What can I say? This background is flimsy and cheap and you can see right through it and it's packed folded and the creases never come out. It arrived with a few runs which is frustrating but you get what you pay for. All of that being said, under the right conditions the backdrop does photograph well, if you know what your doing. Shallow DOF and creative lighting and it did what it was needed for, which in my case was a quick set up for a baby holiday portrait.
Don't take this review too critical to the overall worth of the product. Ultimately you pay for what you get and this is a very reasonable price for a starter home studio setup. I've been working with freelance photography for a few years now, primarily as a hobby, and decided to buy this as a portable setup I can take just about anywhere I want. Everything was functional for that purpose and works wonderfully. The light fixtures come with lights that aren't dimmable but adjustment of height and distance from the umbrella to the bulb can suffice. The carrying bag is fairly poor quality but it's kind of just a nice little extra you get with the package so I didn't take that to heart. The stand pieces, both for the backdrop and the lights, are fairly well made but if you aren't gentle they can be easily broken. As for the backdrops themselves, you get a white, black and green one; all of which are the expected colors and are decent material. However, if you intend to set these up indoors (or outdoors for that matter) be sure to have a background that is plain. These are not the thickest back drops and you can really see just about everything behind them if you aren't caring enough to have a plain backing. Overall, I am satisfied, but you shouldn't expect this to be the only kit you will ever need. Adequate for the beginner but once you really want to make a serious home studio, you will need something much more advanced.
This kind of fabric has an amazing quality that absorbs light from flashes around the studio. It enables you to have a pitch-black (if using black velour) portrait background that will not reflect the light from your flash or lighting equipment. This way, you don’t have to worry about the direction of light affecting the background because it leaves no detail.
The Julius Studio background curtain set features an aluminum alloy construction to ensure durability and portability, and photo clams made of synthetic nylon to provide a strong grip and prevent the canvas from slipping out. Another great thing is that it’s adjustable in width (5-10.3 ft) and height (2.6 -7.5 ft). In addition to this, the set includes quality sandbags for stability.
Another buyer mentions that it’s easy to adjust the portable backdrop stand and that it’s perfect for light-weight backdrops. He highly recommends it as one of the best background stands available. However, a couple of users have noted that the product is flimsy and breaks because the plastic is of poor quality. Some also complain that they received a damaged unit.
What this tells us is that the further away the light source is from the subject and backdrop, the more likely we are to get an equal exposure from one to the other. The quality of the light source can also change with distance. You will notice that as the light gets further away it becomes a harder light with less transitional values. Also, if the subject appears to be further away from the backdrop in the last image, it's due to me needing to use a shorter focal length (zoom out) to avoid getting the softbox in the shot. The shorter focal length exaggerates perspective.
There's no hiding the fact that the LimoStudio 3-Piece Softbox Set is a bare-bones package. The only accessories included with this package are three stands, three softboxes, 12 bulbs, and a case. The boxes and stands are of a good size, and the stands are adjustable to different angles. In the end, however, brightness (and a budget price) are the features that make the LimoStudio a standout.
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Look no further! This is an awesome kit. I was very impressed with the weight and quality of the hardware. The poles are thick and sturdy, and it includes a brochure with basic instructions. The set comes with multiple bags: the large primary bag that holds everything, and smaller "set" bags (two for the umbrellas/softboxes and one for the back muslin stand). Overall I am very satisfied with this purchase and highly recommend this set. Also, the seller was great with communication.
This project is simple and doesn’t take very long at all, maybe about an hour from start to finish. After you’re finished, you will want to roll up the fabric and lights for storage until the wedding. Consider covering it as well, to keep and dirt or dust from settling on it. We covered ours with garbage bags since black dog fur and white curtains are not exactly friends.
In summary, the key factors to getting the backdrop and subject lit in a similar exposure zone is distance; The distance of the subject to the background and the distance of the light source to the subject. Decrease the distance of the subject to background and increase the distance of the main light to the subject to make this easier. The key factor for getting a soft and directional quality to the light is also distance, but it's the opposite. By getting the light closer to the subject, we can create a softer light with more directional qualities. Also remember that these qualities of the light are relative to the size of the light source. If you are using a smaller light source, you will need to get it in closer to hold those transitional values. If you are using a larger light source, you may be able to get your light further back and still hold those soft-light qualities. Also, if the examples and basic principles here make sense to you, you have kind of just learned the inverse square law!
A. Regardless of the lighting system you’ve selected, you should have at least some control over the light intensity. A basic lighting system should allow you to adjust the power of the lighting to half or full. More complex systems will give you several settings options to control the intensity of the lighting. If you purchase an inexpensive lighting system, you’ll have to spend more time adjusting the physical position of the light to achieve the exact intensity of light on the subject you want.
This is exactly what I needed to help my small photography business get off the ground even more! Great product! Very strong stands, and yes, as other reviewers stated, the backdrops are muslin and are very thin, just hang all three or a thicker material behind it and it's fine! I took some really nice Valentines Photographs of my children to test it out! I'm a very happy photographer right now! I did see a few complain about the light fixtures breaking on them, I think the case might be that they are over tighting the bulbs, don't, and you should be fine! I also read a few complain about everything not fitting back into the bag, I did not have this problem, everything fit back in just great! A very happy customer here!! I've attached some of the photographs I took using the black background.
The Little Studio System is a must-have backdrop solution for photographing newborns, infants, toddlers, pets, and products.  The Little Studio is essentially a 3.5 x 3.5 x 3.5-foot room in a box. This system is completely collapsible and can be paired with hundreds of available backdrops and floordrops. These backdrops attach to the system with Velcro, allowing for instant set changes and clean up.

Display your photographic backdrops, floors, and floordrops using durable support equipment and accessories. You'll find a variety of stands and support kits that come with everything you need for mobile photography projects and studio setups. Many styles feature telescoping crossbars and adjustable bases to suit a variety of image heights and widths. Some support systems also feature multicolored chains so you can easily select the right background for your needs.
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