Stands often come with crossbars that can support a cloth, vinyl, muslin, or paper backdrop and are secured by either slipping it through a pole pocket or by clamps. For many stands, a crossbar is not needed if the backdrop is canvas or vinyl and has a wooden mounting. Single portable backdrop stands are also available. Portable photography stands are easy to set up, break down, and transport to locations.
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There are a few things to consider when choosing a backdrop size, including the size of your studio and the size of your subject. Portrait subjects should typically be pulled at least 3’ away from your backdrop to prevent shadows and allow for easy lighting. Of course, this distance your subject will be from the backdrop will be altered when taking overhead or backlit/high key shots. Below, we’ll discuss both the length and width restrictions of common backdrops.
These lights worked perfectly for what I purchased them for - as part of the backdrop for my Christmas pictures. They are a great, long length and width and shine brightly, but they are not overpowering. I had no issues stringing them up at all. They have a steady on mode as well as several different blinking modes. My only complaint is that the plug did not fit into my standard outlet - it was very loose and kept sliding out, so I had to tape it in to use it. Also, there is no off switch, so these have to be unplugged when not in use. Like I said, though, they worked great for my intended purpose.
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
For gear, I used my Canon 50mm 1.4 lens. My camera settings for most of the shots you saw were f1.8,  ISO 640 and shutter speed around 250. No flash. Just natural light. You really just need to play around with it a bit depending on your lighting situation and what not.  Be brave and use that manual mode on your camera or at least the aperture priority setting. I did test shots using stuffed toys while the little guy was napping so as not to “waste” any precious time with him and risk missing any good shots. If you have older kids that will sit still you can get some really cool shots! If only Mr. C was old enough for an M&M bribe. Mr Moose did well though…. Here’s a test shot…..
Planning a luau or surf party? Transport your party guests to a tropical paradise with our ocean-themed scene setters. Choose a beach backdrop for a luau prom or a shipwrecked party or pick out a water backdrop or surfboard banner. However you choose to set up your photo booth space, make sure you check out our assortment of photo stick props and other photo booth props to help make your snapshots one of a kind. We have a variety of themes with supporting props, so shop around for movie nights, western parties and even weddings! We also offer personalized backdrops that make it look like you're posing for a mug shot!
Another buyer mentions that it’s easy to adjust the portable backdrop stand and that it’s perfect for light-weight backdrops. He highly recommends it as one of the best background stands available. However, a couple of users have noted that the product is flimsy and breaks because the plastic is of poor quality. Some also complain that they received a damaged unit.
Once I got the equipment out of the box, the entire kit took about 20-30 minutes to set up and break down. I'm expecting it'll be quicker once I've gotten used to it, but the kit's otherwise simple enough to handle. The backdrops are rather thin, but enough for my current needs. I'll need to be more aware of what's behind the muslin, and the sheets can be easily replaced by thicker material when necessary. The metal supports on the umbrellas are enough to keep the things open, but aren't very tolerant of, say, a klutz who knocks the stand over while setting up. (Nothing's broken, and everything's still useful, but... yeah, that bend wasn't there in the umbrella before.) The bag is sturdy enough for lugging things around, but it isn't padded - I've been using the muslins for that purpose. I'm keeping all the equipment boxes and plastic baggies to make sure things stay tidy, but if you wanted to, you could cut it down to just the containers for the light bulbs. Overall, pretty chuffed with this kit.
AMAZING!!! I was worried about what the quality of this backdrop would be because of the price. The colors are BRIGHT and don't look faded in the picture!! It comes folded very small. I suggest hanging it asap. A little work with a steamer got the creases out with not much effort. It has small faded spots from the creases but i cant see them in the picture. I was worried the color would be lighter than the people in the picture but that is not the case. Great buy :)
A user also mentions that the frame feels slightly flimsy, but he hasn’t had any problems with it. He adds that he is satisfied with its performance so far and that the carrying bag is a nice bonus. However, one customer complains that the product’s measurements are not correct and that it’s not strong enough to hold the vinyl in place without dipping.
No space? No problem. The 42 x 42 x 42-inch Little Studio unfolds to deliver a corner studio setting in any location. Its metal frame is shrouded in white diffusion fabric and has hook-and-loop edges so you can mount backdrops and floor mats with ease. When the shoot is over, the Little Studio folds down and slips into an included nylon carrying case. You can completely disassemble the studio if you really need to pack it down. 
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Please keep your expectations realistic: this is a $30 backdrop that will be delivered to your door. This is not fancy. This isn't printed on the best of materials, but do you need it to be? If you're a professional photographer who has worked with backdrops that are $200 a pop, you shouldn't waste your time with this one. But if you're like me, just cutting my teeth out on this business, this is a fine investment that is fun and easy.
For a dramatic or edgy appearance, go with low-key lighting. Low-key lighting also focuses attention onto your subject by surrounding them in shadows instead of light. To do this, you want to ensure that your solid black backdrop is at least 3 stops darker than the light on your subject. With low-key lighting, you also need to ensure that none of the light from your subject is hitting your backdrop. Grids and flag are very helpful for this.

The Emart portable background support kit features adjustable crossbars, an aluminum alloy construction for portability and durability, heavy-duty spring clamps, and heavy-duty nylon sandbags. Another great thing about this product is that it comes with a bag so that you can take it with you on your trips. What’s more, you can adjust the height from 2.6 to 7 ft and the width from 5 to 10 ft.
A purchaser comments that the adjustable backdrop stand is sturdy enough to do the job and that it’s easy to put it together. He adds that it’s light and easy to transport and that he highly recommends it to anyone looking for portable background stands. Another reviewer shares that he bought three adjustable support frames and that he is pleased with the construction and the stability.
Collapsible backgrounds are an ideal choice for photographers who need a portable, compact, and simple to set up and take down. These versatile backdrops are lightweight, easy to setup and never show creases. Collapsible backgrounds spring open, attach to stands with touch fasteners, and can be used horizontally or vertically. Portable collapsible discs are limited and available in a small range of sizes. There are some foldable disc backdrops available that extend in front of the backdrop to the floor, serving as a seamless background for full-length subjects.
Summer may be drawing to a close soon, but ice cream is everyone’s year-round fave. Unlike the real stuff, Ink & Elm’s Dip n Dots backdrop won’t melt on you and its matte vinyl is tear resistant, so you can use it as a floor drop, too. It’s water resistant in case some real ice cream spills from your subject’s hands (or yours, we’re not judging). You can order the backdrop with grommets along the top for an extra $8, or spend $15 to get a pole pocket along the top. Sizes range from 3 x 2 feet up to 10 x 6 feet. Yum.

The idea is to hang this backdrop so that some of the floor print is actually hanging up off the floor and this works very well. The full-length photo shows this way of hanging the backdrop. However, it also works very well if you just hang the backdrop so that the brick is straight up and the floor print is on the floor. The creases from the item being folded are not avoidable, but I did not do a thing to try to remove them and, as you can see, they did not cause any problems in these photos. I am very careful to fold the backdrop when I'm done with it on exactly the same creases so as not cause any further creases or wrinkles. It's easy to do, but a large floor area is very helpful when folding. The smaller sized one might be a better option if you shooting only single subjects. I bought the LimoStudio backdrop frame LimoStudio Photo Video Studio Adjustable Muslin Background Backdrop Support System Stand & Cross Bar, AGG1111and the two together are awesome. I truly love this product!
Vinyl backdrops are thick, rolled and durable, and are recommended for professional studio work. They generally come in solids, but there are a few with printed patterns that can be very inexpensive. While most vinyl backgrounds have a glossy sheen, there are some (including a recently announced line by Savage, which includes the Savage Matte Finish Gray Infinity Series vinyl background) that have a matte finish to eliminate glare and reflections.
The backdrops used for photography are usually made of lighter material which makes it easy for the photographers to carry them around while traveling. The backdrops are usually hung as panels or can be easily draped over anything to give a particular effect. They can also be suspended from background stands by using clamps. Depending upon the type of effect needed by the photographer, the type and size of backdrop can be selected from the wide variety available. Since backdrops require some support, there are many types of background supports available that are well-suited for location work, or even sophisticated permanent studios.

Lastolite by Manfrotto offers the essentials to smoothen and soften natural or artificial lighting for portrait and fashion photography with backgrounds and accessories for an extra creative touch. And don't forget about our reflectors and diffusers, available in circular and triangular shapes, softboxes for speed lights and studio lights, in various shapes and sizes. Our umbrellas and backdrops are available in different materials and surfaces ideal for still life photography. We designed our unique lighting tools consulting a network of professional photographers in order to meet their needs. Many features of our products are patented and our R&D team is constantly looking to further improve product functionality. Lastolite Light Modifiers are designed to be collapsable, providing increased compactness and portability. Developed and produced in the UK following strict quality standards, Lastolite by Manfrotto offers the ultimate lighting solution for all photographers, whether in the studio or outdoors.


6× Photo Studio Light Photography Background Clips Backdrop Clamps Peg Package Contents: 6 clamps Description: These Set of 6 Universal Pro Clamps are easy to use and would be a great addition to your studio. These clamps are extremely useful in positioning or stretching your background onto backdrop support systems. Clamps are perfect when you need to attach any kind of fabric background to a support system. They work perfectly for Muslin, paper, and even canvas backdrops. These clamps are also known as spring clamps, A-clamps, and even studio tongs.
If you're looking for photography lighting kits for beginners, keep an eye out on product descriptions to make sure your kit contains these two essential elements. The type of lighting kit photography you'll need will be dependent upon whether you take your photos inside or outdoors. You can find affordable photography lighting kits for beginners on eBay with many options to chose from.
This kind of fabric has an amazing quality that absorbs light from flashes around the studio. It enables you to have a pitch-black (if using black velour) portrait background that will not reflect the light from your flash or lighting equipment. This way, you don’t have to worry about the direction of light affecting the background because it leaves no detail.
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