Great for the price point! Will get lots of use out of it. Biggest issue was setting it up, theres absolutely no instructions that comes with this set. There is a piece of paper titled “instructions” BUT it’s literally just a list of what’s inside the packaging and not how to put it together. Had to watch a video online to figure it out. This was my first time setting up something like this. Also the polls are a little flimsy and I’m always worried about it falling over however again you pay what you get, don’t expect top of the line equipment when you’re purchasing relatively cheap stuff. Anyways thumbs up from me, it’s basically exactly what I needed.
A traditional backdrop support system is the most common mounting solution for photography studios. The backdrop support system consists of a 3-section cross bar and two light stands. By utilizing two of the included cross bars, the backdrop support system can mount backdrops up to 7-feet wide. By utilizing all three cross bars, this system can mount backdrops up to 10.5-feet wide. The included stands can extend up to 12-feet high for photographing tall people, high movement, or products.
It was higher quality then I had expected . One side is a very soft and silky/shiny material. The photo is only on one side , just to let you know . Needs to be ironed but ours broke and we do not have an iron at the moment. If the lines were out it would look absolutely gorgeous. Totally changed the feel of a room. Bought the 60”W by 80”L . Not disappointed.
Display your photographic backdrops, floors, and floordrops using durable support equipment and accessories. You'll find a variety of stands and support kits that come with everything you need for mobile photography projects and studio setups. Many styles feature telescoping crossbars and adjustable bases to suit a variety of image heights and widths. Some support systems also feature multicolored chains so you can easily select the right background for your needs.
You can channel our cavemen ancestry with Custom Photo Prop’s Faux Fur Mat, safe in the knowledge that no animals were harmed in their making. These synthetic mats are PETA-approved, machine-washable and hypoallergenic. They can be ordered as a basket stuffer in a 20 x 32-inch size. It’s sold as a 15 x 15-inch layer or in 3 x 5-foot and 5 x 6-foot sizes. They’re super comfortable on baby’s skin as well.
With a 20 or 24-foot long backdrop you’ll be able to cover just about every style of portraiture and product photography. These backdrops are great if you want to photograph a larger family full-length, or have a video shoot that requires movement. These long backdrops are great for when you want to pull your subjects far from your backdrop as well.
At Backdrop Express we offer a wide selection of backdrop support systems, with options for every type of photographer. Whether you're a student, have limited storage space, or have been in the industry for many years and are just looking for an upgrade, we have a backdrop stand to meet your needs. All our backdrop stands are secure, reliable and professional-quality! These easy-to-use and easy-to-store backdrop stands are cost-effective and versatile, easily supporting most standard photography backdrops, including muslin backdrops and seamless paper. Check out our wide selection of Backdrop Kits & save money when you purchase a backdrop with your backdrop stand!
Again, if you are starting out or having trouble I would recommend getting the light a little further back (somewhere between 4 to 8 feet if using a similar sized light source). You will also notice that the right side of my backdrop is actually not 100 percent white, it fades to a light gray shade. I could increase my fill or correct this in post-processing, but the slight shift is intentional in this image.
Shooting on a clean white backdrop can be one of the more complex in-studio lighting setups around. Properly exposing for full lengths while giving your models room to work can require four or more extra lights and considerable amount of setup time. While taking the time to take care of the details is important for getting the perfect image and saving yourself hours of retouching on the back end, sometimes you just want to get a nice clean background without the hours of prep.
The backdrops used for photography are usually made of lighter material which makes it easy for the photographers to carry them around while traveling. The backdrops are usually hung as panels or can be easily draped over anything to give a particular effect. They can also be suspended from background stands by using clamps. Depending upon the type of effect needed by the photographer, the type and size of backdrop can be selected from the wide variety available. Since backdrops require some support, there are many types of background supports available that are well-suited for location work, or even sophisticated permanent studios.
This is my first DIY project. I decided to make this backdrop stand so when I film my YouTube videos. I bought all of the products used from my local Home Depot. I bought three 10 feet long PCV pipes. 4 end caps, 4 T-caps and 2 Elbow Caps. I had a Home Depot Employee cut the PCV pipe for me in store. The 1st PCV was cut in TWO 54 inch long pieces. The 2nd PCV pipe was cut into FOUR 30 inch long pieces. The 3rd PCV pipe was cut into FOUR 12 inch long pieces. I got this idea from Pinterest and I found it very helpful. I spent $10.23 total, including tax, and it took me less than 10 minutes to construct this project. This is great for Vlogging, low-budget photography studios or even a photo-booth at an or birthday party!
A purchaser comments that the adjustable backdrop stand is sturdy enough to do the job and that it’s easy to put it together. He adds that it’s light and easy to transport and that he highly recommends it to anyone looking for portable background stands. Another reviewer shares that he bought three adjustable support frames and that he is pleased with the construction and the stability.
6× Photo Studio Light Photography Background Clips Backdrop Clamps Peg Package Contents: 6 clamps Description： These Set of 6 Universal Pro Clamps are easy to use and would be a great addition to your studio. These clamps are extremely useful in positioning or stretching your background onto backdrop support systems. Clamps are perfect when you need to attach any kind of fabric background to a support system. They work perfectly for Muslin, paper, and even canvas backdrops. These clamps are also known as spring clamps, A-clamps, and even studio tongs.
I ordered this backdrop, because I've been recently getting into some basic photography and needed a backdrop in a standard, simple color. Please note that included with your purchase is ONLY the backdrop and clamps for it. The stand is sold separately. It came shipped to me in a smaller flat box. The backdrop itself was wrapped in a cellophane bag inside the box. The five spring clamps were in a smaller cellophane bag inside the box as well. The clamps were very good quality-they stayed closed without any slipping. The stitching and fabric quality looked very good, especially for the price. It's not thick enough to completely block out any light behind so be prepared to plan accordingly. It is not too thin either though in my opinion. The thinner material makes for easier storage. And yes it does have wrinkles when you unfold it, but that is easy ... full review
The folks at the slanted lens are anything but low value so it was kinda surprising to see that many of their setups are actually low-budget DIYs. The short below shows six of those tricks including a plumbing backdrop hanger, a ton of budgety lighting solutions (some of which we have covered in the past, but their softbox is pure budget geniusity) and my favorite, another use for a tarp.
This is the Meking background support system with a crossbar that telescopes from 77cm to 200cm. It can hold paper or cloth backgrounds to a maximum of almost 200cm. Item features: Heavy duty 18mm,22mm and 25mm diameter tubes holds the heavy backdrop or drapes light background stand convenient for on-location work where portability is required The three legs spread out quickly and are freestanding Special locking system and the power clamp designed for stability and secure the backdrop usage Item features: The lowest height of tripod: 77cm The highest height of tripod:200cm Crossbar length: 3 segments about 200cm Crossbar diameter:25mm.
Features: 1.5-In-1 Design: Fill-in light ring, Bluetooth shutter, Selfie Stick, Phone Holder, Tripod Lamp 2.Wide Application: Widely applied to podcast, live video, video chat, selfie fill light, makeup, filling light indoors, portrait, fashion, wedding art, advertisement photography, etc.3.With Controller: Brightness up and down(10-level brightness), light color switching and power on/off easily handled through the controller 4.3-Light Color: Warm Light, Soft Light, White light. Different light color delivers differetn shooting results. 5.Eye Protection Light Source: Soft light photography light with stepless dimming, can be adjusted to your desired level. 6.Designed to Last: High quality led bead equipepd, flicker-free, no light ra.
This kit is truly jaw dropping. First of all, the quality of all of the products are amazing. The fabrics on the backdrops is professional level and the quality of the fabric of the soft boxes is even better. the lights are really strong and bright but the soft boxes make it... softer. The Background support is really sturdy and it is something that you can rely on. The reflectors comes in handy if you are one of those people who like to use it. Every product comes with well packaged and most come with a carry bag which is very nice. The second thing that is that the price is unbelievable. It comes with 4 lights, three different backdrops and all of the metal pieces! YOU WON"T FIND A BETTER DEAL! This is a great product for the professional photographer or for those starting out and want to have ... full review
Football season is nearly upon us and Backdrop Express’s sports and stadium-themed printed backdrops are a great way to capitalize on the bone crunching. They’re available in poly paper or vinyl in either 4 x 5-foot or 5 x 6-foot sizes, or a fabric with sizes ranging from 5 x 6.5 feet up to 10 x 10 feet in a choice of light or heavyweight. The poly paper version is water resistant and has a matte finish. If you opt for vinyl, you’ll get a more durable backdrop that’s also water resistant and has a matte finish. The heavyweight fabric is a polyester/cotton knot that’s washable and wrinkle resistant with a sewn-in rod pocket. The lightweight fabric is a 100 percent polyester weave that Backdrop Express likens to a tablecloth. It, too, is wrinkle resistant, though less than the heavyweight fabric. On the plus side, Backdrop Express says the printed design is “slightly clearer” on the lightweight version. Decisions, decisions.
A. Regardless of the lighting system you’ve selected, you should have at least some control over the light intensity. A basic lighting system should allow you to adjust the power of the lighting to half or full. More complex systems will give you several settings options to control the intensity of the lighting. If you purchase an inexpensive lighting system, you’ll have to spend more time adjusting the physical position of the light to achieve the exact intensity of light on the subject you want.
A. Flash lighting, also called a speedlight, appears suddenly, at a high intensity. Flash lighting can “freeze” the action, allowing for a sharp photo of moving objects. Speedlights can be attached to the camera, or they can be placed on mounts away from the camera. Because the light from the flash appears suddenly, however, you won’t know ahead of time exactly what kinds of shadows the light will create.
What can I say? This background is flimsy and cheap and you can see right through it and it's packed folded and the creases never come out. It arrived with a few runs which is frustrating but you get what you pay for. All of that being said, under the right conditions the backdrop does photograph well, if you know what your doing. Shallow DOF and creative lighting and it did what it was needed for, which in my case was a quick set up for a baby holiday portrait.
In summary, the key factors to getting the backdrop and subject lit in a similar exposure zone is distance; The distance of the subject to the background and the distance of the light source to the subject. Decrease the distance of the subject to background and increase the distance of the main light to the subject to make this easier. The key factor for getting a soft and directional quality to the light is also distance, but it's the opposite. By getting the light closer to the subject, we can create a softer light with more directional qualities. Also remember that these qualities of the light are relative to the size of the light source. If you are using a smaller light source, you will need to get it in closer to hold those transitional values. If you are using a larger light source, you may be able to get your light further back and still hold those soft-light qualities. Also, if the examples and basic principles here make sense to you, you have kind of just learned the inverse square law!
Browse our collection of photography props including posing stools, steps for seated and standing shots, numbers, and more. These photography props are also ideal for theatre productions, catalog shoots, school portraits and more. With multiple options available, you are sure to find the photography props you need at the low prices you want. Interested in learning more about photography props? Check out What Posing Props Can Do For Your Photo Shoot!
The key to getting those gorgeous big bubbles of light in the background is to locate your subject a decent distance from the lights while at the same time positioning yourself as close to your subject as you can be to get the shot you want and setting the aperture on your camera just about as wide open as you can. The further away your subject is from the lights, the closer your are to your subject and the wider the aperture…..the bigger the lights.
Overall a beautiful backdrop. More yellow than I was expecting though. The yellowish center on mine is very large and bright, with much less brown/green than the one pictured. I used it for a dance troupe portrait and the yellow wasn’t flattering with everyone’s skin tone. Too bland. However, I changed the color in post and I LOVE the result. The yellow center became a natural bright spot under whatever color I painted with, and is a lovely effect. I have included pictures. The first one is mostly unaltered in color, just darkened a little. I am keeping the backdrop, knowing that I’ll have to be careful with subject/lighting or paint it in post-processing.
As I expected with cotton it came quite wrinkled, but as any cotton the wrinkles come out well. Of course, ironing requires work and on such large piece of fabric it took about 15 minutes. Cotton will wrinkle again if it is folded for storage, so ideally it would be best to store it mounted on the stands, but for me it is not possible due to lack of space. So I expect that I will need to iron it again, but hopefully it will take less time compared to the initial ironing as I packed it less tightly. Steam ironing works best. For a large piece of fabric like this I use a separate bottle to spray mist on ... full review
A. Many photographers choose a continuous lighting set as a introductory set because of its low starting price. Additionally, continuous lighting allows you to control shadows, and to take the time to figure out the exact camera settings to use. However, continuous light generates heat, so if you’re shooting portrait photos, your subjects could grow uncomfortable.
The StudioPRO 3000W's included backdrops add a lot of value and a professional touch that users love. The 10-foot power cord often eliminates the need for an extension, and can reduce anxiety over tripping on a taut line. The lightweight equipment and small case store easily, and if you travel a lot, you would be hard-pressed to find a more portable model.
I recently bought this 3 days ago and used it to shoot 38 headshots and a group photo for a university. The images came out fantastic!! I was amazed that the light quality was excellent and the light stands were sturdy without sandbags to fasten it. I bought a used kit but it was greatly taken cared of. I wanted an easy portable light kit and this is perfect very light weight and cost effective. Backgroynd stand is great, Muslim is thin in black but just double it up and youll be fine for headshots.
Photo Floors or as we like to call them Roll Up Floors are the perfect compliment to any backdrop. Lightweight, easy to roll for storage, and very realistic. Photography floors are made of a thick durable neoprene rubber backed material which provides an anti slip faux flooring mat. Whether you are looking for a faux wood photography flooring or trying to bring the grass fields indoors, there are tons of options.