There are a few things to consider when choosing a backdrop size, including the size of your studio and the size of your subject. Portrait subjects should typically be pulled at least 3’ away from your backdrop to prevent shadows and allow for easy lighting. Of course, this distance your subject will be from the backdrop will be altered when taking overhead or backlit/high key shots. Below, we’ll discuss both the length and width restrictions of common backdrops.
This is an 10ft*10 ft (300cm*300cm) spring backdrop with general appearance of a picture, there is a floor for person to stand on, and not seamless, mean it's two pieces backdrops. Backgrounds are suitable for Wedding, Children Photography, Holiday Party, Birthday or Photo Booths etc. If you need size that larger than 150 cm*200 cm, please contact us and additional charges is needed, also large size backgrounds have seams, please don't worry because the seam will not interfere with the photos. For any questions and problems please feel free to contact with me, I will do my best to answer and help you.
Users love the price and the quality of the product, but some do note that it’s too light for their liking. The Linco T-shaped backdrop stand features a sturdy design, a set of crossbars, and clamps to keep the fabric in place. Another great thing about this product is that it’s light – just four lbs., and you don’t need any special skills to assemble it. What’s more, you can adjust it from 2.6 ft. to 6.7 ft.
They are plastic, but very strong and the clamping power is quite good. The only annoyance is the little red pads on the end, swivel all the way around so if you are trying to attach something up high with one hand, sometimes they flip backwards and don't grab correctly. You just need to make sure they are facing inwards before you reach up high. I used all 6 clamps to attach a large king size sheet to a linco backdrop stand and it was enough - ... full review
Love this! I am an armature photographer and have only used a few vinyl backdrops in the past. I needed a solid grey backdrop and thought I would try one of these because they are so much cheaper than the vinyl I had purchased in the past. It was super easy to use. I do just natural lighting so it was nice to not have to deal with a glare like I do on my vinyl ones. I also loved that it was so easy to set up and take down. I had read reviews that said collapsing it back up is difficult but I had a friend with me when using it and I asked her to hold one end and it literally took me less than 30 seconds on the first try...maybe we just got lucky? I wish they had more ... full review
I ordered this backdrop, because I've been recently getting into some basic photography and needed a backdrop in a standard, simple color. Please note that included with your purchase is ONLY the backdrop and clamps for it. The stand is sold separately. It came shipped to me in a smaller flat box. The backdrop itself was wrapped in a cellophane bag inside the box. The five spring clamps were in a smaller cellophane bag inside the box as well. The clamps were very good quality-they stayed closed without any slipping. The stitching and fabric quality looked very good, especially for the price. It's not thick enough to completely block out any light behind so be prepared to plan accordingly. It is not too thin either though in my opinion. The thinner material makes for easier storage. And yes it does have wrinkles when you unfold it, but that is easy ... full review
Canvas backgrounds are made of a moderately thick, heavy fabric. These backdrops are mostly painted to look like classic paintings or have imagery of scenic realism. They are also known as roll drops or scenics and need a suspension system. Usually, photographers use motorized backdrop stands though background rollers can also be used to clamp the canvas. A good canvas backdrop can provide an amazing look to the photographers scenes and can even last for a longer span of time. These backdrops are also available with subtle patterns or even neutral backgrounds which highlights the portrait subject.
The fill light for this shoot is also a Profoto D1 1,000W strobe in a Westcott Apollo Orb, which is camera right and with the light sitting about waist height. This light is also pulled back a bit further than the main to give a wider spill. Since I am using my lights to do two jobs, lighting the subject and the background, I am not gridding and instead placing them so that one edge of the modifier is pointing towards the edge of the seamless and the other is towards the subject.
A good beginner, entry-level, infrequent use backdrop. If you take the time to remove the wrinkles, and there are quite a few due to shipping restrictions, it turns out to be a good first backdrop. I rolled it tightly on a 1” pvc, leaving it that way for several days, and hung it afterwards. There were a few places I needed to use a hair dryer to get them out but once done it’s a nice backdrop. It’s lightweight being vinyl but the printing on it looks much richer. For the price you know you will need to do some work but in the end it’s well worth it.
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