props or people on the other side of the backdrop are seen as shapes and eerie silhouettes. Placed in front of a light, it delivers a frosted glass effect. You can cut Translum with scissors, so you can whittle down a roll into any shape you desire. It’s available in three grades: lightweight, for a soft light effect with a 3/4-stop light loss, medium grade that eliminates most of the shadows and delivers a 1.5-stop light loss and a heavy grade that knocks back two stops of light (this grade is recommended for shooting tables and is cleanable). Medium and lightweight grades are sold in 60-inch x 18-foot rolls while the heavyweight grade is available in 54-inch x 18-foot rolls.
Drops & Props custom work is professional, high quality, and accurate. They were responsive to our needs and hustled to complete an order that had an impossibly tight turn around time. We ordered backdrops not only for our photo booth but to have a shared experience in every Etsy office across the globe. They made this happen for us and we are so grateful.
Nice strong clamp. Seems well made for an inexpensive gadget. Very handy addition to the things you can mount a camera to when either you don't have a tripod or the tripod just won't work. I have not tried it with the SLR but should hold well unless the camera is quite large or with a long heavy lens. Probably best with P&S or the smaller SLR & lenses.
What can I say? This background is flimsy and cheap and you can see right through it and it's packed folded and the creases never come out. It arrived with a few runs which is frustrating but you get what you pay for. All of that being said, under the right conditions the backdrop does photograph well, if you know what your doing. Shallow DOF and creative lighting and it did what it was needed for, which in my case was a quick set up for a baby holiday portrait.
Users love the price and the quality of the product, but some do note that it’s too light for their liking. The Linco T-shaped backdrop stand features a sturdy design, a set of crossbars, and clamps to keep the fabric in place. Another great thing about this product is that it’s light – just four lbs., and you don’t need any special skills to assemble it. What’s more, you can adjust it from 2.6 ft. to 6.7 ft. 
Even shooting on location you can achieve some background lighting magic. The sun moves around throughout the day — think east to west as well as dawn to dusk. Analyze what time of the day the sun will project the light on your subject at the desired angle. Note: Hard light (direct sun) will create darker shadows while diffused light (cloudy overcast) will create softer shadows.
The fill light for this shoot is also a Profoto D1 1,000W strobe in a Westcott Apollo Orb, which is camera right and with the light sitting about waist height. This light is also pulled back a bit further than the main to give a wider spill. Since I am using my lights to do two jobs, lighting the subject and the background, I am not gridding and instead placing them so that one edge of the modifier is pointing towards the edge of the seamless and the other is towards the subject.
A. Many photographers choose a continuous lighting set as a introductory set because of its low starting price. Additionally, continuous lighting allows you to control shadows, and to take the time to figure out the exact camera settings to use. However, continuous light generates heat, so if you’re shooting portrait photos, your subjects could grow uncomfortable.
AMAZING!!! I was worried about what the quality of this backdrop would be because of the price. The colors are BRIGHT and don't look faded in the picture!! It comes folded very small. I suggest hanging it asap. A little work with a steamer got the creases out with not much effort. It has small faded spots from the creases but i cant see them in the picture. I was worried the color would be lighter than the people in the picture but that is not the case. Great buy :)
The StudioPRO 3000W's included backdrops add a lot of value and a professional touch that users love. The 10-foot power cord often eliminates the need for an extension, and can reduce anxiety over tripping on a taut line. The lightweight equipment and small case store easily, and if you travel a lot, you would be hard-pressed to find a more portable model.
The key to getting those gorgeous big bubbles of light in the background is to locate your subject a decent distance from the lights while at the same time positioning yourself as close to your subject as you can be to get the shot you want and setting the aperture on your camera just about as wide open as you can. The further away your subject is from the lights, the closer your are to your subject and the wider the aperture…..the bigger the lights.

The picture posted here is definitely deceiving, but overall I am happy with the product. I don't know how the photographer edited and/or modified the print in the listing to have the "depth" of the floor like that. I have two pictures that I will submit to show what I received - these are UN-EDITED photos (not run through Photoshop, only added my name to the bottom). I ended up using a floor cloth, as you can clearly see in the image. If the photographer used a separate floor cloth to achieve the extended "brick" look, I could understand it, but as the photo stands it is very deceiving. Obviously there were some adjustments made to bring out the colors in the background too. I can easily achieve the same "rich" colors in Photoshop or some other similar photo editing program.


Create the ideal setting for your photo shoots with photo backdrops and backdrop equipment. To accommodate a variety of client needs, consider stocking up on a selection of solid color and printed photo backdrops. Whether you own a collection of seamless background paper or you're just starting out in the business, you can choose from numerous designs and accessories suitable for headshots, family portraits, and product photography.
×