Cheryl Woods is an accomplished photographer, designer and branding consultant with a career spanning 20+ years. Her photographic work includes editorial, fashion, portraiture and product photography for major companies in the consumer products field including QVC and Hanover Direct. She received a B.F.A. in Photography from the University of the Arts and an M.F.A. in Media Design from Full Sail University. Cheryl's work has been exhibited at the Lowes Museum of Art in Coral Gables, FL, The New York Independent Film Festival and the Rosenwald Wolf Gallery in Philadelphia, PA. Check out her website here!
Love this! I am an armature photographer and have only used a few vinyl backdrops in the past. I needed a solid grey backdrop and thought I would try one of these because they are so much cheaper than the vinyl I had purchased in the past. It was super easy to use. I do just natural lighting so it was nice to not have to deal with a glare like I do on my vinyl ones. I also loved that it was so easy to set up and take down. I had read reviews that said collapsing it back up is difficult but I had a friend with me when using it and I asked her to hold one end and it literally took me less than 30 seconds on the first try...maybe we just got lucky? I wish they had more ... full review
The picture posted here is definitely deceiving, but overall I am happy with the product. I don't know how the photographer edited and/or modified the print in the listing to have the "depth" of the floor like that. I have two pictures that I will submit to show what I received - these are UN-EDITED photos (not run through Photoshop, only added my name to the bottom). I ended up using a floor cloth, as you can clearly see in the image. If the photographer used a separate floor cloth to achieve the extended "brick" look, I could understand it, but as the photo stands it is very deceiving. Obviously there were some adjustments made to bring out the colors in the background too. I can easily achieve the same "rich" colors in Photoshop or some other similar photo editing program.
Again, if you are starting out or having trouble I would recommend getting the light a little further back (somewhere between 4 to 8 feet if using a similar sized light source). You will also notice that the right side of my backdrop is actually not 100 percent white, it fades to a light gray shade. I could increase my fill or correct this in post-processing, but the slight shift is intentional in this image.
This kind of fabric has an amazing quality that absorbs light from flashes around the studio. It enables you to have a pitch-black (if using black velour) portrait background that will not reflect the light from your flash or lighting equipment. This way, you don’t have to worry about the direction of light affecting the background because it leaves no detail.
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