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Think of the Pearl photo booth as magic on a stand. Capture the smiles, capture the joy, turn it into top quality photos with customizable messages and graphics, then send these off into the world - all in a flash. Ideal for weddings, corporate functions, birthday parties, proms . . . you get the picture. The Pearl sets up in minutes, creates joy and memories for hours.

I just got this today and attached it to my back drop stand using A Clamps across the top. There are some crease marks where it was folded so I will try various tricks I found on the internet to get them out, hopefully, without melting or ruining it. I didn't give it 5 stars because it is a little small at 5'x7' for anything but a seated subject. That's not the sellers fault as it clearly states 5'x7' but I would definitely recommend it if it were 6'x9' or larger. Even with the folded creases, it works well out of the box.


Arrived damaged with small holes from the folds but I thought I could work with it. It is not wide enough for full frame, edged in white and printed so poorly that the design looks like it has a flaw. Look carefully at the seller's images. Several are photoshopped to appear better than the product. The last shot the seller uses shows a huge printing flaw. From a design standpoint, this makes no sense whatsoever to blow out that area with white. It isn't simulated light to give depth, it's just a flaw from the printer. Really, really bad photoshop to begin with in the first place, with other areas showing white artifacts on the design. China quality and standards. Not recommended unless you can shoot around them or photoshop them out later.
The seller describes this as “seamless”.... not even close! This is the CHEAPEST photo backdrop I’ve ever bought. It was folded in packaging in a way that there were folds every 8 x 10 inches- completely unusable. I tried to steam out the wrinkles (because this in no way is fabric- I didn’t want to risk putting it in the dryer). The steaming was unsuccessful. I tried putting it in the dryer for a minute or 2 and the wrinkles were all still there but the ink was not!
Shooting on a clean white backdrop can be one of the more complex in-studio lighting setups around. Properly exposing for full lengths while giving your models room to work can require four or more extra lights and considerable amount of setup time. While taking the time to take care of the details is important for getting the perfect image and saving yourself hours of retouching on the back end, sometimes you just want to get a nice clean background without the hours of prep.

Features: 1.5-In-1 Design: Fill-in light ring, Bluetooth shutter, Selfie Stick, Phone Holder, Tripod Lamp 2.Wide Application: Widely applied to podcast, live video, video chat, selfie fill light, makeup, filling light indoors, portrait, fashion, wedding art, advertisement photography, etc.3.With Controller: Brightness up and down(10-level brightness), light color switching and power on/off easily handled through the controller 4.3-Light Color: Warm Light, Soft Light, White light. Different light color delivers differetn shooting results. 5.Eye Protection Light Source: Soft light photography light with stepless dimming, can be adjusted to your desired level. 6.Designed to Last: High quality led bead equipepd, flicker-free, no light ra.
This is my first DIY project. I decided to make this backdrop stand so when I film my YouTube videos. I bought all of the products used from my local Home Depot. I bought three 10 feet long PCV pipes. 4 end caps, 4 T-caps and 2 Elbow Caps. I had a Home Depot Employee cut the PCV pipe for me in store. The 1st PCV was cut in TWO 54 inch long pieces. The 2nd PCV pipe was cut into FOUR 30 inch long pieces. The 3rd PCV pipe was cut into FOUR 12 inch long pieces. I got this idea from Pinterest and I found it very helpful. I spent $10.23 total, including tax, and it took me less than 10 minutes to construct this project. This is great for Vlogging, low-budget photography studios or even a photo-booth at an or birthday party!
Muslin is a cotton weave fabric that holds dyes and paints with ease. These backgrounds are made of lightweight material and are clamped to a background stand or even draped over anything to transform the look of a picture. As the muslin is made of thinner and lighter material, it does not show wrinkles and can be used as a neutral background or as a dramatic one. It comes in many different sizes and pattern that range from 5x8 to 30x30 feet and solid color backdrop or designer series patterned design. Muslin backgrounds can feature replicas of old master paintings, abstract patterns or marbleized patterns. This material is very portable and fairly inexpensive making it a favorite with photographers.

Lastolite by Manfrotto offers the essentials to smoothen and soften natural or artificial lighting for portrait and fashion photography with backgrounds and accessories for an extra creative touch. And don't forget about our reflectors and diffusers, available in circular and triangular shapes, softboxes for speed lights and studio lights, in various shapes and sizes. Our umbrellas and backdrops are available in different materials and surfaces ideal for still life photography. We designed our unique lighting tools consulting a network of professional photographers in order to meet their needs. Many features of our products are patented and our R&D team is constantly looking to further improve product functionality. Lastolite Light Modifiers are designed to be collapsable, providing increased compactness and portability. Developed and produced in the UK following strict quality standards, Lastolite by Manfrotto offers the ultimate lighting solution for all photographers, whether in the studio or outdoors.
This kind of fabric has an amazing quality that absorbs light from flashes around the studio. It enables you to have a pitch-black (if using black velour) portrait background that will not reflect the light from your flash or lighting equipment. This way, you don’t have to worry about the direction of light affecting the background because it leaves no detail.

A. Many photographers choose a continuous lighting set as a introductory set because of its low starting price. Additionally, continuous lighting allows you to control shadows, and to take the time to figure out the exact camera settings to use. However, continuous light generates heat, so if you’re shooting portrait photos, your subjects could grow uncomfortable.
This is one of the best purchases I've made! I have a Talk Show and wanted good lighting and a place for my banner without spending hundreds of dollars. Well this was it! The stand where you hang your back drop, extends. It can go extremely wide or small enough to hang a small banner for an event. Same thing with the length. It can go as high as 6/7ft and as low as 2/3ft. Everything came new, nothing broke, everything worked. All four light stands can raise high or go low. For people using this for photography I strongly recommend getting some brighter light bulbs. This would be my only issue and recommendation. The bulbs are not bright enough at all. Its ok for the mean time or if you don't really need bright lights. It's amazing how this entire set up can be broken down quickly and all packed into a large, black, gym bag looking thingy that it comes in (of course inside the delivery box). I've had it for about a year and have taken it down atleast twice. My daughter and I put it back together when we moved in about 20 min or less. It comes with 4 light stands, 2 with umbrellas & 2 with the square light covers, 2 light covers, 1 backdrop stand, 3 sheets (black, green, white), 4 light bulbs, 3/4 clips for sheets & large black gym bag. Highly Recommend!
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
One of the main questions are customers ask us is “what is the difference between continuous and strobe lighting?” Continuous lighting uses a constant light source to light your subject, meaning that your lights will stay on during the entirety of your photo shoot. Continuous lighting is recommended for beginners. Strobe lighting uses a flash of light at the moment your camera shutter opens to illuminate your subject. Many professionals use this type of lighting because it offers more control of the light.
The fabric has a slight odor similar to vinegar and evaporated milk but airs out if you leave it unfolded a few days. The fabric, as expected, is lightweight but decent quality cotton. By definition Muslin is lightweight cotton cloth and, yep, it's thin so a backing layer is necessary if used against a bright light or window (e.g., my uploaded image). It ... full review
The Emart portable background support kit features adjustable crossbars, an aluminum alloy construction for portability and durability, heavy-duty spring clamps, and heavy-duty nylon sandbags. Another great thing about this product is that it comes with a bag so that you can take it with you on your trips. What’s more, you can adjust the height from 2.6 to 7 ft and the width from 5 to 10 ft.
Collapsible backgrounds are an ideal choice for photographers who need a portable, compact, and simple to set up and take down. These versatile backdrops are lightweight, easy to setup and never show creases. Collapsible backgrounds spring open, attach to stands with touch fasteners, and can be used horizontally or vertically. Portable collapsible discs are limited and available in a small range of sizes. There are some foldable disc backdrops available that extend in front of the backdrop to the floor, serving as a seamless background for full-length subjects.
In summary, the key factors to getting the backdrop and subject lit in a similar exposure zone is distance; The distance of the subject to the background and the distance of the light source to the subject. Decrease the distance of the subject to background and increase the distance of the main light to the subject to make this easier. The key factor for getting a soft and directional quality to the light is also distance, but it's the opposite. By getting the light closer to the subject, we can create a softer light with more directional qualities. Also remember that these qualities of the light are relative to the size of the light source. If you are using a smaller light source, you will need to get it in closer to hold those transitional values. If you are using a larger light source, you may be able to get your light further back and still hold those soft-light qualities. Also, if the examples and basic principles here make sense to you, you have kind of just learned the inverse square law!
The main cause of this working is distance. Notice how close the subject is standing to the background and how far away the main light is from the subject. In this example, the subject is approximately 2 feet from the backdrop and the main light is approximately 4 feet from the subject. If you're new to this, I would recommend starting with your main light a bit further back to make it a little less challenging. You will see why in a second.
Like other photo backdrop materials, polyester also comes in various sizes and colors. An advantage of this fabric is that it’s wrinkle-free. If there are heavy wrinkles, it can easily be removed by warm ironing from the back or by steam ironing it when it’s hung. It also includes rod holes that are perfect for hanging, especially if you don’t have a place to store it after using.
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