The idea is to hang this backdrop so that some of the floor print is actually hanging up off the floor and this works very well. The full-length photo shows this way of hanging the backdrop. However, it also works very well if you just hang the backdrop so that the brick is straight up and the floor print is on the floor. The creases from the item being folded are not avoidable, but I did not do a thing to try to remove them and, as you can see, they did not cause any problems in these photos. I am very careful to fold the backdrop when I'm done with it on exactly the same creases so as not cause any further creases or wrinkles. It's easy to do, but a large floor area is very helpful when folding. The smaller sized one might be a better option if you shooting only single subjects. I bought the LimoStudio backdrop frame LimoStudio Photo Video Studio Adjustable Muslin Background Backdrop Support System Stand & Cross Bar, AGG1111and the two together are awesome. I truly love this product!
Look no further! This is an awesome kit. I was very impressed with the weight and quality of the hardware. The poles are thick and sturdy, and it includes a brochure with basic instructions. The set comes with multiple bags: the large primary bag that holds everything, and smaller "set" bags (two for the umbrellas/softboxes and one for the back muslin stand). Overall I am very satisfied with this purchase and highly recommend this set. Also, the seller was great with communication.
I needed a small kit that I would be ablt to take with me to anywhere i needed some extra lighting or a backdrop. This kit looked compact and had the essentials as well. I'm actually surprised at how much I've done using this kit, ive done amateur and commercial photography using this kit (mostly the lighting as supplemental). It works great for on the go projects and the case it all comes in is well made and easy to carry.
As with lighting systems and camera equipment, backdrops require some kind of support to keep them in place. Background supports can be simple or sophisticated systems. The simple ones are easy to set up and break down and are well suited for location work, while sophisticated, permanent studio systems can hold multiple backgrounds that can be raised or lowered either manually or at the flip of a switch.
Overall I am very happy with this purchase. I wanted to get a decent lighting studio with backdrop without dropping a lot of cash in for now. I will say when ordering it I was very hesitant. I have found things that are priced cheap,are generally cheap quality. This I think was fair. Everything was in the bag, all lights worked, no bent poles, or broken lights. The fabric of the muslin is rather thin, but I had no problem with transparency on the white. My only complaints are that the bag's strap feels very frail in the stitching where it connects to the bag, which I can easily fix with a needle and thread, and the aluminum poles for the stands/poles are very light and tip with ease. I'm sure a few sandbags hanging would fix that though. Other than that I am very happy with my purchase. I have attached a photo from a quick shoot I did to test the kit out with my oldest husky. A good product for the price, and someone wanting to keep it cheap and simple for a while.
Football season is nearly upon us and Backdrop Express’s sports and stadium-themed printed backdrops are a great way to capitalize on the bone crunching. They’re available in poly paper or vinyl in either 4 x 5-foot or 5 x 6-foot sizes, or a fabric with sizes ranging from 5 x 6.5 feet up to 10 x 10 feet in a choice of light or heavyweight. The poly paper version is water resistant and has a matte finish. If you opt for vinyl, you’ll get a more durable backdrop that’s also water resistant and has a matte finish. The heavyweight fabric is a polyester/cotton knot that’s washable and wrinkle resistant with a sewn-in rod pocket. The lightweight fabric is a 100 percent polyester weave that Backdrop Express likens to a tablecloth. It, too, is wrinkle resistant, though less than the heavyweight fabric. On the plus side, Backdrop Express says the printed design is “slightly clearer” on the lightweight version. Decisions, decisions.
The fill light for this shoot is also a Profoto D1 1,000W strobe in a Westcott Apollo Orb, which is camera right and with the light sitting about waist height. This light is also pulled back a bit further than the main to give a wider spill. Since I am using my lights to do two jobs, lighting the subject and the background, I am not gridding and instead placing them so that one edge of the modifier is pointing towards the edge of the seamless and the other is towards the subject.
Once I got the equipment out of the box, the entire kit took about 20-30 minutes to set up and break down. I'm expecting it'll be quicker once I've gotten used to it, but the kit's otherwise simple enough to handle. The backdrops are rather thin, but enough for my current needs. I'll need to be more aware of what's behind the muslin, and the sheets can be easily replaced by thicker material when necessary. The metal supports on the umbrellas are enough to keep the things open, but aren't very tolerant of, say, a klutz who knocks the stand over while setting up. (Nothing's broken, and everything's still useful, but... yeah, that bend wasn't there in the umbrella before.) The bag is sturdy enough for lugging things around, but it isn't padded - I've been using the muslins for that purpose. I'm keeping all the equipment boxes and plastic baggies to make sure things stay tidy, but if you wanted to, you could cut it down to just the containers for the light bulbs. Overall, pretty chuffed with this kit.
If you do many in-studio portrait sessions, you probably have a lot of space set aside for background materials, props, and supports. Add to your stash with canvas backdrops for photography, and selections made of durable, low-maintenance materials, such as cotton and wrinkle-resistant polyester. Several backgrounds come on rolls so you can mount them to autopoles and smoothly swap out designs between poses. Seamless paper works particularly well for everyday needs, as you can roll sheets out to the desired length and then reuse or trim away pieces for easy recycling. Muslin photo and video backdrops feature non-reflective surfaces that diffuse light more naturally, which can help keep the focus on your subject. If you prefer materials that allow for fast and efficient cleanup, vinyl and PVC backgrounds are a solid choice, especially when you use them in potentially messy situations involving pets, babies, and toddlers.