For our session I tried to keep Mr. C about 3/4 of the way up from the lights on the wall and towards me (right around where you are seeing the garland and red ornaments in the above photo).  I was sitting only as far back from him as I had to, to get what I wanted of him in the frame (keeping in mind the three criteria above).  Using the garland and ornaments for props helped because he just played with them wherever I set them down.
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I shoot videos and portraits of classical and acoustic guitarists and have a small collection of backdrops I carry around. The StudioPRO 5' x 7' Blue Collapsible Twist Muslin is one of my favorites: convenient to transport, fast to set up and easy on the eye. It's a blue muslin marbled with random patches of white and darker grayish blues, almost resembling the sky with popcorn clouds. I love how it photographs and my sample is a little darker and more attractive and than the product photos.
If you’d like to do a little further reading,  here are a couple of links to tutorials that I found helpful before trying this myself. Prop Insanity has a great one with pictures of their actual studio set up using this type of background and Digitial Photography School has a great article on How to Take Beautiful Bokeh Christmas Images . (Bokeh being that gorgeous background blur we all love). You can also check out my Photography board on pinterest for more ideas.  If you do try this, I would LOVE to see your finished product so please come share with us on Facebook.

A good beginner, entry-level, infrequent use backdrop. If you take the time to remove the wrinkles, and there are quite a few due to shipping restrictions, it turns out to be a good first backdrop. I rolled it tightly on a 1” pvc, leaving it that way for several days, and hung it afterwards. There were a few places I needed to use a hair dryer to get them out but once done it’s a nice backdrop. It’s lightweight being vinyl but the printing on it looks much richer. For the price you know you will need to do some work but in the end it’s well worth it.
The fill light for this shoot is also a Profoto D1 1,000W strobe in a Westcott Apollo Orb, which is camera right and with the light sitting about waist height. This light is also pulled back a bit further than the main to give a wider spill. Since I am using my lights to do two jobs, lighting the subject and the background, I am not gridding and instead placing them so that one edge of the modifier is pointing towards the edge of the seamless and the other is towards the subject.
A. Regardless of the lighting system you’ve selected, you should have at least some control over the light intensity. A basic lighting system should allow you to adjust the power of the lighting to half or full. More complex systems will give you several settings options to control the intensity of the lighting. If you purchase an inexpensive lighting system, you’ll have to spend more time adjusting the physical position of the light to achieve the exact intensity of light on the subject you want.
The backdrop support system typically mounts backdrops that feature a pole pocket. This pocket simply slides onto the cross bars. Backdrops without a pole pocket can also be mounted to the backdrop support system with spring clamps. Spring clamps (AKA A-Clamps) can be found at any hardware store and typically only cost a few dollars. These clamps are great to have around your studio, as they also allow you to clamp backdrops taut at the bottom to eliminate wrinkles or shadows.

Don't take this review too critical to the overall worth of the product. Ultimately you pay for what you get and this is a very reasonable price for a starter home studio setup. I've been working with freelance photography for a few years now, primarily as a hobby, and decided to buy this as a portable setup I can take just about anywhere I want. Everything was functional for that purpose and works wonderfully. The light fixtures come with lights that aren't dimmable but adjustment of height and distance from the umbrella to the bulb can suffice. The carrying bag is fairly poor quality but it's kind of just a nice little extra you get with the package so I didn't take that to heart. The stand pieces, both for the backdrop and the lights, are fairly well made but if you aren't gentle they can be easily broken. As for the backdrops themselves, you get a white, black and green one; all of which are the expected colors and are decent material. However, if you intend to set these up indoors (or outdoors for that matter) be sure to have a background that is plain. These are not the thickest back drops and you can really see just about everything behind them if you aren't caring enough to have a plain backing. Overall, I am satisfied, but you shouldn't expect this to be the only kit you will ever need. Adequate for the beginner but once you really want to make a serious home studio, you will need something much more advanced.
What this tells us is that the further away the light source is from the subject and backdrop, the more likely we are to get an equal exposure from one to the other. The quality of the light source can also change with distance. You will notice that as the light gets further away it becomes a harder light with less transitional values. Also, if the subject appears to be further away from the backdrop in the last image, it's due to me needing to use a shorter focal length (zoom out) to avoid getting the softbox in the shot. The shorter focal length exaggerates perspective.
I shoot videos and portraits of classical and acoustic guitarists and have a small collection of backdrops I carry around. The StudioPRO 5' x 7' Blue Collapsible Twist Muslin is one of my favorites: convenient to transport, fast to set up and easy on the eye. It's a blue muslin marbled with random patches of white and darker grayish blues, almost resembling the sky with popcorn clouds. I love how it photographs and my sample is a little darker and more attractive and than the product photos.
There's no hiding the fact that the LimoStudio 3-Piece Softbox Set is a bare-bones package. The only accessories included with this package are three stands, three softboxes, 12 bulbs, and a case. The boxes and stands are of a good size, and the stands are adjustable to different angles. In the end, however, brightness (and a budget price) are the features that make the LimoStudio a standout.
The Grand Events backdrops and scene setters you use for your next event are going to make the room look perfect. You can create any kind of scene you want, and you can impress your guests. The backdrops that you use from Grand Events are going to help you set the scene for any event, and you need to make sure that you are using these scene setters no matter what kind of setup you have. This means that you will be able to create the environment that you need. The environment is going to help you make everyone feel at home, and the backdrops will fit the party theme that you have chosen for these event. These photo backdrops and scenes work great for weddings, receptions, parties and special events. You can get them in any color you want, and you can set up something that is going to look like it came from another world. You need to get everyone in the mood of what you are trying to present, and the backdrops are going to make it so much easier for you to do the job. These scene setters are going to create a special party that will impress any guest.
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