This is exactly what I needed to help my small photography business get off the ground even more! Great product! Very strong stands, and yes, as other reviewers stated, the backdrops are muslin and are very thin, just hang all three or a thicker material behind it and it's fine! I took some really nice Valentines Photographs of my children to test it out! I'm a very happy photographer right now! I did see a few complain about the light fixtures breaking on them, I think the case might be that they are over tighting the bulbs, don't, and you should be fine! I also read a few complain about everything not fitting back into the bag, I did not have this problem, everything fit back in just great! A very happy customer here!! I've attached some of the photographs I took using the black background.
Overall I am very happy with this purchase. I wanted to get a decent lighting studio with backdrop without dropping a lot of cash in for now. I will say when ordering it I was very hesitant. I have found things that are priced cheap,are generally cheap quality. This I think was fair. Everything was in the bag, all lights worked, no bent poles, or broken lights. The fabric of the muslin is rather thin, but I had no problem with transparency on the white. My only complaints are that the bag's strap feels very frail in the stitching where it connects to the bag, which I can easily fix with a needle and thread, and the aluminum poles for the stands/poles are very light and tip with ease. I'm sure a few sandbags hanging would fix that though. Other than that I am very happy with my purchase. I have attached a photo from a quick shoot I did to test the kit out with my oldest husky. A good product for the price, and someone wanting to keep it cheap and simple for a while.
In the shot above I used a two light setup. The main light, camera left, is a Profoto D1 1,000Ws head inside of a 50 inch Westcott Apollo Softbox. While the idea of mixing what is considered to be a high-end strobe with a budget softbox my not sit right with some, I find the indirect lighting source from a Westcott or Photek to give a really nice and even light. The 60 inch Photek Softlighter, which I also enjoy using, may only cost $95 but gives a really nice, soft, and even light. If these lower cost indirect sources are good enough for the likes of Mario Testino and Annie Leibovitz, then they are good enough for me. Clay Cook did an great article on these lighting sources, "Lighting Like Leibovitz," that you can find here.
Great backdrop! I had been looking for a hand painted backdrop but had found that most of them were far too expensive for my budget. Some of the more expensive backdrops also appeared to have far too many design and color variations for my needs. This backdrop is excellent quality and the color is perfect! The slight variations between dark and light gray look lovely in my images.
ALL backdrops/floordrops found in our "NEW Design Arrivals" section are *ON SALE* for 30% off now through Sunday night. Shop here: http://www.backdropsandfloors.com/NEW-Design-Arrivals_c_221.html Enter coupon code: "newarrival" at checkout ----------------------------------------------------------- Sale rules can be found in the shopping cart before checkout.

Hand Painted photography backdrops are at a quality level all their own. With over 45 years of experience, we have mastered creating the perfect hand painted background replica every time. We are capable of handling the most delicate of color changes in our Old Master backgrounds. The Old Master series of hand painted canvases are sure to please and will last for many years if cared for properly.
Alright so at first I was kinda debating on whether or not to get it because of all of the mixed reviews but I'm glad I got it because it's perfect for what I needed. I'm a free lance illustrator and besides working at home, I go to conventiontions quite frequently and I needed something that would help the whole set up process go by faster and opted for this and honestly, I'm glad I did.
To start constructing this DIY backdrop, measure how thick your elbow is compared to your curtain rod, and add electrical tape around the end of the rod until you have a tight fit. For most people, it will be easier to put a little bit of tape on at a time, testing the fit every so often until it’s snug, but measurements can give you a good base to start with. Don’t attach the rod to the elbow yet, however.
Made from styrene, a wrinkle-free plastic, this versatile backdrop can be used as a light table, prop setup or a seamless background. Props or people on the other side of the backdrop are seen as shapes and eerie silhouettes. Placed in front of a light, it delivers a frosted glass effect. You can cut Translum with scissors, so you can whittle down a roll into any shape you desire. It’s available in three grades: lightweight, for a soft light effect with a 3/4-stop light loss, medium grade that eliminates most of the shadows and delivers a 1.5-stop light loss and a heavy grade that knocks back two stops of light (this grade is recommended for shooting tables and is cleanable). Medium and lightweight grades are sold in 60-inch x 18-foot rolls while the heavyweight grade is available in 54-inch x 18-foot rolls.
For our session I tried to keep Mr. C about 3/4 of the way up from the lights on the wall and towards me (right around where you are seeing the garland and red ornaments in the above photo).  I was sitting only as far back from him as I had to, to get what I wanted of him in the frame (keeping in mind the three criteria above).  Using the garland and ornaments for props helped because he just played with them wherever I set them down.
If you’d like to do a little further reading,  here are a couple of links to tutorials that I found helpful before trying this myself. Prop Insanity has a great one with pictures of their actual studio set up using this type of background and Digitial Photography School has a great article on How to Take Beautiful Bokeh Christmas Images . (Bokeh being that gorgeous background blur we all love). You can also check out my Photography board on pinterest for more ideas.  If you do try this, I would LOVE to see your finished product so please come share with us on Facebook.
The backdrop support system typically mounts backdrops that feature a pole pocket. This pocket simply slides onto the cross bars. Backdrops without a pole pocket can also be mounted to the backdrop support system with spring clamps. Spring clamps (AKA A-Clamps) can be found at any hardware store and typically only cost a few dollars. These clamps are great to have around your studio, as they also allow you to clamp backdrops taut at the bottom to eliminate wrinkles or shadows.
The most simple way to hang a backdrop is by using wall hooks. This solution is suitable for people using smaller and lighter backdrops. 5 x 7-foot X-Drop Backdrops and 3.5 x 3.5-foot backdrops feature built-in grommets for use with hooks. While you can install these into your wall, we recommend picking up a pack of removable wall hooks to protect your walls. They are usually under $10 USD per pack.
If you’d like to do a little further reading,  here are a couple of links to tutorials that I found helpful before trying this myself. Prop Insanity has a great one with pictures of their actual studio set up using this type of background and Digitial Photography School has a great article on How to Take Beautiful Bokeh Christmas Images . (Bokeh being that gorgeous background blur we all love). You can also check out my Photography board on pinterest for more ideas.  If you do try this, I would LOVE to see your finished product so please come share with us on Facebook.
Hand Painted photography backdrops are at a quality level all their own. With over 45 years of experience, we have mastered creating the perfect hand painted background replica every time. We are capable of handling the most delicate of color changes in our Old Master backgrounds. The Old Master series of hand painted canvases are sure to please and will last for many years if cared for properly.
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