The paper is awesome and thick and great for a photography backdrop. The problem I had with it was no statement letting me know that you cannot use it on a regular stand or the paper will unwind uncontrollably and end up in a crinkled mess on the floor. Half of my roll spun out onto the floor as soon as I tried pulling a little bit out to do a session. Thankfully I was preparing for the session about 15 minutes before the appointment time and I was able to wind it up, cut off the creased parts and rig up something with some painters tape to temporarily keep it in place. Because of this I was unable to change out my backdrop during the session without risk of it unraveling again with my clients here at my place. In order to use this ... full review
Chromakey gives you the ability to insert your photography client into a background of your choosing by having them pose in front of a vibrantly colored screen. You can do this in post-processing programs by removing and replacing the chromakeyed color with the background of your choosing. While you can technically chromakey any color, opting for a very exaggerated color, neon green or blue, will reduce the chance of your client accidentally looking like a floating head without a body because you chromakeyed the color of their dress.
These lights worked perfectly for what I purchased them for - as part of the backdrop for my Christmas pictures. They are a great, long length and width and shine brightly, but they are not overpowering. I had no issues stringing them up at all. They have a steady on mode as well as several different blinking modes. My only complaint is that the plug did not fit into my standard outlet - it was very loose and kept sliding out, so I had to tape it in to use it. Also, there is no off switch, so these have to be unplugged when not in use. Like I said, though, they worked great for my intended purpose.
Another special effects background is the translucent background that is used in videography or photography to disappear under accurate lighting. It is a perfect backdrop to use for theatrical scrim effects wherein the photographers or videographers control the appearance and disappearance of the subjects. These backgrounds can be illusion netting, gauze, scrims and so on. The fabric used for these backdrops can be translucent or transparent and diffusive or non-diffusive.
Alright so at first I was kinda debating on whether or not to get it because of all of the mixed reviews but I'm glad I got it because it's perfect for what I needed. I'm a free lance illustrator and besides working at home, I go to conventiontions quite frequently and I needed something that would help the whole set up process go by faster and opted for this and honestly, I'm glad I did.
The seller describes this as “seamless”.... not even close! This is the CHEAPEST photo backdrop I’ve ever bought. It was folded in packaging in a way that there were folds every 8 x 10 inches- completely unusable. I tried to steam out the wrinkles (because this in no way is fabric- I didn’t want to risk putting it in the dryer). The steaming was unsuccessful. I tried putting it in the dryer for a minute or 2 and the wrinkles were all still there but the ink was not!
This is the Meking background support system with a crossbar that telescopes from 77cm to 200cm. It can hold paper or cloth backgrounds to a maximum of almost 200cm.   Item features: Heavy duty 18mm,22mm and 25mm diameter tubes holds the heavy backdrop or drapes light background stand convenient for on-location work where portability is required The three legs spread out quickly and are freestanding Special locking system and the power clamp designed for stability and secure the backdrop usage   Item features: The lowest height of tripod: 77cm The highest height of tripod:200cm Crossbar length: 3 segments about 200cm Crossbar diameter:25mm.
One of the advantages of using a chroma key background is that it can shorten production time by doing away with the need to change from one background to another. This kind of photo backdrop allows the photographer to freely take pictures without thinking of what background will best fit the image, as they can decide on that part later in the post-processing stage.
Vinyl backdrops are thick, rolled and durable, and are recommended for professional studio work. They generally come in solids, but there are a few with printed patterns that can be very inexpensive. While most vinyl backgrounds have a glossy sheen, there are some (including a recently announced line by Savage, which includes the Savage Matte Finish Gray Infinity Series vinyl background) that have a matte finish to eliminate glare and reflections.
Some canvas backdrops include subtle patterns that provide an interesting but neutral background that doesn’t compete with a portrait subject for attention. Darker backgrounds can be used for low-key lighting, while a lighter, well-lit photo background can create a completely different high-key mood. Canvas backdrops at Adorama range in price from around $135.00 for a 5×7 to $270.00 for an 8×8-foot cloth.
As I expected with cotton it came quite wrinkled, but as any cotton the wrinkles come out well. Of course, ironing requires work and on such large piece of fabric it took about 15 minutes. Cotton will wrinkle again if it is folded for storage, so ideally it would be best to store it mounted on the stands, but for me it is not possible due to lack of space. So I expect that I will need to iron it again, but hopefully it will take less time compared to the initial ironing as I packed it less tightly. Steam ironing works best. For a large piece of fabric like this I use a separate bottle to spray mist on ... full review
6× Photo Studio Light Photography Background Clips Backdrop Clamps Peg Package Contents: 6 clamps Description: These Set of 6 Universal Pro Clamps are easy to use and would be a great addition to your studio. These clamps are extremely useful in positioning or stretching your background onto backdrop support systems. Clamps are perfect when you need to attach any kind of fabric background to a support system. They work perfectly for Muslin, paper, and even canvas backdrops. These clamps are also known as spring clamps, A-clamps, and even studio tongs.
Overall I am very happy with this purchase. I wanted to get a decent lighting studio with backdrop without dropping a lot of cash in for now. I will say when ordering it I was very hesitant. I have found things that are priced cheap,are generally cheap quality. This I think was fair. Everything was in the bag, all lights worked, no bent poles, or broken lights. The fabric of the muslin is rather thin, but I had no problem with transparency on the white. My only complaints are that the bag's strap feels very frail in the stitching where it connects to the bag, which I can easily fix with a needle and thread, and the aluminum poles for the stands/poles are very light and tip with ease. I'm sure a few sandbags hanging would fix that though. Other than that I am very happy with my purchase. I have attached a photo from a quick shoot I did to test the kit out with my oldest husky. A good product for the price, and someone wanting to keep it cheap and simple for a while.
Anyone that does any kind of handy work around the house (or anywhere for that matter) definitely needs to keep a few of these on hand. They are simple. They are plastic, but they feel very strong. The spring inside is REALLY strong! It's got a tight grip for sure! I have around 40-50 of these (different brands) that I've acquired over the years doing woodworking projects. These rank right up there with the best ones! If you're gluing something, these are a must to clamp the parts together. Great grip and as inexpensive as you're going to find! (currently $9.99/1.67ea). Hard to argue with that!
Canvas backgrounds are made of a moderately thick, heavy fabric. These backdrops are mostly painted to look like classic paintings or have imagery of scenic realism. They are also known as roll drops or scenics and need a suspension system. Usually, photographers use motorized backdrop stands though background rollers can also be used to clamp the canvas. A good canvas backdrop can provide an amazing look to the photographers scenes and can even last for a longer span of time. These backdrops are also available with subtle patterns or even neutral backgrounds which highlights the portrait subject.

Overall a beautiful backdrop. More yellow than I was expecting though. The yellowish center on mine is very large and bright, with much less brown/green than the one pictured. I used it for a dance troupe portrait and the yellow wasn’t flattering with everyone’s skin tone. Too bland. However, I changed the color in post and I LOVE the result. The yellow center became a natural bright spot under whatever color I painted with, and is a lovely effect. I have included pictures. The first one is mostly unaltered in color, just darkened a little. I am keeping the backdrop, knowing that I’ll have to be careful with subject/lighting or paint it in post-processing.
Even shooting on location you can achieve some background lighting magic. The sun moves around throughout the day — think east to west as well as dawn to dusk. Analyze what time of the day the sun will project the light on your subject at the desired angle. Note: Hard light (direct sun) will create darker shadows while diffused light (cloudy overcast) will create softer shadows.
A 5 or 6-foot wide backdrop is a great size for headshots and ¾-length portraits. These backdrops are easy to manage and still only requires minimal space to set up. These backgrounds are ideal for event photographers who often work in busy spaces or for photographers working in a small home studio. While 5 to 6-foot backdrops offer more flexibility than 3.5-foot backdrops, they still become a bit tight if when photographing a couple or full-length portrait.

The main cause of this working is distance. Notice how close the subject is standing to the background and how far away the main light is from the subject. In this example, the subject is approximately 2 feet from the backdrop and the main light is approximately 4 feet from the subject. If you're new to this, I would recommend starting with your main light a bit further back to make it a little less challenging. You will see why in a second.

What this tells us is that the further away the light source is from the subject and backdrop, the more likely we are to get an equal exposure from one to the other. The quality of the light source can also change with distance. You will notice that as the light gets further away it becomes a harder light with less transitional values. Also, if the subject appears to be further away from the backdrop in the last image, it's due to me needing to use a shorter focal length (zoom out) to avoid getting the softbox in the shot. The shorter focal length exaggerates perspective.
In summary, the key factors to getting the backdrop and subject lit in a similar exposure zone is distance; The distance of the subject to the background and the distance of the light source to the subject. Decrease the distance of the subject to background and increase the distance of the main light to the subject to make this easier. The key factor for getting a soft and directional quality to the light is also distance, but it's the opposite. By getting the light closer to the subject, we can create a softer light with more directional qualities. Also remember that these qualities of the light are relative to the size of the light source. If you are using a smaller light source, you will need to get it in closer to hold those transitional values. If you are using a larger light source, you may be able to get your light further back and still hold those soft-light qualities. Also, if the examples and basic principles here make sense to you, you have kind of just learned the inverse square law!
I just received this in the mail. It does smell a little like oil based paint, but you have to put your nose up to the fabric. The white and gray is what I ordered so alternating contrast is to be expected. First thing I did was throw it in a dryer with a wet towel to remove the creases and randomize the wrinkles. It's a backdrop of the same quality as the all black backdrop. I expect to be using it in a maternity shoot this weekend and I think it will be wonderful. What I ordered and what I expected. It isn't heavy which makes it portable for other locations, but it means it may not be what some people expect. I'm happy and looking forward to a lot of use. I think it will work for what ... full review
Now that you've got all the wow-worthy props you need, it's time to consider how you want your photo booth to look. Do you want to set the scene for a fiesta? Or maybe you'd like to create a photo booth that's filed with floral touches? Perhaps you're going for something a little more seasonal appropriate such as a mad scientist set for Halloween or Irish clovers for St. Patrick's Day? No matter the occasion, we have backdrops that fit every theme. Beyond this, we also offer a myriad of wall decorations and cardboard cutouts that can easily be added to accent your statement-making backdrop. And with our 110% Lowest Price Guarantee, everything is priced to make you smile too!
An additional piece to go in the kitchen! with some matching dish towels and foam dish drying mats,everything was pulled together nicely. The window in the kitchen is as big as the curtains here and when the sunlight shines in at the end of the day it looks like you are strolling through this valley, very beautiful. Wouldn't recommend this unless you have a very large window so the panels can open all the way so you can see the entire picture.
I purchased this for a Christmas party at my daughters school and it was a major hit with the kids and teachers! They set it up the evening before and on the day of the party I didn't notice any wrinkles. The props were so much fun and such a nice bonus! I was also pleasantly surprised by the quality - with the price being so affordable, I wasn't sure what to expect but it looked amazing and can be used for years to come.
No space? No problem. The 42 x 42 x 42-inch Little Studio unfolds to deliver a corner studio setting in any location. Its metal frame is shrouded in white diffusion fabric and has hook-and-loop edges so you can mount backdrops and floor mats with ease. When the shoot is over, the Little Studio folds down and slips into an included nylon carrying case. You can completely disassemble the studio if you really need to pack it down. 

Want to tweak one of our images? Have your own custom image you'd like to print? The possibilities are endless and our customer service department is ready to help. We print using forced perspective to help give you the most realistic image possible so that your portraits will look realistic as if you were actually on location. If you have an image that you own or have rights to, we'll help you get it formatted correctly for our printing process. Email us your artwork to start the process. If you're wanting a custom Hollywood style photo backdrop with your logo(s) repeated all over it, we do that too with one of our step and repeat backdrops!
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